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gypsy-tail-wind
Johnny Griffin im Ronnie Scott’s 1964 mit dem Stan Tracey Trio – 3-sided LP bald bei Gearbox, 500 nummerierte Exemplare:This never-heard- before recording of the legendary tenor sax “Little Giant“ Johnny Griffin playing at Ronnie Scott’s Jazz Club and backed by members of Ronnie’s House Band (Stan Tracey, Malcolm Cecil and Jackie Dougan) sees a AAA vinyl release. The album was mastered at Gearbox Records using an all-analogue signal chain and cut directly from the original tapes, which were recorded at the club by Les Tomkins in 1964. The sleeve features photography by the esteemed Val Wilmer and liner notes by Richard Williams.
A1. The Girl Next Door (14:52)
B1. (Back Home Again In) Indiana (21:48)
C1. Blues In Twos (15:50)
C2. The Theme (01:24)Musicians:
Johnny Griffin – tenor saxophone
Stan Tracey: piano
Malcolm Cecil: double bass
Jackie Dougan – drumRecorded by Les Tomkins on 8th January 1964 at Ronnie Scott’s Jazz Club, Gerrard Street, London
Mastered from the original tapes by Caspar Sutton Jones and Darrel Sheinman at Gearbox Records
Lacquers cut on a Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head; Decca valve equalisation and Telefunken U73B tube limiter; monitored on Audio Note equipment.
Sleeve design by Alan Foulkes
ⓟ&Ⓒ Gearbox Records
https://store.gearboxrecords.com/collections/vinyl/products/johnny-griffin-live-at-ronnie-scott-s-1964-deluxe-limited-edition-vinyl
Selbstredend hätte ich nichts gegen eine CD für einen Drittel des Preises, aber das kann ich mir auf keinen Fall entgehen lassen!aus dem heutigen Info-Mail von Gearbox:
As we have previously shared with you all, Johnny Griffin’s „Live Live at Ronnie Scott’s, 1964“ is set for release on 10th November. The album will be available on CD, as well as standard, ltd. edition, and Japanese edition vinyl.
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaHighlights von Rolling-Stone.deJohn Lennon schrieb sich mit „Help!“ den Beatles-Kummer von der Seele
G3: Joe Satriani, Steve Vai und Eric Johnson im ROLLING-STONE-Interview
Dire Straits und „Brothers In Arms“: Gitarre in den Wolken
Alle Alben von Paul McCartney im Ranking
13 irre Fakten zu den Videos von Queen und Freddie Mercury
50 Jahre „The Köln Concert“: Fliegen mit gestutztem Flügel
Werbung
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
gypsy-tail-wind
gypsy-tail-wind
aus dem heutigen Info-Mail von Gearbox:
As we have previously shared with you all, Johnny Griffin’s „Live Live at Ronnie Scott’s, 1964“ is set for release on 10th November. The album will be available on CD, as well as standard, ltd. edition, and Japanese edition vinyl.
Thnx ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
https://omnivorerecordings.com/shop/maiden-voyage/
Na vielleicht was für 🎄Weihnachten 🎄😇 ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)Wie ich Promo-Videos hasse … das erste, was ich wissen will, ist auch beim Link nur im Text versteckt, aber immerhin zu finden:
George Cables – p
David Williams – b
Carl Burnett – dDanke für den Hinweis, das geht definitiv an mich (das Produkt, nicht die Kampagne).
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
gypsy-tail-wind Wie ich Promo-Videos hasse … das erste, was ich wissen will, ist auch beim Link nur im Text versteckt, aber immerhin zu finden: George Cables – p David Williams – b Carl Burnett – d Danke für den Hinweis, das geht definitiv an mich (das Produkt, nicht die Kampagne).
Hab zuerst nur das Promo-Video gefunden, die Release-/Detailinfo war im Omnivore Online Shop gut versteckt …. ja das Produkt sollte auch bei mir „landen“ ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
https://www.freshsoundrecords.com/miles-davis-albums/56770-in-concert-at-the-olympia-paris-1957.html
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)Sehr schön, danke!
Und dann könnte das niederländische Jazzarchiv nachziehen und den Mitschnitt aus Amsterdam mal noch offiziell herausbringen.
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
Les McCann „Never A Dull Moment – Live From Coast To Coast 1966 – 1967“ (Resonance) …. 3 LP bzw „3CD Deluxe Set“ ….. Record Store Day November 2023 ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
https://shop.orf.at/oe1/de/detail/index/sArticle/3035
Cannonball Adderley Quintet „live“ @ Vienna und Graz anno 1969 ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)soulpope https://shop.orf.at/oe1/de/detail/index/sArticle/3035 Cannonball Adderley Quintet „live“ @ Vienna und Graz anno 1969 ….
