das kurioseste Produkt find ich ja die Monk LP
https://recordstoreday.co.uk/releases/rsd-2021-drop-1/thelonious-monk/
Palo Alto: The Custodian’s Mix is a journey back in time to Palo Alto High School’s sold-out auditorium on October 27, 1968, where Thelonious Monk and his quartet delivered an extraordinary performance. This limited-edition LP presents this historic concert exactly as it was recorded by a still-unknown high school custodian … hear it as if you were there on the historic day – this is the ultimate account of the concert as it happened. The identity of the recording engineer may remain a mystery, but the power of both Monk’s music and the original recording are self-evident.
Erstens, was soll das sein… bei .org munkelte wer, dass jetzt endlich die Abspielgeschwindigkeit korrigiert ist – so wie damals in der Halle… waere ein bisschen dreist… zweitens, sind jetzt etwa doch die rechte geklaert? bzw – es sieht aus, als koennte Universal weitere physische Produkte rausbringen…
wir vom Chuck Thompson Fanclub hoffen natuerlich auch, dass auf der Charlie Parker 2CD/4LP was vom Meister drauf ist…
https://recordstoreday.co.uk/releases/rsd-2021-drop-1/charlie-parker
Charlie Parker spent more time in Los Angeles than anywhere outside of Kansas City and New York City. This historic release brings together previously unknown and unissued recordings along with rarities captured during three of the four California trips Bird made during his too-short life.
Among the crown jewels on this set are “How High the Moon” and “Fifty-Second Street Theme” from his historic engagement with Dizzy Gillespie at Billy Berg’s in 1945. Also included are three previously unknown performances from a 1948 “Jazz at the Philharmonic” concert at the Shrine Auditorium. Most intriguingly, the complete recordings of the infamous July 1952 “naked party” at the Altadena ranch of Jirayr Zorthian are included. Recording engineer Doug Benson has done a remarkable job of restoring these recordings to the highest possible audio fidelity. Included in this set is an extensive essay by producer John Burton describing the circumstances under which these recordings were made as well as rarely-seen photographs from Bird’s trips to L.A.
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