Jazz Reissues

[alexischicke Registriert seit: 09.06.2010 Beiträge: 1,776]

Hab die Powell sicher 10 Jahre nicht mehr gehört hole es gern bald nach.

--

[alexischicke Registriert seit: 09.06.2010 Beiträge: 1,776]

• „I Put A Spell On You“ von Screamin‘ Jay Hawkins: Horror-Heuler

• Queen: Darum war ihr Live-Aid-Konzert nicht wirklich spektakulär

• 25 Jahre „Parachutes“ von Coldplay: Traurige Zuversicht

• Paul McCartney kostete „Wetten dass..?“-Moderator Wolfgang Lippert den Job

• Xavier Naidoo: Das „Ich bin Rassist“-Interview in voller Länge

• Die 75 schönsten Hochzeitslieder – für Kirche, Standesamt und Feier

[gypsy-tail-wind Moderator Biomasse Registriert seit: 25.01.2010 Beiträge: 68,343]

Demnächst neu auf CD (Sony Japan, erhältlich während eines Jahres, wie es scheint), jeweils 8 Tracks, also das ganze Paket!

Barney Wilen – Barney SICP-3978 2014-02-19
Barney Wilen – More From Barney At The Club Saint-Germain SICP-3979 2014-02-26

man kriegt sie z.B. hier:
http://www.cdjapan.co.jp/detailview.html?KEY=SICP-3978
http://www.cdjapan.co.jp/detailview.html?KEY=SICP-3979

Musik für die Insel!

--

"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba

[john-the-relevator Registriert seit: 16.04.2005 Beiträge: 8,118]

Warum in die Ferne schweifen:

Barney

More From Barney At The Club Saint-Germain (ltd.)

--

Music is like a river, It's supposed to flow and wash away the dust of everyday life. - Art Blakey

[gypsy-tail-wind Moderator Biomasse Registriert seit: 25.01.2010 Beiträge: 68,343]

Oh, ich hätte da Mondpreise erwartet (so 20-35 € pro CD), wie so oft bei Japan-Reissues – und soweit ich es weiss, ist CDJapan vom Service her erstklassig und liefert auch ziemlich schnell.

--

"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba

[gypsy-tail-wind Moderator Biomasse Registriert seit: 25.01.2010 Beiträge: 68,343]

ein erwähnenswertes Reissue:

Frank Foster – The Loud Minority (BGP 2014 / Mainstream 1974)

http://acerecords.co.uk/the-loud-minority

aus Michael G. Nastos‘ Kritik auf Allmusic:

The early ’70s were rife with political and racial conflicts, indicative of the pressures surrounding the scandal of Watergate and Richard Nixon, the assassination of Martin Luther King, Jr., and the painful continuation of the Vietnam War. As explosive as the times were, Frank Foster’s The Loud Minority reflected all of those mounting tensions while remaining hopeful in a self-determining way that gave rise to the „I’m Black and I’m Proud“ sentiment. Foster assembled a giant of a big band featuring dual instrumentation all around, including keyboards, basses, and drummers to power a horn section chock-full of the best mainstream jazz and progressive players of the day. Because funk-fusion was flowering, electrified elements of guitar and Fender Rhodes piano identify the music with the times, while vocalist Dee Dee Bridgewater, never known as a protest singer, reads powerful poetry and screams freedom at the top of her lungs, inspired by a band that knows no bounds or limits, at its core a mighty modern jazz orchestra removed from Foster’s work with the Count Basie band.

--

"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba

[gypsy-tail-wind Moderator Biomasse Registriert seit: 25.01.2010 Beiträge: 68,343]

BLUE NOTE RECORDS 75th ANNIVERSARY VINYL INITIATIVE

Blue Note will commence an extensive 100-album vinyl reissue initiative on March 25 with the release of five classic titles (Art Blakey Free For All, John Coltrane Blue Train, Eric Dolphy Out To Lunch, Wayne Shorter Speak No Evil, and Larry Young Unity). The vinyl releases are set to continue monthly and will also include modern classics from Blue Note’s recent catalog such as Joe Lovano Quartets: Live At The Village Vanguard, Jason Moran Soundtrack To Human Motion, Terence Blanchard Flow, Medeski Martin & Wood Combustication, and Cassandra Wilson Traveling Miles. Click here for the full list of vinyl releases.

Blue Note President Don Was says, “Two years ago, we began remastering the jewels of the Blue Note catalog in hi-def resolutions of 96k and 192k. In order to develop a guiding artistic philosophy for this delicate endeavor, we donned our lab coats, ran dozens of sonic experiments and carefully referenced every generation of our reissues. Ultimately, we decided that our goal would be to protect the original intentions of the artists, producers and engineers who made these records and that, in the case of pre-digital-era albums, these intentions were best represented by the sound and feel of their first-edition vinyl releases. Working with a team of dedicated and groovy engineers, we found a sound that both captured the feel of the original records while maintaining the depth and transparency of the master tapes… the new remasters are really cool!

