At a time when musical shifts were almost a daily routine in the immediate aftermath of the 1960s, multi-instrumentalist Vyto Beleska decided to trawl through the archives of his own Clay Pigeon studios, based in Chicago’s South Side. Assembled here are past recording projects that utilized some of Chicago’s finest underground musicians, whose collaborations with Beleska reveal another chapter in the annals of psychedelia and garage. To mark the early work of Beleska and Clay Pigeon Studios, a privately pressed album was issued in 1972 in a quantity of 500 copies. Circulated locally, the Clay Pigeon recordings were sadly never acknowledged on a national or worldwide level. The time has come to give wider recognition to the inspiring and awesome sounds that came from these musicians. This is the first legitimate reissue of this retrospective look at one of Chicago’s finest unsung musical innovators whose early recorded legacy boasts more fuzz, feedback, and psychedelic mayhem than any true ’60s rock fan could desire.
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Come with uncle and hear all proper! Hear angel trumpets and devil trombones. You are invited.