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Toning. Ray Staff gibt (vielversprechende) Infos zum Remastering:
“The album is already mixed very tight and has plenty of density in certain places, so to go through digital limiting to get the levels up would have been really inappropriate,” he explains. “We wanted to preserve a sense of edge and attack that’s present in a lot of those tracks – and I think we’ve managed it.”
“I hope people will recognise the openness of the new version. It sounds so much closer to the tape and by using very little EQ I was able to let Ken Scott’s fantastic recording speak for itself.”
http://www.mpg.org.uk/news_stories/361
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