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Randy Weston – Little Niles
Don Gold von Downbeat gibt ****, der Review liest sich aber eigentlich schwaecher…
Downbeat
I’m convinced that Randy Weston is one of the few key figures in modern jazz. If he is encouraged and provided with the opportunities to express himself (in person and on records) , I feel assured that he will be influential in the evolution of this music.There is infinite charm in his playing and composing, and apparent skill, too. This LP provides a glimpse into Weston’s waltz filled world and, in many ways, it is a rewarding experience.
Since Weston is of substantial stature, it is difficult to find musicians who will prove compatible with him. That is the case here. Griffin and Copeland do not contribute effectively. The former, in fact, solos generally out of the context of Weston’s efforts. On Ice, for example, his solo is tasteless. Often, Griffin and Copeland scatter segments or notes apart from the overall structure or mood of the composition. Sulieman’s only solo, on Blues, is closer to Weston than any of the horn solos.
Miss Liston arranged all the Weston tunes. Her work is of interest, but it is hampered, too, by an inadequacy in the front line. Her trombone playing is of limited value here. Joyner and Persip support Weston intelligently.
The compositions provide, for the most part, a glimpse at Weston’s perception of children. Langston Hughes’ notes point this out rather eloquently and the music supports his feelings. Birth, Niles, Pam’s, Blues, and Hill all reflect Weston’s impressions of childhood. They do so quite effectively, without at any time being pretentious. Hill, a trio track, is delicate and intriguing, with Joyner contributing impressively.
Next time, I hope, United Artists will allow Weston to record in a trio format of will supply him with soloists of equal stature. That the misguided horns here do not destroy the LP is an indication of Weston’s strength and value.
auf der naechsten Seite kommt dann ein bft mit Zoot Sims, der Rollins fuer Coltrane haelt (und ***** gibt), Weston fuer Bill Evans (****), und bei Ornette Coleman meint, Coleman und Don Cherry seien noch nicht bereit, aber er, Sims, koenne deren Musik auch nicht spiele (**)… (link)
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