@spiderland77 – bin kein Experte in Sachen Stockhausen, aber im englischen Wiki-Eintrag findet sich was belegtes, das in die Richtung geht:
Stockhausen later wrote, describing this period in his compositional work [die Fünfzigerjahre], „The first revolution occurred from 1952/53 as musique concrète, electronic tape music, and space music, entailing composition with transformers, generators, modulators, magnetophones, etc; the integration of all concrete and abstract (synthetic) sound possibilities (also all noises), and the controlled projection of sound in space“ (Stockhausen 1989b, 127, reprinted in Schwartz, Childs, and Fox 1998, 374)
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