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Beiträge
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Mit Wadada wär’s noch spannender gewesen, aber ja, ich möchte wohl auch ein Ohr voll davon nehmen (vom Soloalbum von Marc Johnson natürlich auch).
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaHighlights von Rolling-Stone.de„Malcolm Young zeigte Rock’n’Roll den Mittelfinger“: AC/DC über ihr stilles Genie
Stephen Kings „Es“: Warum der Roman nicht ganz so groß ist, wie wir ihn uns wünschen
Von mies bis groß: Alle U2-Alben im Ranking
ROLLING STONE Ranking: Die besten Alben der Smashing Pumpkins
Abba: alle Alben im Ranking
Ranking: Die besten Alben von Beck
Werbung
Frisch bei Rogue Art erschienen, Duo-Album von William Parker und Matthew Shipp. Ich bin sehr gespannt.
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...Nur digital und bloss zwei Tracks, aber das sind doch schöne News, die wir hier bisher verpasst hatten (?)
Pan Afrikan Peoples Arkestra – Nyja’s Theme / Little Africa
https://panafrikanpeoplesarkestra.bandcamp.com
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaHm. Jetzt hast Du die „Neuigkeit“ gleich in zwei Threads
verbreitet. Und nicht in den richtigen Thread geschaut.Entdecker haben es schwer.
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Free Jazz doesn't seem to care about getting paid, it sounds like truth. (Henry Rollins, Jan. 2013)icculus66Hm. Jetzt hast Du die „Neuigkeit“ gleich in zwei Threads
verbreitet. Und nicht in den richtigen Thread geschaut.
Entdecker haben es schwer.Hab den Post verschoben:
http://forum.rollingstone.de/foren/topic/funde-aus-dem-archiv/#post-11574825--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
BORDERLANDS TRIO with Stephan Crump, Kris Davis, Eric McPherson – Wandersphere
(Intakt, 2 CD / DL, 2021)1. Super-Organism 30:28
2. An Invitation to Disappear 19:43
3. Old-Growth 41:22
4. Possible Futures 24:33Gerade erschienen … muss ich natürlich haben. Aber wegen all der Umfragen komme ich ja gar nicht dazu, Neuheiten zu hören dieses Jahr
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbagypsy-tail-wind
BORDERLANDS TRIO with Stephan Crump, Kris Davis, Eric McPherson – Wandersphere
(Intakt, 2 CD / DL, 2021)
1. Super-Organism 30:28
2. An Invitation to Disappear 19:43
3. Old-Growth 41:22
4. Possible Futures 24:33
Gerade erschienen … muss ich natürlich haben. Aber wegen all der Umfragen komme ich ja gar nicht dazu, Neuheiten zu hören dieses Jahr
gerade das erste stück gehört, das ist ja großartig!
das erste album hat bei mir nicht so verfangen, deshalb habe ich noch gezögert, aber das muss bestellt werden.--
Abdullah Ibrahim – Solotude: My Journey, My Vision
(LP/CD/DL, 16. November 2021)South African piano maestro Abdullah Ibrahim has announced a new solo piano album, Solotude, due for release on November 26.
The album consists of a performance on Ibrahim’s birthday last year in October at Hirzinger Hall, in South East Germany. Whilst Ibrahim traditionally performs an annual birthday concert at Hirzinger, due to lockdown restrictions at the time of recording, this was replaced with the opportunity to record a solo piano performance. The recording crew was sparse, the audience non-existent, yet Ibrahim’s communion with the piano remained warm and timeless.
The music spans timeless classics including Blues for a Hip King and The Wedding, seldom recorded pieces such as Tokai, as well as new themes Once Upon A Midnight, In The Evening, and Signal On A Hill. The enduring purity and honesty of Ibrahim’s touch and the emotive simplicity of his writing demonstrates that even in the dark, hope shines through. At 86, and even through a pandemic, the ever-active and imaginative Ibrahim shows no signs of stopping.
Solotude is out digitally and on LP/CD on Gearbox direct platforms on November 26, and on LP/CD in record shops on January 14.
Quelle: September-Newsletter von Gearbox
Each year on October 9th, Abdullah Ibrahim performs a solo piano concert at the Hirzinger Hall in South Germany in order to celebrate his birthday. Due to lockdown restrictions last year, this traditional birthday concert was replaced with the opportunity to record a solo piano performance. Hirzinger Hall, in Riedering, South East Germany, is famous for its incredible acoustics, and Ibrahim’s solitary performance lends itself perfectly to the space, The recording crew was sparse, the audience non-existent, yet Ibrahim’s communion with the piano remains warm and timeless.
Quelle: https://abdullahibrahim.bandcamp.com/album/solotude
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaIch kenne keinen der Beteiligten aber ihr bestimmt:
Vorzubestellen bei Jazz in Britain, ein Stück kann auch angehört werden. Heute ist übrigens Bandcamp-Friday!
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thesidewinderIch kenne keinen der Beteiligten aber ihr bestimmt:
Vorzubestellen bei Jazz in Britain, ein Stück kann auch angehört werden. Heute ist übrigens Bandcamp-Friday!
