gossip auf facebook, die story ist ja auch so halb bekannt (steht bei carr?), das datum ist falsch, das alles fand um thanksgiving 1965 statt, autor (gossiper) ist ein charles whitsey:
[frage] I’m going to end with this: There’s a new Miles Davis documentary called Birth of the Cool and Archie, you’re in it sharing a story, but the documentary only includes the first part of the story. I’m wondering if you can complete it for us.
[antwort archie shepp] I allowed myself to be talked into this and so I approached [Miles] very delicately, because he was surrounded by a coterie of admirers and he was deep in conversation. I dared to interrupt his conversation and I said, “Mr. Davis, my name is Archie Shepp.” He said, “Archie who?” “Archie Shepp.” He said, “Fuck you.” I was a young man but I had two children and I was married. I had respected him but I felt that he was totally disrespectful of me. So I responded to him in kind. “Fuck you—who the fuck are you?”
We got into this terrible argument, which went on for quite some time. One of his sons was there, who was a boxer, and Miles was a boxing enthusiast, and he says to me, “My son will kick your ass.” I said to him, “I’ll kick your ass on the bandstand, that’s where the music is made.”
At that point he took another attitude altogether. It was rather like the Old West. He said, “Take your horn out, motherfucker.” So that’s how I got to sit in with Miles Davis. [Cheers and laughter from audience]
The first tune he played was “Four” and when I took my solo, I was both intimidated and angry, and so I played intimidation and anger. It had nothing to do with the song. The next one was “’Round Midnight,” on which I did more or less the same thing. The third was “Oleo,” and I’d even learned John [Coltrane]’s solo from their rendition. It was Wayne Shorter on tenor and Herbie and Ron Carter and Tony Williams and about the middle of the song, Miles shook his horn one more time and walked off the bandstand, shortly after my solo. A little later Herbie got up from the piano and walked off, and then Wayne followed Herbie.
So that just left me with Ron Carter and Tony. I didn’t use the piano much anyway. We went on for about another half-hour, just bass, drums, and tenor. All of a sudden I heard the piano and it was Herbie, he had come back. Then after that I heard a tenor saxophone playing and it was Wayne, he had come back. The story goes that Miles didn’t come back for the rest of the week, and after that he began to play some of the originals of Herbie and Wayne, who were both fine composers but he never played their music until that point. Up to that time he had played mostly standards and ballads.That’s incredible. I think you won the showdown.
Well, I don’t know if I won it, but I was in it.
In the documentary—no spoilers here, but you’ll see that whole story is truncated, and ends with “Fuck you.”
I still say that Miles was an idol to me, a man who, despite how he felt about me, I felt was one of the great people, musically speaking, in the African-American tradition. I told him that it embarrassed me to have to engage him on that level because I looked at him more as an artist, a genius, and there are other ways to tell people that they can’t perform other than just saying, “Fuck you.”
edit. das erzählte shepp 2020 auf einer podiumsdiskussion in oregon, aufgezeichnet von ashley kahn hier.
zuletzt geändert von vorgarten--