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Beiträge
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ich finde beide angekündigten Kirk Archivveröffentlichungen sehen gut aus!
auf .org wies wer darauf hin, dass demnächst auch ein Live-Album des James Newton Quartetts von 1983 mit Geri Allen erscheint, von der Tour bei der die Rhythmusgruppe The Printmakers aufnahm…
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.Highlights von Rolling-Stone.deDie 100 größten Musiker aller Zeiten: David Bowie – Essay von Lou Reed
The Rolling Stones und „Exile On Main Street“: Stolze Außenseiter
Welches Equipment verwenden eigentlich … Pink Floyd?
Genesis vs. Peter Gabriel: Als „Sledgehammer“ gegen „Invisible Touch“ austeilte
So entstand Brian Wilsons Meisterstück „Good Vibrations“
Die Beatles und ihr LSD-Trip „Tomorrow Never Knows“: Ein Sprung von der Klippe
WerbungOh, sehr toll!
Und ja, die beiden Kirk-Releases sehen super aus … ich hab allerdings noch nicht mal das Bremen-Konzert von 1963 angeschafft (von dem es auf „Dog Years in the Fourth Ring“ schon Kostproben gab – die Compilation war sozusagen mein Kirk-Durchbruch), muss ich mal nachholen.
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #169 – 13.01.2026, 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaredbeansandrice
auf .org wies wer darauf hin, dass demnächst auch ein Live-Album des James Newton Quartetts von 1983 mit Geri Allen erscheint, von der Tour bei der die Rhythmusgruppe The Printmakers aufnahm…sie spielen auch „the printmakers“, hier ist das digitale booklet. offenbar das neue label von stephan meyner, der damals auch die tour organisierte.
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Hier gibt’s dazu ein paar kleine Fotos und ein Presse-Dossier, das leider nur Vorab-Ankündigungen enthält:
https://www.willisaujazzarchive.ch/people-acts/act/james-newton-quartet.html--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #169 – 13.01.2026, 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaredbeansandriceVia .org, es gibt so Neuerscheinungen, wo man sich fragt, wie das Material so lange unentdeckt bleiben konnte… https://craftrecordings.com/products/bill-evans-trio-haunted-heart-the-legendary-riverside-studio-recordings-5-lp 17 neue alternate Takes des Bill Evans Trios mit LaFaro und Motian… Als Teil eines Deluxe reissues der beiden Studioalben der Band… Kommt auch auf CD und als stream….
Tatsächlich unglaublich, wenn man bedenkt, dass eigentlich jeder Track, auf dem LaFaro spielt, als sensationelle Neuentdeckung gelten muss. gypsy hat ein paar gute Vermutungen, vielleicht stimmen die…
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Ohne Musik ist alles Leben ein Irrtum.Ich dachte, irgendwo sei auch noch gestanden, die Bänder seien nicht auffindbar gewesen? Aber das schliesst meine Mutmassungen nicht unbedingt aus … finde das kurz nach meinem Post hier gelesene allerdings nicht mehr (steht weder bei Craft noch auf der Evans-Website).
Wenn ich sonst mal RSD gucke, finde ich …
Albert Ayler & Don Cherry – Europe 1964 (4 LP, ORG Music, RSD First – Reissue)
Ray Barretto – Together (Craft, RSD Exclusive – Reissue)
Larry Coryell & The Eleventh House – Riviera ’76 (Culture Factory USA, RSD Exclusive)
Miles Davis – Live at the Plugged Nickel: December 23, 1965 – Second Set (Legacy Recordings, 2LP, RSD Exclusive – Teil-Reissue, auch komplett auf LP/CD)
Bill Evans – Portraits At The Penthouse: Live in Seattle (Resonance Records, RSD Exclusive)
Vince Guaraldi Trio – A Charlie Brown Christmas (60th Anniversary) (Craft Recordings, Pop-Up Gatefold, RSD Exclusive)
Charlie Haden – Live At The Jazz Record Mart (Delmark, RSD First)
B.B. King – Broadcasting The Blues: Live From Germany and Sweden (Time Traveler, 2 LP, RSD Exclusive – später auf CD)
Rahsaan Roland Kirk – Vibrations In The Village: Live At The Village Gate (Resonance Records, 2LP, RSD Exclusive – später auf CD)
Rahsaan Roland Kirk – Seek & Listen: Live At The Penthouse (Resonance Records, 2LP, RSD Exclusive – später auf CD)
Yusef Lateef – Golden Flower: Live in Sweden (Elemental Music, 2LP, RSD First)
Bill Lee – The Descendants of Mike and Phoebe – A Spirit Speaks (DELUXE EDITION) (Strata-East Records, RSD First – Reissue)
Lester Young – Lester Leaps In: Live At Birdland 1951-1952 (Liberation Hall, RSD First – Reissue, vielleicht neu in der Form)--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #169 – 13.01.2026, 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
Bill Evans – Portraits at the Penthouse: Live in Seattle [CD]
Portraits at the Penthouse: Live in Seattle is the first official release of the sublime pianist Bill Evans recorded live at the Penthouse jazz club in Seattle, Washington on May 12 and 19, 1966 with bassist Eddie Gomez and drummer Joe Hunt. This is Resonance’s 8th official release in cooperation with the Bill Evans Estate and was originally recorded by radio DJ Jim Wilke for KING-FM radio. Transferred from the original tapes and restored and mastered by Matthew Lutthans at The Mastering Lab, the deluxe CD includes an extensive booklet with rare photographs, newly commissioned liner notes by Evans scholar Marc Myers, and interviews and testimonials from Eddie Gomez, Joe Hunt and piano legend Bob James.
