-
Beiträge
-
Die traurige Nachricht vom Tod Ralph Petersons macht gerade die Runde, z.B. hier, wo ich auch gleich den Track hernehme, von einem seiner schönen Blue Note-Alben:
Von seiner FB-Seite:
h Peterson Jr. – May 20, 1962 – March 1, 2021
Good Morning Family and Friends,
It is with a heavy heart that I inform you that our beloved Ralph joined the ancestors earlier this morning. He was a fighter till the end and was surrounded by his family and your love.
Ralph really appreciated all of your love, supportive messages, thoughts, and prayers. Any and all messages sent through e-mail, text, or phone were read to him.
Funeral arrangements are being planned and will be announced shortly. At this time we ask that you please give the family some privacy and any pertinent questions can be directed to his manager Laura Martinez, laura@worldfusionevents.com
We thank you for being with us during this difficult time.
Laura Martinez on behalf of the Peterson Family
https://www.facebook.com/ralph.j.peterson/posts/10159203021551550
--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaHighlights von Rolling-Stone.deOh, du Hässliche! Die 25 schrecklichsten Weihnachtsalben-Cover
Legendäre Konzerte: The Concert For Bangladesh 1971
„Kevin allein zu Haus“: Ein Familienfilm ohne Familie
The Beatles: Wie die Aufnahmen zu „Let It Be“ zum Fiasko wurden
Taylor Swift: Alle 274 Songs im Ranking
Stephen King: Die besten Bücher – Plätze 10-01
Werbung
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
R.I.P ….
--
"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)JazzTimes über Buddy Deppenschmidt:
https://jazztimes.com/features/tributes-and-obituaries/remembering-buddy-deppenschmidt-1936-2021/--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbathesidewinderSteve Swallow Remembers Pete La Roca
und auch da begegnet einem wieder Rocky Boyd… super Text, danke!
--
.In der aktuellen Ausgabe der „Wire“ ist ein sechsseitiger Joe-Chambers-Artikel von Daniel Spicer, in dem Chambers u.a. erzählt, wie er bei Blue Note Fuß fasste:
In 1963, only just into his twenties, Chambers moved to New York, drawn like so many to the allure of the jazz capital of the world.
He continued his studies in musical theory with composer and pianist Hall Overton, but his first real break in the Big Apple came from multi-instrumentalist Eric Dolphy, an established star 14 years his senior who had already toured Europe with John Coltrane. Chambers and Dolphy had worked together in Washington and, when Chambers arrived in New York, Dolphy offered him the drum stool in a group with Hutcherson, trumpeter Freddie Hubbard and bassist Richard Davis for a gig at the Brooklyn Academy of Music.
Chambers remembers Dolphy’s thoughtful generosity of spirit: “When I was in DC I wrote this student piece called “Mirrors”. When I moved to New York and we did that Brooklyn gig, the next thing I know, [Dolphy] called me – he had a recording with Blue Note called Out To Lunch. I’m not playing drums on that but he told me to come to the rehearsal [in February 1964] and bring music. I came, I brought the piece “Mirrors”. Freddie Hubbard looked at it and said, ‘I like this, I’m-a play this.’ So, we recorded it [in May 1964], with Freddie Hubbard on his first date, Breaking Point!. Looking back on it now, I realise Eric was trying to set me up. He was introducing me to them.”
März 2021, ebenfalls aus dem Artikel:
--
A Kiss in the Dreamhousenapoleon-dynamiteIn der aktuellen Ausgabe der „Wire“ ist ein sechsseitiger Joe-Chambers-Artikel von Daniel Spicer, in dem Chambers u.a. erzählt, wie er bei Blue Note Fuß fasste
interessant, danke!
--
Hab die Ausgabe noch nicht gekriegt … aber bin gespannt.
„Out to Lunch“ mit Chambers – auch eine interessante Vorstellung!
--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaMorgen abend im Radio:
Sonntag, 4. Juli 2021
19.40 – 20.00 Uhr
SWR2SWR2 Jazz
Drum Story – Der Schlagzeuger Gene Krupa
Von Gerd FiltgenDer SWR schreibt dazu in seiner Sendungsankündigung:
„Pulsierende Rhythmen, variantenreiche Sounds auf Trommeln und Becken sowie überraschende Breaks: Gene Krupa machte in seiner Heimatstadt Chicago schon während des Übergangs vom traditionellen Jazz zum Swing von sich reden. In der Big-Band-Ära wurde er wegen seines expressiven Schlagzeugspiels zu einem Star im Orchester des Klarinettisten Benny Goodman. Nach dem legendären Konzert in der New Yorker Carnegie Hall 1938 verabschiedete sich Krupa von Goodman. Der frenetische Beifall, den seine Drum-Beiträge damals auslösten, bestärkte ihn, fortan als Bandleader zu arbeiten.“
--
"Bird is not dead; he's hiding out somewhere, and will be back with some new shit that'll scare everybody to death." (Charles Mingus)
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
--
"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)Toller Faden zur Entstehung einzelner Bestandteile des Drumkits:
Bass drum pedal with 'clang' cymbal striker. This was a standard use and sound for trap sets of the '20s, particularly in early jazz. pic.twitter.com/yXNhHAJHVg
— McKie's Disc Jockey Show Lounge (@mckiesdjlounge) October 14, 2021
--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaJames „Mtume“ Forman ist gestorben – ein knappes Jahr nach seinem Vater:
https://pitchfork.com/news/james-mtume-jazz-and-randb-musician-dies-at-75/--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
gypsy-tail-windJames „Mtume“ Forman ist gestorben – ein knappes Jahr nach seinem Vater: https://pitchfork.com/news/james-mtume-jazz-and-randb-musician-dies-at-75/
R.I.P ….
--
"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)Fotos vom Konzert von Miles Davis am 12. Januar 1973 in New York:
https://credo.library.umass.edu/search?q=subject:%22Mtume–Photographs%22--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
Mtume mit Miles Davis @ Wiener Stadthalle in 1973 ….
--
"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)
Du musst angemeldet sein, um auf dieses Thema antworten zu können.