Danke sehr.
Ich habe sie gerade bestellt.
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
kurganrs
soulpope https://shop.orf.at/oe1/de/detail/index/sArticle/3035 Cannonball Adderley Quintet „live“ @ Vienna und Graz anno 1969 ….
Danke sehr. Ich habe sie gerade bestellt.
….--
"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)soulpopeLes McCann „Never A Dull Moment – Live From Coast To Coast 1966 – 1967“ (Resonance) …. 3 LP bzw „3CD Deluxe Set“ ….. Record Store Day November 2023 ….
3LP/3CD klingt seltsam … sieht aber immerhin nach ca. 2:10 Stunden aus, wenn ich nicht völlig falsch überschlagen habe:
LES McCANN on RESONANCE! One day before his 88th birthday, it brings us great joy to announce the upcoming Record Store Day Black Friday (November 25th) release of „Never A Dull Moment! – Live from Coast to Coast (1966-1967)“ by the unsung piano and vocal icon Les McCann. This is a previously unissued collection of live recordings captured at the Penthouse jazz club in Seattle from January 27 and February 3 & 10, 1966 with Stan Gilbert, Paul Humphrey and Tony Bazley; and also includes recordings by Resonance Records founder and co-president George Klabin from the Village Vanguard on July 16, 1967 with Leroy Vinnegar and Frank Severino. This is an official release in cooperation with Les McCann, and the audio was transferred from the original tape reels and mastered for vinyl by the legendary Bernie Grundman at Bernie Grundman Mastering Studios and pressed at Le Vinylist in Quebec, Canada.
The limited-edition 180-gram 3-LP edition (and deluxe 3-CD set) includes an extensive insert with rare photographs by Lee Tanner, Jean-Pierre Leloir, Christian Rose and others; two sets of liner notes — by music journalist A. Scott Galloway and author/historian Pat Thomas (Listen Whitey! The Sights and Sounds of Black Power 1965-1975), who both contributed to McCann’s photography book Invitation to Openness: The Jazz & Soul Photography of Les McCann 1960-1980; plus quotes and statements from Roberta Flack, Quincy Jones, Monty Alexander, Bonnie Raitt, Roger Kellaway, Nathan East, Bobby Lyle, Emmet Cohen and others.
We’d like to thank Les McCann and his longtime manager Alan Abrahams for the wonderful music and for working with our team to put this project together, and of course Michael Kurtz and Carrie Colliton at Record Store Day for their ongoing support.
NEVER A DULL MOMENT! – LIVE FROM COAST TO COAST (1966–1967), NEW LES McCANN TRIPLE LP, SET FOR RECORD STORE DAY RELEASE BY RESONANCE RECORDS
Deluxe Package Features Essays by A. Scott Galloway and Pat Thomas, Remembrances from Quincy Jones, Roberta Flack, Bonnie Raitt, Monty Alexander, Roger Kellaway, Emmet Cohen, Nathan East and more!
Previously Unseen Photos by Massive booklet with many rare and previously unpublished photos by Lee Tanner, Jean-Pierre Leloir, Christian Rose and Les McCann himself
Tomorrow, September 23, is the 88th birthday of pianist/vocalist Les McCann, one of the most revered and influential figures in soul-jazz. The milestone is heralded by today’s announcement that a new album, Never A Dull Moment! – Live from Coast to Coast (1966-1967), is set for release this upcoming Record Store Day Black Friday (November 24). The new album, a limited edition three-LP set, includes 1966 performances at Penthouse Club in Seattle and at New York’s Village Vanguard the next year.
Between 1960 and 1966, McCann toured relentlessly and had played on more than two dozen full length records released by Pacific Jazz and Limelight. His performances at the Penthouse in Seattle in 1966 and at New York’s Village Vanguard in 1967 were captured on tape, and soon these historic recordings, totaling almost 2 hours and 20 minutes, will be the focus of Resonance Records efforts for Record Store Day Black Friday. Never A Dull Moment! is presented with sound restoration by George Klabin and Fran Gala and was mastered for vinyl by Bernie Grundman. It was produced for release by Zev Feldman and George Klabin.
The Penthouse sides were recorded on January 27 and February 3, 1966 with bassist Stanley Gilbert and drummer Paul Humphrey, and on February 10, 1966 with Tony Bazley on drums. McCann’s band for the tracks recorded at the Village Vanguard on July 16, 1967 featured Leroy Vinnegar (bass) and Frank Severino (drums). The Penthouse recordings were originally recorded for Jazz After Hours, as heard on KING-FM with host Jim Wilke with the enthusiastic participation of the club’s impresario Charlie Puzzo.