While these new versions will become available in digital hi-def, CD and Mastered for iTunes formats, the allure of vinyl records is WAY too potent to ignore. This year, Blue Note – along with our friends at Universal Music Enterprises – is launching a major 75th Anniversary vinyl Initiative that is dedicated to the proposition that our catalog should be readily available at a low cost, featuring high quality pressings and authentic reproductions of Blue Note’s iconic packaging. Although this program begins in celebration of Blue Note’s 75th Anniversary, our catalog runs so deep that we will faithfully be reissuing five albums a month for many years to come!”

[…]

For Record Store Day in April, Blue Note will also reissue the label’s first two releases as limited edition 12” vinyl: Meade “Lux” Lewis “Melancholy”/”Solitude” (BN1) and Albert Ammons “Boogie Woogie Stomp”/”Boogie Woogie Blues” (BN2). Other catalog releases, including a 75-track digital bundle spanning Blue Note’s entire history, will be announced shortly.

Quelle:
http://www.bluenote.com/news/blue-note-announces-75th-anniversary-vinyl-in

Die Reissues von BN1 und BN2 hätte ich natürlich gerne, aber dass in dieser plattenladentechnisch desolaten Stadt jemand sich darum kümmert, am RSD auch Jazz dazuhaben, bezweifle ich sehr.

Die Vinyl „batches“:

AVAILABLE MARCH 25, 2014
ART BLAKEY – FREE FOR ALL
WAYNE SHORTER – SPEAK NO EVIL
JOHN COLTRANE – BLUE TRAIN
ERIC DOLPHY – OUT TO LUNCH
LARRY YOUNG – UNITY

AVAILABLE APRIL 22, 2014
ORNETTE COLEMAN – AT THE „GOLDEN CIRCLE“ STOCKHOLM, VOL. 1
HERBIE HANCOCK – MAIDEN VOYAGE
SONNY ROLLINS – A NIGHT AT THE VILLAGE VANGUARD
CANNONBALL ADDERLEY – SOMETHIN‘ ELSE
DEXTER GORDON – OUR MAN IN PARIS

AVAILABLE MAY 27, 2014
Horace Silver – Song For My Father
McCoy Tyner – The Real McCoy
Grant Green – Idle Moments
Hank Mobley – Soul Station
Madlib – Shades Of Blue

AVAILABLE JUNE 24, 2014
Dexter Gordon – Go
Lee Morgan – Cornbread
Bobby Hutcherson – Total Eclipse
Jimmy Smith – Back At The Chicken Shack
Medeski Martin & Wood – Combustication

AVAILABLE JULY 29, 2014
Kenny Burrell – Midnight Blue
Donald Byrd – Black Byrd
Joe Henderson – Mode For Joe
Cassandra Wilson – Traveling Miles
Kenny Dorham – Afro-Cuban

AVAILABLE AUGUST 26, 2014
Lou Donaldson – Lush Life
Bud Powell – The Amazing Bud Powell, Vol. 1
Wayne Shorter – Juju
Herbie Hancock – Speak Like A Child
Terence Blanchard – Flow

AVAILABLE SEPTEMBER 30, 2014
Kenny Drew – Undercurrent
Sonny Clark – Cool Struttin‘
Stanley Turrentine – That’s Where It’s At
Freddie Hubbard – Ready For Freddie
Brian Blade Fellowship – Perceptual

AVAILABLE OCTOBER 28, 2014
Horace Silver – Horace Silver and The Jazz Messengers
The Three Sounds – Out Of This World
Dianne Reeves – I Remember
Hank Mobley – No Room For Squares
Thelonious Monk – Genius Of Modern Music, Vol. 1

AVAILABLE NOVEMBER 25, 2014
Curtis Fuller – The Opener
Joe Lovano Quartets: Live At The Village Vanguard
Lee Morgan – The Sidewinder
Ornette Coleman – New York Is Now
Clifford Brown – Memorial Album

AVAILABLE DECEMBER 30, 2014
Andrew Hill – Black Fire
Jackie McLean – Let Freedom Ring
Anthony Williams – Spring
Grant Green – Street Of Dreams
Bobby McFerrin – Spontaneous Inventions

AVAILABLE JANUARY 27, 2015
Herbie Hancock – Empyrean Isles
Wayne Shorter – Adam’s Apple
Art Blakey – Mosaic
Jason Moran – Soundtrack To Human Motion
Cecil Taylor – Unit Structures