Recorded on May 12 and 19, 1966 at the Penthouse jazz club in Seattle, Washington
MAY 12, 1966
Intro (0:24)
How My Heart Sings (4:03)
‘Round Midnight (7:42)
Come Rain or Come Shine (5:38)
MAY 19, 1966
Nardis (4:54)
Elsa (4:53)
Time Remembered (4:48)
Who Can I Turn To? (4:46)
Detour Ahead (5:29)
Autumn Leaves (3:08)
How My Heart Sings (3:47)
I Should Care (2:57)Bill Evans – piano
Eddie Gomez – bass
Joe Hunt – drumshttps://resonancerecords.org/product/bill-evans-portraits-at-the-penthouse-live-in-seattle-cd/
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Rahsaan Roland Kirk – Seek & Listen: Live at the Penthouse [2CD]
Never-before-released recording recorded live at the Penthouse jazz club in Seattle on August 12 and 19, 1967 with pianist Rahn Burton, bassist Steve Novosel and drummer Jimmy Hopps. This infectious music was originally recorded by radio DJ Jim Wilke for KING-FM radio. Transferred from the original tapes and restored and mastered by Matthew Lutthans at The Mastering Lab. The deluxe limited 2-CD edition includes an extensive booklet with rare photographs and liner notes. from Jan Persson, Tom Copi, Rolf Ambor and others, newly commissioned liner notes by authors John Kruth and May Cobb, and interviews and testimonials from saxophone icons James Carter and Chico Freeman, trombonist Steve Turre, Dorthaan Kirk, Adam Dorn – son of long-time Kirk producer and champion Joel Dorn, and others.
Recorded live at the Penthouse in Seattle, Washington on September 8 & 15, 1967
CD 1
The Jump Thing (1:18)
Alfie (5:22)
Mingus-Griff Song (12:12)
Medley: Ev’rytime We Say Goodbye, I’ve Got It Bad (And That Ain’t Good), Sophisticated Lady, Satin Doll (14:31)
Medley: Blues for C & T, Happy Days Are Here Again, Down By The Riverside (8:14)CD 2
Ode To Billie Joe (12:22)
Prelude To A Kiss (7:50)
Funk Underneath (4:59)
Lovellevelliloqui (7:12)
Now Please Don’t You Cry, Beautiful Edith (7:57)
Making Love After Hours (4:29)Rahsaan Roland Kirk – tenor saxophone, flute, stritch, manzello, flexatone, siren and whistle
Rahn Burton – piano
Steve Novosel – bass
Jimmy Hopps – drumshttps://resonancerecords.org/product/rahsaan-roland-kirkseek-listen-live-at-the-penthouse-cd/
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Rahsaan Roland Kirk – Vibrations in the Village: Live at the Village Gate [CD]
Recorded live at the Village Gate in New York City on November 26-27,1963 with pianists Horace Parlan, Melvin Rhyne, and Jane Getz, along with bassist Henry Grimes and drummer Sonny Brown. The music was originally recorded for a documentary film. The tapes were in storage for the next 62 years until now. Restored and mastered from the original tapes by Matthew Lutthans at The Mastering Lab. The deluxe CD edition includes an extensive booklet with rare photos and liner notes from Jan Persson, Tom Copi, Raymond Ross and others, newly commissioned liner notes by authors John Kruth and May Cobb, and interviews and testimonials from Jane Getz, saxophone icons James Carter and Chico Freeman, trombonist Steve Turre, Adam Dorn – son of long-time Kirk producer and champion Joel Dorn, and others.