It’s noteworthy that the music from the Village Vanguard was captured by Resonance founder and co-president George Klabin more than 56 years ago. He used a portable Crown 2-track tape recorder and mixed the material as it was being performed. “We were just waiting for the right moment to give these historic recordings a proper release and the occasion of the master of the 88s’ 88th birthday seemed like the way to fulfill that vision in time for Record Store Day Black Friday,” stated Klabin. There’s also a bonus track “(Back Home Again In) Indiana,” recorded at the Penthouse on August 15, 1963 with bassist Victor Gaskin and drummer Tony Bazley.
The package is enhanced by insightful liner notes, including Resonance co-president’s Zev Feldman’s introductory commentary, as well as extensive essays by Pat Thomas and A. Scott Galloway. Both journalists have been part of McCann’s inner circle for years and had earlier contributed written pieces that appeared in Invitation to Openness: The Jazz & Soul Photography of Les McCann 1960-1980, first published by Fantagraphics in 2015. The Never A Dull Moment! package also includes rare images from noted photographers Lee Tanner, Christian Rose and Jean-Pierre Leloir, as well as first person testimony by a range of notables including Roberta Flack (whom Les McCann “discovered” at a Washington, DC venue and brought to the attention of Atlantic Records), Monty Alexander, Roger Kellaway, Bobby Lyle, contemporary jazz pianists Joe Alterman and Emmet Cohen, Bonnie Raitt, Nathan East, McCann’s long standing manager Alan Abrahams, and the artist himself.
Les McCann wrote, “When my manager, Alan Abrahams, told me that there were some recently uncovered recordings that have never been released before from the ’60s, I was really curious if they were any good. People were always sending me cassettes that they have come across over the years and the sound was usually shit. When I was informed that these live recordings were from the Penthouse in Seattle (a cool venue), and also from the Village Vanguard in New York (a really cool venue), I held my breath . . . then I heard them and I said ‘Daaamn!’ People who know me know that I never planned for the future, but when you deal from the heart, you have no fear and Never A Dull Moment! – Live from Coast to Coast 1966-1967 shows that beautifully.”
Roberta Flack: “Les and I found each other in the musical world of the tumultuous ’60s. Les heard deeply what I was saying and his recommendation of me to Atlantic Records was a pivotal moment in my career. He is a giant in my world of music — a limitless creator, inspiration and friend.”
Quincy Jones: “Les McCann has been a musical force of nature since he burst on the scene in the early 60’s. Whenever I heard him live or on record, he always did the unexpected and now the ‚unexpected‘ has happened again. These recently recovered live recordings from 1966-1967 are Les in his favorite trio format. If you’re a fan of jazz, your collection will be incomplete without this collection by one of the best.”
Monty Alexander: “Les is one of those guys who was completely identifiable but he also played music that made people deliriously happy. And he was a big influence on me. Just like all the gospel piano players, like Ray Charles. He’s so unique. And on a personal level, it’s all because of Les that I made my first album.”
Emmet Cohen: “I think that Les McCann was able to reach beyond our insular jazz community and reach everyday people outside on the street or in a bar or wherever. It’s one of the most difficult things to do — to maintain your integrity as a musician and also reach everyone. Very few musicians have been able to do that in the history of the music.”
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Never A Dull Moment! – Live from Coast to Coast (1966-1967)
LP 1 / SIDE A
Recorded at the Penthouse Jazz Club in Seattle, WA on January 27, 1966.
