Antwort auf: Tenor Giants – Das Tenorsaxophon im Jazz

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gypsy-tail-wind
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Opulence of sound was his god. He told journalist RJ DeLuke, „Technique is okay, but if you got the technique and I got a good sound, I’ll beat you every time. You can play a thousand notes and I can play one note and wipe you out.“ That was proven when guitarist Pat Metheny’s 1980 band contained both Dewey and Michael Brecker, the latter considered a singular virtuoso. „But Dewey was definitely dealing,“ Metheny observed. „It was pretty wild to see.“

Ein schöner Artikel über Dewey Redman:
https://amp.smh.com.au/culture/music/slo-mo-artistry-of-a-sax-genius-20201019-p566d2.html

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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 (Teil 1) - 19.12.2024 – 20:00; #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba