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Beiträge
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@atom: danke.
Wird es auch einen Vinyl Ausgabe geben, weißt Du das?
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Xavier Naidoo: Das „Ich bin Rassist“-Interview in voller Länge
„Westworld“-Schlusskritik: Tschüss, bin wohl zu blöd für die Serie
WerbungSehr schön, danke für den Hinweis @atom!
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbasoulpope
https://transversales.bandcamp.com/album/live-in-paris-1971
Zusammen mit der „Live in Paris 1974“ von Shepp auf meiner Wunschliste bei Bandcamp.
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kurganrs@atom: danke.
Wird es auch einen Vinyl Ausgabe geben, weißt Du das?
Vom Label wurde es nur als Doppel-CD angekündigt, ich denke nicht, dass Vinyl folgen wird.
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...atom
kurganrs@atom: danke. Wird es auch einen Vinyl Ausgabe geben, weißt Du das?
Vom Label wurde es nur als Doppel-CD angekündigt, ich denke nicht, dass Vinyl folgen wird.
Danke Dir, dann werde ich sie wohl als CD bestellen müssen.
Was ist das hier eigentlich? Ein Annette-Peacock-Album von Denny Zeitlin oder sowas in der Art?
Denny Zeitlin with George Marsh and Mel Graves – The Name of This Terrain
Gibt’s als LP bzw. CD und gemäss Discogs auch noch in einer 2LP/CD-Luxusversion:
https://www.discogs.com/release/22645061-Denny-Zeitlin-With-George-Marsh-And-Mel-Graves-The-Name-Of-This-Terrain--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,400
gypsy-tail-windWas ist das hier eigentlich? Ein Annette-Peacock-Album von Denny Zeitlin oder sowas in der Art?
Denny Zeitlin with George Marsh and Mel Graves – The Name of This Terrain Gibt’s als LP bzw. CD und gemäss Discogs auch noch in einer 2LP/CD-Luxusversion: https://www.discogs.com/release/22645061-Denny-Zeitlin-With-George-Marsh-And-Mel-Graves-The-Name-Of-This-TerrainNie gesehen …. aber nach dem Hineinhören werde ich da wohl keine Nähe suchen ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,400
Habe mit Laurie Pepper vorhin kommuniziert, sie plant „zeitnah“ das gesamte Konzert aus Belgien (Mai 1981) digital via Bandcamp anzubiten ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)soulpopehttps://artpepper.bandcamp.com/track/birthday-freebie?fbclid=IwAR0S2w-iakg4JavM4HfoaVZhKNTEFjyak8gWtUeJKTQ7_cvQzWSVS-GAPMs
Habe mit Laurie Pepper vorhin kommuniziert, sie plant „zeitnah“ das gesamte Konzert aus Belgien (Mai 1981) digital via Bandcamp anzubieten ….Danke. Wenn Du es eher mitbekommst, gib Bescheid.
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,400
kurganrs
soulpopehttps://artpepper.bandcamp.com/track/birthday-freebie?fbclid=IwAR0S2w-iakg4JavM4HfoaVZhKNTEFjyak8gWtUeJKTQ7_cvQzWSVS-GAPMs Habe mit Laurie Pepper vorhin kommuniziert, sie plant „zeitnah“ das gesamte Konzert aus Belgien (Mai 1981) digital via Bandcamp anzubieten ….
Danke. Wenn Du es eher mitbekommst, gib Bescheid.
Mach ich gerne
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)
Heute bei Storyville erschienen:
Michel Petrucciani – Solo in Denmark
P’tit Louis
In A Sentimental Mood
She Did It Again
Round Midnight
Estate
Blue Monk
Medley: Autumn Leaves, Rachid, Prelude To A Kiss, Smoke Gets In Your Eyes, Miles Davis’ Licks, NardisMichel Petrucciani – Piano
Storyville Records is proud to present Michel Petrucciani – Solo in Denmark. This album features French piano prodigy Michel Petrucciani in a solo recording from Silkeborg Church, 1990. MP was one of the most popular pianists in the 1990’s due to his extraordinary technique, his astounding musical outlook and extremely dynamic playing style. His music is simply timeless and magical, seemingly coming straight from his soul. As he is often quoted: “I’m not playing to your head, but to your soul. When I play, I’m like a bird flying over the landscape, and I can land anywhere.”
Recorded on June 23, 1990 at the Riverboat Jazz Festival in Silkeborg, Denmark, this album is a tour de force that leads the listener through a series of the most iconic motifs in jazz, all of which are deconstructed and transformed by an outstanding craftsman and embellished along the way by a true master. And he also allows himself to insert unexpected twists and turns that are guaranteed to make the listener smile. Pay special attention to his small rhythmic and melodic tags, little hints for the well-trained ear. They reveal a musician who never grows complacent or takes himself too seriously. Here, the totality of MP’s talents are exhibited in an intimate setting, where he stuns the crowd with his inventive and blindingly rapid playing. The music emanating from the man simply grabs everybody’s attention. Arrangements by jazz legends like Duke Ellington, Thelonious Monk and Miles Davis gets the cheeky Petrucciani treatment with his rather audacious approach to ‘established’ jazz standards. MP had the ability to effortlessly travel through the history of jazz on his piano, fascinating his audience in the process. This church concert clearly displays why MP quickly developed into a truly exceptional member of the international jazz scene.