1. Blue ’n‘ Boogie (5:29)–D. Gillespie, F. Paparelli / Universal Music Corporation (ASCAP)
2. Could Be (6:54)–L. McCann / Irving Music (BMI)
3. The Grabber (4:07)–M. Alexander / EMI Unart Catalog, Inc. (BMI)
4. Yours Is My Heart Alone (9:15)–F. Lehár, F. Loehner, H. Smith / European American Music Distributors LLC, Shubert Music Publishing Corp. (ASCAP)SIDE B
Recorded at the Penthouse Jazz Club in Seattle, WA on January 27, 19661. The Shampoo (5:31)–L. McCann / Irving Music (BMI)
2. Wait For It (6:12)–L. McCann / Irving Music (BMI)
3. This Could Be the Start of Something Big (4:01)–S. Allen / Meadowlane Music Inc.LP 2 / SIDE C
Recorded at the Penthouse Jazz Club in Seattle, WA on February 3, 1966
1.Out In The Outhouse (5:44) –L. McCann / Irving Music (BMI)
2. A Night In Tunisia (6:16) –D. Gillespie, F. Paparelli / Universal Music Corporation (ASCAP)
3. Da-Da (4:45) –L. McCann / Irving Music (BMI)SIDE D
Recorded at the Penthouse Jazz Club in Seattle, WA on February 10, 1966
1.Lavande (7:24)–L. McCann / Irving Music (BMI)
2. There Will Never Be Another You (7:23) –H. Warren, M. Gordon / Four Jays Music Co., Mattsam Music, Morley Music Co. (ASCAP)
Recorded at the Penthouse on August 15, 1963
3. (Back Home Again In) Indiana (7:53) *–L. Hanley, A. MeaderLP 3 / SIDE E
Recorded at the Village Vanguard, New York on July 16, 1967
1. Love for Sale (7:11)–C. Porter / Warner Bros. Inc. (Warner Bros. Music Div.) (ASCAP)
2. I Can Dig It (8:24)–L. McCann / Irving Music (BMI)
3. Doin‘ That Thing (8:57)–L. Vinnegar / Second Floor Music (BMI)SIDE F
Recorded at the Village Vanguard, New York on July 16, 1967
1. I Am In Love (6:07)–C. Porter / Chappell-Co Inc. (ASCAP)
2. Goin‘ Out of My Head (3:11)–T. Randazzo, B. Weinstein / Vogue Music (BMI), Universal Music Publishing Canada II (SOCAN)
3. Sunny (9:13)–B. Hebb / Bara Joy Music Co LLC, PW Ballads, Songs of Universal Inc. (BMI)
4. Blues 5 (5:00)–L. McCann / Irving Music (BMI)
5. The Shampoo (1:36)–L. McCann / Irving Music (BMI)About Resonance Records – Resonance Records is devoted to preserving jazz and discovering the rising stars of tomorrow. The label is a division of the Rising Jazz Stars Foundation, a California 501(c)(3) non-profit corporation created to discover the next jazz stars – passionate, brilliant musicians from around the world. It assists and supports them through recording, performance opportunities and distribution of their art. Every Resonance album is produced without compromise, to create and preserve its artists’ jazz legacy.
For more information please contact:
Bob Merlis / M.F.H. (Merlis For Hire)
Ph: 323.962.6887 / bobmerlis@bobmerlis.com--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaGraz von Adderley ist im Umlauf (zwei Stunden lang oder so) – ist hier aber wohl nur der Füller … Wien kenne ich nicht. CD würde ich wohl kaufen, LP in dem Fall eher nicht. Gibt halt schon ordentlich viele Mitschnitte aus der Zeit: „Country Preacher“ (Capitol), Stuttgart (Jazzhaus), zudem hab ich Bootlegs aus Rom („Live in Italy“, Gambit) und Bordeaux („Cannonball Adderley“, Armando Curcio Editore) … und eben: noch weiteres, was im Umlauf ist, vielleicht auch in Form von Bootlegs (von Graz gab’s da wohl auch schon Auszüge). Die Band ist natürlich super, keine Frage!
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
gypsy-tail-wind Graz von Adderley ist im Umlauf (zwei Stunden lang oder so) – ist hier aber wohl nur der Füller … Wien kenne ich nicht. CD würde ich wohl kaufen, LP in dem Fall eher nicht. Gibt halt schon ordentlich viele Mitschnitte aus der Zeit: „Country Preacher“ (Capitol), Stuttgart (Jazzhaus), zudem hab ich Bootlegs aus Rom („Live in Italy“, Gambit) und Bordeaux („Cannonball Adderley“, Armando Curcio Editore) … und eben: noch weiteres, was im Umlauf ist, vielleicht auch in Form von Bootlegs (von Graz gab’s da wohl auch schon Auszüge). Die Band ist natürlich super, keine Frage!
Werde (patriotisch 🤡) die CD Version nehmen …. die Band zu diesem Zeitpunkt grossartig, alleine schon durch den Antrieb von Vic Gaskin/Roy McCurdy …. von den mir bekannten Mitschnitten anno 1969 der Aufritt @ Liederhalle Stuttgart besonders suprig ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)Ach, ich konnte bisher keinen Hinweis auf CD finden … der Link ging am Handy bei mir eh ins Leere, aber am Rechner nicht.
Bei CD bin ich dann wohl auch dabei --
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #159: Martial Solal (1927–2024) – 21.1., 22:00; #160: 11.2., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
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