Recorded live on November 26-27, 1963 at the Village Gate in New York City
Jump Up And Down – Fast (15:34)*
Ecclusiastics (5:52)*
All the Things You Are (7:33)**
Laura (7:43)**
Kirk’s Delight (12:37)*
Oboe Blues (10:20)*
Blues Minor at the Gate (6:28)**
Falling In Love With Love (5:44)***
Three For the Festival (6:09)***Rahsaan Roland Kirk – tenor saxophone, stritch, manzello, flute, vocals, whistle, etc.
Horace Parlan – piano
Melvin Rhyne – piano
Jane Getz – piano
Henry Grimes – bass
Sonny Brown – drums—
Yusef Lateef – Golden Flower : Live in Sweden [2CD / 2LP]
Yusef Lateef – Golden Flower: Live in Sweden brings together two never-before-released performances by the visionary multi-instrumentalist, drawn from the original tape reels at Swedish Radio and newly prepared for a deluxe Elemental Music edition.
Presented as a deluxe 180-gram 2LP gatefold with a 12-page booklet featuring rare photos, new essays by Herb Boyd and producer Zev Feldman, plus testimonies by Jeff Coffin, Chico Freeman and Charlie Apicella. LP mastering by Matthew Lutthans at The Mastering Lab; transfers from the original Sveriges Radio tapes.
Recorded in Stockholm (1967) with Lars Sjösten, Palle Danielsson and Albert “Tootie” Heath, and at the Åhus Jazz Festival (1972) with Kenny Barron, Bob Cunningham and Albert “Tootie” Heath. These historic concerts illuminate Lateef’s singular voice on tenor saxophone and flute across repertoire that spans elegance, fire, and deep groove.
Tracklist:
Side A
1. THE GOLDEN FLUTE 6:33
2. BLIND WILLIE 8:02YUSEF LATEEF tenor sax & flute, LARS SJÖSTEN piano, PALLE DANIELSSON bass, ALBERT “TOOTIE” HEATH drums.
Recorded in Mosebacke, Stockholm, Sweden, September 13, 1967.Side B
1. ONE LITTLE INDIAN 3:52
2. STRAIGHTEN UP AND FLY RIGHT 7:56
3. THE POOR FISHERMAN 3:18YUSEF LATEEF tenor sax & flute, LARS SJÖSTEN piano, PALLE DANIELSSON bass, ALBERT “TOOTIE” HEATH drums.
Recorded in Mosebacke, Stockholm, Sweden, September 13, 1967.Side C
1. INSIDE ATLANTIS 15:01
2. EBONESS 13:22YUSEF LATEEF tenor sax & flute, KENNY BARRON piano, BOB CUNNINGHAM bass, ALBERT “TOOTIE” HEATH drums.
Recorded live at the Åhus Jazz Festival, Åhus, Sweden, August 1, 1972.Side D
1. LOWLAND LULLABY 4:22
2. A FLOWER 5:28
3. YUSEF’S MOOD 20:18YUSEF LATEEF tenor sax & flute, KENNY BARRON piano, BOB CUNNINGHAM bass, ALBERT “TOOTIE” HEATH drums.
Recorded live at the Åhus Jazz Festival, Åhus, Sweden, August 1, 1972.Produced for release by ZEV FELDMAN.
Executive Producers: JORDI SOLEY and CARLOS AGUSTÍN CALEMBERT.
Associate Producers: LINDSAY FITZGERALD and AYESHA LATEEF.
LP mastering by MATTHEW LUTTHANS at The Mastering Lab.
Transferred from the original tape reels at Swedish Radio.--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #169 – 13.01.2026, 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbagypsy-tail-wind
Yusuf Mumin – Journey to the Ancient (WeWantSounds, LP/DL, 31.10.2025)
Weiss da jemand mehr, z.B. ein Aufnahmejahr?