For MP, joyful playing with the music was a necessity of life. He lived and breathed for the opportunity to show it his love and respect. And all we have to do is open our ears, mind and soul and accept the gems from a musical individualist, who has made an indelible impression on millions of jazz listeners around the world. Solo in Denmark is simply another chapter in the remarkable story of a man, who perceived himself as a servant of the music.
https://storyvillerecords.com/product/solo-in-denmark/
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaDas englische Label WallenBink hat drei Doppel-LPs mit Aufnahmen des Erich Kleinschuster Sextetts herausgebracht:
https://wallenbink.com/index.php/shop/erich-kleinshuster-6tet-orf-recordings/erich-kleinschuster-6tet-orf-wb014-015-016Dabei ist einiges drauf, das schon auf den beiden Doppel-CDs zu finden ist, die Universal Österreich in den Nullern herausgebracht hat. Auf Vol. 1/WB014 ist die zweite LP (Charles Tolliver) neu, auf Vol. 2/WB015 ist es ebenfalls die zweite LP (Dusko Goykovich), auf Vol. 3/WB016 ist es wohl nur Seite D (Art Farmer) und „Spain“ (Slide Hampton) auf Seite C ist um drei Viertel gekürzt, so es denn wirklich dieselbe Version ist. Ich hab nicht nach den Aufnahmedaten geguckt … und klar, auf den DoCD ist nochmal einiges, was auf den drei DoLPs fehlt, aber das ist jetzt dennoch mal wieder irgendwie doof (erst recht bei den Preisen, die im Rahmen des aktuellen Vinyl-Booms nicht so hoch sind, aber trotzdem …)
Hier sind alle Veröffentlichungen mit Tracklisten (aber ohne Aufnahmedaten, wie leider oft bei Discogs) aufgeführt:
https://www.discogs.com/artist/2392603-Erich-Kleinschuster-Sextett--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaDafür ist das hier eine richtig tolle Neuigkeit:
Elvin Jones – Revival: Live at Pookie’s Pub (3 LP / 2 CD)
SEPTEMBER 9, 2022
Blue Note Records has announced a November 18 release for Revival: Live at Pookie’s Pub, a thrilling previously unissued live recording of Elvin Jones’ quartet that captures the legendary drummer’s emergence as a bandleader at a little-known club in New York City where he had a weekly residency after leaving John Coltrane’s band in 1966. Featuring Joe Farrell on tenor saxophone, Billy Greene on piano, and Wilbur Little on bass, Revival was recorded between July 28-30, 1967, just two weeks after Coltrane died on July 17. The album finds the band stretching out on expansive versions of standards and bandmember originals like Jones’ present to his wife “Keiko’s Birthday March” which is available to stream or download today.
Revival: Live at Pookie’s Pub will be released in deluxe 180g 3-LP and 2-CD sets which include an extensive booklet with stunning photos by Francis Wolff, Ozier Muhammad, Christian Rose, and others; essays by GRAMMY-winning author and co-producer Ashley Kahn, co-producer Zev Feldman, executive producer Don Was, and the original recording engineer Bob Falesch; interviews and statements by drummers Alvin Queen and Michael Shrieve, pianist Richie Beirach, and Elvin Jones band alumni Pat LaBarbera, Gene Perla, and Dave Liebman.
Don Was: “This hidden treasure is the missing link charting the trajectory from Elvin Jones’ tenure in the John Coltrane Quartet to the subsequent formation of his legendary trio with Joe Farrell and Jimmy Garrison.”
Zev Feldman: “I first became aware of these recordings of Elvin Jones at Pookie’s Pub back in 2011 and was looking for a label that would be a good fit and share my enthusiasm and excitement for the project. Luckily, I found the best home there is with Don Was at Blue Note. What better label to keep Elvin’s legacy burning bright than Blue Note? This is going to be a must-have for Elvin fans.”
Alvin Queen: “Elvin had unbelievable power. The foot pedal, sometimes the whole beater would go through the bass drum head and he’d keep playing and take his left hand and turn the whole bass drum around and keep playing without stopping. Elvin used to take nails and put them on the stage because he was so powerful, he might kick the bass drum off the stage.”
Ashley Kahn: “There’s a distinct sense of time and space in other sonic details, like Pookie’s room-sound and the applause from an enthusiastic, if limited, number of patrons. Elvin’s audible vocalizations‚ grunting the structure of the tune, as well as the laughter between the musicians and candid stage chatter.”
Whitney Balliett: “It trampled traditional order… It delighted the mind and hammered at the guts.”
