Auch irgendwie cool, wenn man mehr weiß als Grok. (Find the mistakes! ;) Ob Grok was von dem Zeug genommen hat, das Elon nimmt?)
To determine the percentage of songs James Skelly has written from the provided list of 20 tracks by The Coral, I’ll assess his songwriting credits based on available information. As lead singer and primary songwriter, Skelly is typically the main contributor to the band’s songs, often writing alone or co-writing with others like Nick Power. Since exact credits for every song aren’t fully detailed in one accessible source as of March 25, 2025, I’ll rely on known patterns, specific credits where available, and reasonable inference from The Coral’s discography.
Here’s the analysis for each track, focusing solely on whether James Skelly has a writing credit (sole or co-write):
Goodbye – From The Coral (2002). Credited to James Skelly.The Watcher in the Distance – From Sea of Mirrors (2023). No explicit credit found, but Skelly’s role as primary songwriter suggests he wrote or co-wrote it.
Put the Sun Back – From Roots & Echoes (2007). Credited to James Skelly.
Liezah – From Magic and Medicine (2003). Credited to James Skelly and Nick Power.
In the Morning – From The Invisible Invasion (2005). Credited to James Skelly.
Pass It On – From Magic and Medicine (2003). Credited to James Skelly.
Dreaming of You – From The Coral (2002). Credited to James Skelly.
Rebecca You – From Roots & Echoes (2007). Credited to James Skelly.
Cobwebs – From Roots & Echoes (2007). Credited to James Skelly.
Don’t Think You’re the First – From Magic and Medicine (2003). Credited to James Skelly.
Long Drive to the City – Not a known Coral song; possibly a misnomer or unreleased. Assuming it’s a typo or obscure track, no credit is confirmed, so I’ll exclude it from the count for accuracy.
Who’s Gonna Find Me – From Roots & Echoes (2007). Credited to James Skelly.
Bill McCai – From Magic and Medicine (2003). Credited to James Skelly.
Jacqueline – From Roots & Echoes (2007). Credited to James Skelly.
That’s Where She Belongs – From Distance Inbetween (2016). Credited to James Skelly and Nick Power.
Calendars and Clocks – From The Coral (2002). Credited to James Skelly and Nick Power.
Depth of Her Smile – From Holy Joe’s Coral Island Medicine Show (2023). No explicit credit found, but Skelly’s primary role implies he wrote or co-wrote it.
Another Turn in the Lock – From Sea of Mirrors (2023). No explicit credit found, but Skelly’s pattern suggests he wrote or co-wrote it.
Hotel – From Coral Island (2021). No explicit credit found, but Skelly’s lead role indicates he wrote or co-wrote it.
So Long Ago – From Distance Inbetween (2016). Credited to James Skelly and Nick Power.
Calculation
Confirmed Skelly Credits: Out of the 20 listed songs, 19 are verifiable Coral tracks (excluding „Long Drive to the City“ due to lack of evidence). Of these:
Skelly has a sole or co-writing credit on all 19 songs where credits are known or reasonably inferred based on his role.Specific credits confirm he wrote or co-wrote 16 songs (1, 3-10, 12-16, 20). For the remaining 3 (2, 17, 18), his primary songwriting role makes it highly likely he contributed, though exact credits aren’t publicly detailed here.
Percentage: If we assume Skelly wrote or co-wrote all 19 verifiable songs, that’s 19 out of 19, or 100% of the list (excluding the uncertain #11). Even if „Long Drive to the City“ were a valid song he didn’t write (unlikely given no evidence), it would be 19 out of 20, or 95%.
Conclusion
James Skelly has written or co-written 100% of the songs from this list that can be confidently identified as The Coral tracks (19 out of 19). If „Long Drive to the City“ is an actual song without his credit, the percentage would adjust to 95%, but without evidence of its existence or credits, I lean toward 100% based on the verifiable titles. This aligns with his dominant songwriting role in the band.
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Dirty, dirty feet from the concert in the grass / I wanted to believe that freedom there could last (Willy Mason)