gypsy-tail-wind … warum hat Murray nie William Parker eingeladen? Kam es da wirklich nie zu einer Zusammenarbeit? Ray Drummond macht das hervorragend hier, nicht falsch verstehen … ging mir halt spontan durch den Kopf beim Hören
eine sehr interessante frage, zumal murray ja beim blindfoldtest zu erkennen gibt, dass er parker kennt. was ich bei rick lopez gefunden habe:
82.03.14 – The Cecil Taylor Expanded Unit: Taylor (p), Glenn Spearman (ts), David Murray (reeds), Ken Simon (as), Charles Tyler (bar), Karen Borca (bsn), James Newton (fl), Raphé Malik, Butch Morris, and Danny Carter (tp), Craig Harris (tb), Muneer Abdul Fataah (ce), William Parker (b), Rashid Bakr (dr) / Lush Life, NYCS
From this point on Cecil’s shows began to change and become more like productions [with] intros, poetry, dance, chanting… Pieces were scored as sections where moments of inspiration and melodic romantic-type melodies took place, encores were shortened, but the power and creative fury and freedom remained. It was about show and production, layout and format: intro and dance; followed by chant; then entrance and set theme; followed by a more intense piece; then a few solos; then a medium piece; followed by an all-out piece—then bring it down, then up and out. Then do a small encore, leave, and let them come again for more the next time—Show biz. And it worked very well for Cecil, the great entertainer and musician. Some of the other horn players were Steve Coleman, James Newton, and David Murray…”
--