* * *
The track listing for Revival: Live at Pookie’s Pub is as follows:
Side A
Keiko’s Birthday March (21:11)Side B
Gingerbread Boy (featuring Larry Young) (8:32)
13 Avenue B (16:39)Side C
My Funny Valentine (8:24)
M.E. (20:06)Side D
On the Trail (19:46)Side E
Softly as In A Morning Sunrise (18:23)
Raunchy Rita (3:55)Side F
Oleo (16:14)Elvin Jones – drums
Joe Farrell – tenor saxophone, flute
Billy Greene – piano
Larry Young – piano (on “Gingerbread Boy”)
Wilbur Little – bassProduced for release by David Weiss
Co-produced by Zev Feldman and Ashley Kahn
Associate Producer: Zak Shelby-Szyszko
Executive Producer: Don Was
Recorded by Bob Falesch at Pookie’s Pub, New York, NY, July 28-30, 1967
Mastered by Bernie Grundman at Bernie Grundman Mastering, Los Angeles, CAText von hier: https://www.bluenote.com/elvin-jones-revival-live-at-pookies-pub/
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
John Sinclair Presents Detroit Artists Workshop (2 LP / CD, 14. Oktober 2022)
1. Yusef Lateef – Introduction / Happyology (Sound Of Detroit Radio Show, 1978)
2. Donald Byrd – Cristo Redentor (Live in Detroit, 1978)
3. Donald Byrd – Blackjack (Live in Detroit, 1978)
4. Detroit Contemporary 4 – Effi (Live in Detroit, 1965)
5. Detroit Contemporary 4 – The Promise (Live in Detroit, 1965)
6. Charles Moore – Three Flowers [CD/DL only]
7. Bennie Maupin – Water Torture
8. Ron English – Bees
9. Teddy Harris – Passion Dance
10. The Lyman Woodard Organization – Déjà Vu 05:55
11. The Lyman Woodard Organisation – Help Me Get Away
12. The Lyman Woodard Organisation – Cheeba [DL only]Strut and Art Yard present the culmination of a 5-year project researching the archives of author, DJ and activist John Sinclair with the first ever retrospective of the influential Detroit Artists Workshop spanning 1965 to 1978.
“In the mid-‘60s, Detroit was nowhere,” explains Sinclair. “A decaying jazz scene, no community of poets, painters or writers so a group of young Detroit artists, most of us students at Wayne State University, got together in the late Summer of 1964.” Led by Sinclair and trumpeter Charles Moore, the Artists Workshop Society was formed as a co-operative community, drawing upon the resources of every participating individual in order to perpetuate itself. They began to provide spaces in Detroit for musicians to rehearse and to promote live concerts showcasing a range progressive jazz artists across the city.
Between the mid-‘60s and the early ‘80s, Sinclair amassed a huge archive of recordings from the Workshop concerts featuring Detroit residents like Moore’s Contemporary 5, Ron English and Lyman Woodard alongside many other US jazz luminaries including Donald Byrd, Sun Ra Arkestra and Herbie Hancock. Dormant in the Charles H. Wright Museum of African American History in Brooklyn for many years, Strut and Art Yard began their research into the archives in 2017.
This first compilation of Detroit Artists Workshop is a revelation for any fan of jazz, featuring previously unreleased recordings by Byrd, Moore, English, Woodard, Bennie Maupin and Teddy Harris accompanied by extensive sleeve notes from John Sinclair, Robin Eichele and Herb Boyd. All tracks are remastered from the original tapes by Technology Works.
Die nächste Archivalie, die ziemlich toll klingt! 10 Tracks auf zwei LPs, 11 auf CD, 12 in der digitalen Version, die man wohl beim Kauf via Bandcamp mitgeliefert kriegt. Infos von hier:
https://strut.bandcamp.com/album/john-sinclair-presents-detroit-artists-workshop--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,400
gypsy-tail-wind
John Sinclair Presents Detroit Artists Workshop (2 LP / CD, 14. Oktober 2022) 1. Yusef Lateef – Introduction / Happyology (Sound Of Detroit Radio Show, 1978) 2. Donald Byrd – Cristo Redentor (Live in Detroit, 1978) 3. Donald Byrd – Blackjack (Live in Detroit, 1978) 4. Detroit Contemporary 4 – Effi (Live in Detroit, 1965) 5. Detroit Contemporary 4 – The Promise (Live in Detroit, 1965) 6. Charles Moore – Three Flowers [CD/DL only] 7. Bennie Maupin – Water Torture 8. Ron English – Bees 9. Teddy Harris – Passion Dance 10. The Lyman Woodard Organization – Déjà Vu 05:55 11. The Lyman Woodard Organisation – Help Me Get Away 12. The Lyman Woodard Organisation – Cheeba [DL only]The archives of author, DJ and activist John Sinclair with the first ever retrospective of the influential Detroit Artists Workshop spanning 1965 to 1978 ….
Die nächste Archivalie, die ziemlich toll klingt! 10 Tracks auf zwei LPs, 11 auf CD, 12 in der digitalen Version, die man wohl beim Kauf via Bandcamp mitgeliefert kriegt. Infos von hier: https://strut.bandcamp.com/album/john-sinclair-presents-detroit-artists-workshop
Interesting indeed …. btw scheenes Cover Photo ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)
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