Von Bandcamp:FIRST-EVER RELEASE OF RARE SPIRITUAL FIRE UNEARTHED FROM THE VAULTS OF CULT MUSICIAN YUSUF MUMIN (BLACK UNITY TRIO) – FEATURING REMASTERED AUDIO, REFLECTION BY YUSUF MUMIN AND HISTORICAL NOTES BY PIERRE CRÉPON
Wewantsounds is delighted to collaborate with cult musician Yusuf Mumin of the Black Unity Trio to unveil previously unreleased music from his personal archive. Following last year’s acclaimed Black Artist Group release, this new instalment continues to unearth hidden treasures from the Great Black Music tradition. Although the exact recording dates remain unknown, the music here is a powerful blend of serene spiritual jazz and fiery sonic intensity. All tracks have been remastered for vinyl by Colorsound Studio and the release also includes a two-page insert featuring new liner notes by Mumin and Pierre Crépon.
– Music culled from the vaults of Yusuf Mumin (Black Unity Trio)
– First ever Yusf Mumin release under his name
– Official release supervised by the artist
– Liner notes by Yusuf Mumin and Pierre Crépon
– Remastered by Colorsound StudiosTRACKLIST
SIDE 1
Bakumbadei 0.49
Journey To The Ancient 11.46
A Distant Land 7.40SIDE 2
1. Diaspora Impressionism 18.05All compositions by Yusuf Mumin.
Yusuf Mumin: cello and voice (1), tenor saxophone (2), flute (3), alto saxophone (4).
Dan Nuby (also known as Yusuf Mumin): double bass (2-4).
William Holmes: drums and percussion (2-4).
Compositions registered with BMI.
All tracks previously unreleased, from the audio archives of Yusuf Mumin.
Recording dates unknown.
Coordination and liner notes by Pierre Crépon.
Remastered for Vinyl by David Hachour, Colorsound Studio, Paris.
Cover design by Thomas C. Bradleyhttps://wewantsounds.bandcamp.com/album/journey-to-the-ancient
Inzwischen kann man das Album auf Bandcamp komplett streamen (kam ich noch nicht dazu) und es gibt erste Reviews … dass Mumin ausser Drums/Percussion alles selbst spielt, war ja eigentlich schon klar: „Dan Nuby (also known as Yusuf Mumin)“ ist der Bassist – ein Alter Ego, das er sich anscheinend fürs Bass-spielen zugelegt hat.
Es sind jedenfalls Privataufnahmen von Mumin, die nie zur Veröffentlichung vorgesehen waren. Er selbst hat sie dem Label WeWantSounds auf CDR zugeschickt:
Exact dates for when these musical statements were made are lost in Yusuf’s memory bank but we can assume that they are post-Coltrane, post-Black Unity Trio and infused with the Pan-Africanism movement’s radical awakening that swept through African American communities during the 60s, the recordings probably sit in the first half of the 1970s (although I could be completely wrong).
Still sharp and living in Florida these days, Yusuf sent Wewantsounds’ Matt Robin an unrequested CD-R, containing these mysterious pieces of esoteric wonder. Undated but certainly from two different sessions, Yusuf plays every instrument on the tracks (alto, tenor, flute, cello and vocals) except for the perfectly judged percussion and drums of William Holmes, leaping from free jazz wildness to muted tablas as the composition demanded. A Dan Nuby is also mentioned as the bass player but in reality, Dan is Yusuf and Yusuf is Dan.
[…]
An intoxicating listen, it is always an honour to explore ‘lost’ music and ‘Journey to the Ancient’ is a potent and unusually emotive record that only amplifies the question of what else are we missing from a lifetime of cutting-edge creativity from Yusuf Mumin? 9/10.
https://www.truthandliesmusic.com/magazine/yusuf-mumin-journey-to-the-ancient-wewantsounds-a-review
Bei diesem ersten Review gibt es auch ein tolles Foto:
The playing across these sessions is ritualistic and textural, not built for entertainment but for invocation. Holmes’ drums provide rhythmic counterpoint on the second and fourth tracks, while the “Dan Nuby” bass parts are in fact Mumin himself, multitracked to deepen the music’s foundation. At times the atmosphere recalls Norman Howard’s sombre lyricism; elsewhere, the spacious searching gestures anticipate Abdul Wadud’s later work on cello.
If the recording dates remain uncertain, the significance of this music is not. Journey to the Ancient illuminates an overlooked corner of Midwestern free jazz and restores to the narrative a voice too often left in shadow. More than that, it presents Mumin not just as a musician but as a thinker and seeker, for whom music was inseparable from cosmology, philosophy and the lived struggle of diaspora.
This release is not a posthumous reconstruction but a living message, one that has taken decades to reach us. Heard now, it is as urgent and necessary as ever — a reminder that the story of free jazz remains unfinished, still yielding hidden truths.
https://ukvibe.org/album_reviews/yusuf-mumin/
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #169 – 13.01.2026, 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
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