Taylor Ho Bynum hat für den New Yorker einen Text über Roy Campbell verfasst:
Taylor Ho BynumCampbell was deeply grounded in the jazz tradition, and exhibited a working musician’s flexibility, with experiences ranging from R. & B. bands to off-Broadway shows, from reggae gigs to electronica d.j.s. Like Don Cherry, one of his heroes, Campbell was a global traveller and an omnivorous collaborator, working with hundreds of musicians around the world and even living in the Netherlands for a period in the early nineteen-nineties. But at his core he was a true New Yorker, representing a particularly rugged and independent streak of African-American improvisational music that has stubbornly survived in the city despite gentrification and changing trends. Drawing from the ecstatic spiritualism of Albert Ayler and John Coltrane in the nineteen-sixties, which developed in Lower East Side lofts and alternative-art spaces in the nineteen-seventies, Campbell was committed to a kind of free-improvisational music that prized passionate individualism over faceless technique, and advocated for a shared sense of community over the fickle rewards of the music industry.
http://www.newyorker.com/online/blogs/culture/2014/01/postscript-roy-campbell-jr.html
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba