-
Beiträge
-
[…] it still sounds like The Coral in a wind-tunnel.
[…] immediately recalls A Bell Will Ring […]
Diese beiden Passagen machen mir Angst. Insgesamt erinnert der Song-Mix stark an Heathen Chemistry und Don’t Believe The Truth.
Falling Down ist nach mehrmaligen Anhören gewachsen und macht durchaus Lust auf das Album (wird aber von den Vorboten des neuen Travis-Albums locker in den Schatten gestellt).
--
Highlights von Rolling-Stone.de11 coole Zitate aus „Und täglich grüßt das Murmeltier“
So klingen die größten Schlagzeuger ohne ihre Band
Welches Equipment verwenden eigentlich…Pink Floyd?
Musikalische Orgasmen: 6 Songs voller Höhepunkte
Dies ist (laut Fans und Kritikern) die beste Folge von „Friends“
Studio-Magier: Die 8 besten Musikproduzenten
WerbungFast hätt ich die Vorbestellung für die Box abgeschickt, aber 35 Pfund Versandkosten sind dann ja doch ne Frechheit
--
"Man kann nicht verhindern, dass man verletzt wird, aber man kann mitbestimmen von wem. Was berührt, das bleibt!Scheute „Mucky Fingers“ vom letzten Album nicht den Vergleich mit Velvet Underground, so tendieren Oasis mit „The Shock Of Lighting“ massiv Richtung „Hawkwind“ inklusive Keith Moon mit Drumsolo, „Ain’t Got Nothin'“ referiert die Spielweise der kompletten frühen „The Who“. Alles Referenzen erster Güte…………………………………. :sonne:—Let The Good Times Roll—:sonne:
--
Erst einmal hallo zusammen.
Hm, TSOTL kommt nicht wirklich an D’yer know what I mean ran, nett ist es aber trotzdem. Wenngleich das Video erst einmal verdaut werden muss
http://www.youtube.com/watch?v=KqZi3paXcVg--
TheMagneticFieldFast hätt ich die Vorbestellung für die Box abgeschickt, aber 35 Pfund Versandkosten sind dann ja doch ne Frechheit
Ich bin auch ganz blass geworden.
--
How does it feel to be one of the beautiful people?NordschafErst einmal hallo zusammen.
Hm, TSOTL kommt nicht wirklich an D’yer know what I mean ran, nett ist es aber trotzdem. Wenngleich das Video erst einmal verdaut werden muss
http://www.youtube.com/watch?v=KqZi3paXcVghttp://ekstrabladet.dk/musik/musik_videoer/article1045362.ece
:sonne:
--
five to sevenDas Video ist wirklich grossartig. Mit Ihrer kunstgeschichtlichen Selbstbedienung zeigen Oasis Geschmack, wer hätte das gedacht. Und wieder auf die Zwölf für die sonstigen Langeweilerbandfans.:sonne:
--
Kinderschreck
Beginnt ziemlich stark, nur der Refrain ist nicht wirklich gut.ja, sehe ich auch so. Anfangs gigantisch, aber dann kommt nix mehr. Live und in ohrenzerfetzender Lautstärke aber ganz sicher groß.
T.s.o.l. geht klar.
--
"And everything I know is what I need to know and everything I do's been done before."Hi, bin neu hier im Forum!
Bin alter, (23 junger) oasis fan
Naja, seit meiner Jugend eben als 16 Jähriger drauf gestoßen, nun nicht mehr so fanatisch aber fühl mich doch noch angezogen von der Musik!
Hab ein RollingStone-Cover von 2002 wo die 2 Bro’s zu sehen sind an der Wand hängen :lol:Heute habe ich zum ersten mal The Shock Of The Lightning gehört und bin positiv überrascht, klingt wirklich frisch, geht sehr leicht ins ohr ;) und ziemlich oasis typisch gemacht.. erinnert mich sehr an „be here now“! :sonne:
--
’
lets start with the notorius pitchfork
£2 for anyone that can understand this utter turd of a review ?
pitchforkmedia review
Once again, Oasis leaves it to us, the humble audience, to determine whether they’re in on the joke or just as lunkheaded as they sound. Trickling out right in the leaky wake of blustery Noel anthem „[b]Falling Down“ is… blustery Noel anthem (and latest single) „The Shock of the Lightning“, also from the upcoming [b][i]Dig Out Your Soul. The surging, slightly ominous guitar changes are strikingly similar to those on Supergrass’s „[b]Richard III„, from 1997’s In It for the Money and the lively Brit rockers‘ 2004 [b]best-of, although Oasis, stodgy as ever, pile on organ instead of Theremin. Sample lyric: „Love is a litany/ A magical mystery.“ Come on, sing along– you already know this one, and it is kind of catchy. Just please note it’s not called „The Shock of the New“. (via [b]Dead Flowers and [b]Whatever I Say)
bc music review
I wrote earlier today about the upcoming release of AC/DC’s first album in eight years. AC/DC is one of those bands that you like or you don’t and there just isn’t a hell of a lot of convincing to be done. They are what they are and you either get something from it or you don’t.
The same can be said of Oasis, although the Gallagher brothers are probably twice as polarizing as the Youngs and that’s why I’m not going to waste a moment of this (p)review defending them to those who aren’t already onboard.
I suppose the most telling thing about „The Shock of The Lightning“ is that TheWifeToWhomI’mMarried – also an Oasis fan – correctly identified this as a new Oasis song within ten seconds. She didn’t even have to hear Liam to know. She said knowing that a new Oasis album was on the way helped, but there is something distinctive about the Oasis guitar sound and whatever that thing is was very apparent within the song’s opening moments.
Oasis aren’t incapable of subtlety; they simply choose to ignore it most of the time. These guys aren’t going to get caught overthinking a song or a record, putting all their eggs in the basket of immediacy. When they nail that, they write classics. When they miss, you get (most of) Standing On The Shoulder of Giants.
„The Shock Of The Lightning“ is loud, driving, and massive and yes, it is immediate. The hook isn’t obvious and the song relies more on volume and bombast than melody, but the relentless surge, hypnotic keyboards, propulsive drumming, and sneering lead vocal suck you in and won’t let go.
The real stars of this song are Zak Starkey and Liam Gallagher. When no one was looking, Starkey stopped being „Ringo’s son“ and became one of the premier drummers in all of Britain. Liam and his voice set plenty of people on edge, and God knows he’s a total bastard but when did likeability become an essential ingredient for rock singers? He’s just the latest in a long line of vocalists to play the anti-charisma card. My biggest gripe on this song is that Liam’s voice is a little too buried in the mix.
There are a million reasons not to like Oasis, and I’ve chosen to ignore all of them. „The Shock Of The Lightning“ has only increased my anticipation for Dig Out Your Soul. Now the only question that remains is whether or not to break out the $100 on the deluxe box.
--
five to sevenMich beschleicht das Gefühl dass das Album nichts für mich sein wird…die „To Be Where There’s Life“ Live Mitschnitte sind fürchterlich…
--
Mother Earth is pregnant for the third time, for y'all have knocked her upDie Aufnahmequalität, zumindest die die ich kenne, ist relativ schlecht. Der Gesang miserabel. Erinnert mich vom Soundgerüst her an Hawkwind oder seelige Krautrockzeiten.
--
Gibt außer dem Seattle Boot noch eine von Vancouver, die ist i.O.
http://www.youtube.com/watch?v=K2GDHtm2b48
30.08.08: Dig Out Your Soul-Review von… Oasis
BAG IT UP
Driving psychedelic opener. Inspired by the track Baron Saturday, from The Pretty Things‘ 1968 concept album SF Sorrow.Noel Gallagher: „Slow pounding acid rock, The Pretty Things vs The Pink Floyd on glue“.
Andy Bell: „One of the first three tracks that Noel recorded at Gem’s place (Archer’s home studio) they were done in a very quiet, very basic way and they became the blueprint“.THE TURNING
Dreamy piano lead-verses explode into euphoric choruses featuring Liam inciting the listener to ’shake, your reptile baby‘.Noel Gallagher: „The Roses doing The Stooges with a nod to The World Of Twist. RIP Tony O“.
