Startseite › Foren › Über Bands, Solokünstler und Genres › Eine Frage des Stils › Blue Note – das Jazzforum › Die Gitarre im Jazz › Re: Die Gitarre im Jazz
katharsisJaja, protest euch nur zu.
Macht mich dazu noch etwas skeptisch, „Full House“ ist zudem ein Live-Album,
das ich allerdings sehr gerne höre. Hier eine Besprechung von Scott Yanow.
Because it was recorded between two of Wes Montgomery’s best-known albums (Incredible Jazz Guitar and So Much Guitar), this particular Album is a bit underrated. The great guitarist is teamed with flutist James Clay (who switches to tenor on Wes‘ „So Do It!“), pianist Victor Feldman, bassist Sam Jones, and drummer Louis Hayes for four standards (highlighted by Clifford Brown’s „Sandu“ and „Body and Soul“), Sam Jones‘ „Says You,“ and two Montgomery originals. The reissue also adds a pair of alternate takes to the fine program. Wes Montgomery made many of his finest jazz recordings originally for Riverside, and this is an often overlooked gem.
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