From the forthcoming EP ‚Ken Wheeler: Some Gnu Ones‘ by Chris Laurence.
Pre-order now: https://jazzinbritain.co.uk/album/ken…Line-up:
Frank Ricotti – Vibraphone, Martin France – Drums, Rita Manning – Violin, Bill Hawkes & Katie Wilkinson – Violas, Nick Cooper & Ian Burdge – Cellos, Chris Laurence – Double Bass.Composed by Kenny Wheeler. ℗ Copyright Control.
These three brand new recordings made between 2020-21 were all written specifically for bassist Chris Laurence by his close friend and long-time colleague, the late great jazz trumpeter and composer Kenny Wheeler.
Whilst Kenny obviously does not appear on these sessions in person, his composing style is so idiosyncratic and instantly identifiable that his spirit is inextricably woven into the recordings, to such an extent that it is very easy to forget that he isn’t actually there.
We feel that ‘Some Gnu Ones’ represents a fitting tribute to both Kenny’s supreme compositional skills and to Chris’ extraordinary virtuosic and emotive musicianship.
A word from Chris:
Two of these pieces were given to me in manuscript form by Ken some time ago, but it’s only now that I have managed to record them. Ken was not only a prolific writer of jazz music, but was also extremely interested in all forms of composition. The ”Piece For Double Bass and Low Strings” and “Baroque Piece” are examples of his skill. He always liked me to play with the bow, to give the music another dimension.
C-Man was a piece he wrote when I first had a C-string extension fitted to my bass, and featured it on the album “Kayak“. “Baroque Piece“ was probably in his mind for us to perform together, unfortunately we never got the chance! I would like to thank all the great musicians that performed on this project. This recording has been made during lockdown, with all the restrictions and limitations that came with it!
Hopefully it hasn’t affected the result?
With the assistance, great engineering skills and patience of Darren Williams, I hope we’ve got a recording that Ken would have approved of? Everybody involved has a special place in my musical life, particularly Frank Ricotti, Rita Manning, John Parricelli, Martin France and of course Pete Churchill, who managed to realise Ken’s handwritten score of the string piece, plus all the other players who contributed their musicality!
Chris Laurence
Piece for Double Bass and Low Strings – Kenny Wheeler – A realisation:
I first heard Ken’s music when I was a student at the Guildhall (35 years ago!) and was completely smitten… we all were. So when Chris Laurence sent me a short score of a piece Kenny had written especially for him, and asked me if I could make sense of it with a view to getting it recorded, I jumped at the chance.
The original hand-written score consisted of two complete movements and then the beginnings of a final section that seemed to tail off – almost as though Ken had been interrupted. Thankfully he had returned to the score at some point and left us half a page of sketches for the last movement. So I set about the task of completing this piece for Chris – keenly aware of the responsibility.
Daunting as the task may have seemed, it was made easier because the fragments Ken had left were so fertile. It became clear that the best approach was to let these sketches develop the way they wanted to go – if I could just get myself out of the way the music would complete itself. At times the process was almost mystical.
This wonderful piece was Kenny Wheeler’s gift to Chris Laurence, a testament to their long friendship and musical relationship – and this resonates through every single note. It has been an immense privilege to be part of the team that has helped to bring it all to life.
Pete Churchill
July 2021Recorded 2020-2021 The Den, Harpenden and Livingstone, Wood Green
Executive producers – John Thurlow & Matt Parker
Cover artwork – Brenda Goddard Designs
The cover picture depicts Kenny’s music room in his house in Wallwood Road, East London. Here he would play the trumpet, piano and compose, surrounded by manuscripts, books, cassettes, CD’s, his trumpet and flugelhorn. The album title is written in Kenny’s own hand.Producer – Chris Laurence
© 2021 Jazz In Britain Ltd.
Hab’s letzten Freitag noch nicht in Betracht gezogen, anderswo ein paar Sachen bestellt … erscheint physisch ja frühestens Anfang Dezember und digital auch erst Tage vor dem nächste BC Friday
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
BADBADNOTGOOD – Talk Memory
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zissou
BADBADNOTGOOD – Talk Memoryheute gehört. fand ich eher langweilig, bin da aber auch nicht zielpublikum.
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Vol. 2 von Steve Coleman im Village Vanguard (Pi, 2 CD / DL) hatten wir noch gar nicht, oder?
Langes Press Release dazu hier:
https://pirecordings.com/albums/live-at-the-village-vanguard-vol-ii-mdw-ntr/Reinhören kann man auch schon:
https://stevecoleman.bandcamp.com/album/live-at-the-village-vanguard-volume-ii-mdw-ntr--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbagypsy-tail-windVol. 2 von Steve Coleman im Village Vanguard (Pi, 2 CD / DL) hatten wir noch gar nicht, oder?
genau, kommt am 29.10.
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… und die neue Threadgill (Ende September bereits erschienen) hatten wir auch noch nicht, auch bei Pi, und natürlich ebenfalls auf meinem Einkaufszettel, an prominenterer Stelle als die Coleman
Henry Threadgill Zooid – Poof (LP / CD / DL)
https://henrythreadgill.bandcamp.com/album/poof
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
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