Gem: „Liam’s vocal is mega, strong but he’s not caning it“.WAITING FOR THE RAPTURE
Riff-heavy number featuring Noel’s most passionate vocal yet as he exhorts an unknown female to ‚get me off the merry-go-round‘Noel Gallagher: „A love song inspired by the meeting of an Angel in Ibiza“
Andy Bell: „I think its about Sara, Noel can put things in a down-to-earth way that goes right to the core“.THE SHOCK OF THE LIGHTNING
Propulsive rocker with addictive ‚Come in, come out‘ refrain that wouldn’t have sounded out of place on Definitely Maybe.Gem Archer: „Noel literally just played it the night before [it was recorded]. Did a little one-man-band job, played the drums, the bass, the guitar, sung it and came back up the stairs“.
I’M OUTTA TIME
Beatles-esque Liam ballad with vulnerable lyric (“If I’m to fall/ Would you be there to applaud?“). Samples John Lennon from a radio interview done two days before his death.Noel Gallagher: „Deceptively brilliant, one for the ladies“.
Gem Archer: „It’s really hearfelt, theres a melancholy there and that’s whats Liam’s showing“.(GET OFF YOUR) HIGH HORSE Lady
Bluesey acoustic stomp supported by handclaps and slammed drawers. Distorted vocal effects initially disguises identity of singer (it’s Noel).Noel Gallagher: „The oldest song on the album, originally demoed for Heathen Chemistry. Wouldn’t have made the album, but the bass is so heavy, it forced its way onto the final cut“.
FALLING DOWN
Tumbling acid soaked drone-pop, akin to a less electronic take on Setting Sun, Noel’s 1996 excursion with The Chemical Brothers.Noel Gallagher: „Three chords, one note Krautpop! The kind of song I’ve wanted to write for years“.
TO BE WHERE THERE’S LIFE
Hypnotic Gem Archer song with rubbery bassline and a promise to lead the listener out into the big wide world.Gem Archer: „It was just a groove, a bassline and Noel was like ‚that’s the one, write some words for it‘. It’s a stream of consciousness . And there’s no guitars on it which is another thing I like as well“.
AIN’T GOT NOTHIN‘
A trippy take on late 60’s Who, written by Liam following Liam’s infamous hotel bar brawl in Munich in 2002.Noel Gallagher: „Heavy metal Motown. Bang“!
Gem Archer: „Liam wanted it to sound like The Who with Ginger Baker on drums, playing while a fight was happening“.THE NATURE OF REALITY
Lysergic Andy Bell rocker, featuring the lyric “The nature of reality/ Is pure subjective fantasy“Andy Bell: „It was written at an odd time in my life, when my marriage had run its course. I taught Noel the guitar parts and then let him roll with it. Gem played bass on it. I don’t play on it at all. I wanted to make sure that it sounded right in the control room where it was being played.
SOLDIER ON
Herbal-scented, trancey closer, discovered by The Coral on a hard drive at Oasis’s old studio, Wheeler’s End. None of the band could remember it until Andy Bell found it on his iPod.Gem Archer: „The Coral said to Noel ‚that’s a top tune‘ so Noel said ‚What’s this?‘ and I said I haven’t got a clue. It was an old Liam song I demoed with him around 2004 or 2005 and couldn’t remember“.
Noel Gallagher: „A metaphot for ones-day-to-day existence, the legendary General Dred [Noel’s reggae style alter ego]floats out some melodica in the outro“.
Quelle: http://www.the-oasis.de/
--
Mother Earth is pregnant for the third time, for y'all have knocked her upHöre ich genauso, erst die Vancouver-Version zeigt das Potential von „To Be Where There’s Life“. Oasis bewegen sich musikalisch noch weiter in die psychedelische Richtung. Das zeigen mir zumindest die bislang bekannten neuen Stücke. Ich bin angenehm überrascht.
--
Du musst angemeldet sein, um auf dieses Thema antworten zu können.