AVAILABLE FEBRUARY 24, 2015
Don Cherry – Complete Communion
Elvin Jones – The Ultimate
Robert Glasper – Double Booked
Thelonious Monk – Genius Of Modern Music, Vol. 2
Sonny Rollins – Newk’s Time

AVAILABLE MARCH 24, 2015
Wayne Shorter – Night Dreamer
Freddie Hubbard – Blue Spirits
Kurt Elling – Flirting With Twilight
Grachan Moncur III – Evolution
Sonny Rollins Vol. 1

AVAILABLE APRIL 28, 2015
Herbie Hancock – The Prisoner
Horace Silver – Cape Verdean Blues
McCoy Tyner – Time For Tyner
Joe Henderson – The State of the Tenor – Live at the Village Vanguard, Vol. 1
Cecil Taylor – Conquistador!

AVAILABLE MAY 26, 2015
Lee Morgan – Search For The New Land
Medeski Martin & Wood – End Of The World Party
Art Blakey – A Night A Birdland, Vol. 1
Bobby Hutcherson – Components
Grant Green – I Want To Hold Your Hand

AVAILABLE JUNE 30, 2015
Donald Byrd – A New Perspective
Cassandra Wilson – New Moon Daughter
Hank Mobley – The Turnaround
Bud Powell – The Scene Changes: The Amazing Bud Powell, Vol. 5
Dexter Gordon – One Flight Up

AVAILABLE JULY 28, 2015
Miles Davis Vol. 1
Tina Brooks -True Blue
Andrew Hill – Point Of Departure
Joe Henderson – Page One
Jackie McLean – Capuchin Swing

AVAILABLE AUGUST 25, 2015
Donald Byrd – At The Half Note Café, Vol. 1
Art Blakey – A Night A Birdland, Vol. 2
Freddie Hubbard – Breaking Point!
Sonny Clark – Leapin‘ and Lopin‘
Stefon Harris – Black Action Figure

AVAILABLE SEPTEMBER 29, 2015
Horace Silver – Blowin‘ The Blues Away
Miles Davis Vol. 2
McCoy Tyner – Expansions
Art Blakey – Moanin‘
John Scofield – Time On My Hands

AVAILABLE OCTOBER 27, 2015
Jimmy Smith – Midnight Special
Sonny Rollins Vol. 2
Hank Mobley – Workout
Bobby Hutcherson – Happenings
Joe Lovano – Rush Hour

**Release Dates Are Subject To Change**

Da sind einige Überflüssigkeiten dabei, auch ein paar depperte Unterlassungen (Bud Vol. 2, Golden Circle Vol. 2) und natürlich wieder die vinyltypischen halben Sachen (von Sonny Night at the Vanguard braucht man nunmal einfach alles), aber die Vinylisten dürfte das dennoch freuen, ich vermute stark, dass das eine oder andere nicht so einfach zu finden ist?

--

"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba

[john-the-relevator Registriert seit: 16.04.2005 Beiträge: 8,118]

Das habe ich gestern schon gelesen, und mein erster Gedanke: Das wird teuer!!! In jeden Monat sind mal mindestens 2 Platten, die ich unbedingt auf Vinyl haben muss! Die RSD Platten habe ich mal vorsorglich bei meinem Plattenhändler angesprochen, dass er sie bestellt – mal schauen ob er sie bekommt!

Jetzt:

--

Music is like a river, It's supposed to flow and wash away the dust of everyday life. - Art Blakey

[gypsy-tail-wind Moderator Biomasse Registriert seit: 25.01.2010 Beiträge: 68,343]

Das will ich auch versuchen, in einem Laden, der seit neustem wieder Vinyl führt … die haben zwar nur noch selten was für mich, aber man kennt mich, könnte daher klappen (wenn der richtige Verkäufer dort ist, aber ich habe ja noch etwas Zeit).

--

"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba

[nail75 Registriert seit: 16.10.2006 Beiträge: 45,074]

gypsy tail windDa sind einige Überflüssigkeiten dabei, auch ein paar depperte Unterlassungen (Bud Vol. 2, Golden Circle Vol. 2) und natürlich wieder die vinyltypischen halben Sachen (von Sonny Night at the Vanguard braucht man nunmal einfach alles), aber die Vinylisten dürfte das dennoch freuen, ich vermute stark, dass das eine oder andere nicht so einfach zu finden ist?

In Deutschland jedenfalls nicht. Von Originalen wollen wir gar nicht erst anfangen. Das sind eben die originalen Alben, dagegen ist ja auch nichts zu sagen, die zusätzlichen Aufnahmen kann man ja dazu erwerben. Ich hoffe, dass das ordentlich gemacht ist, die Serie sieht jedenfalls sehr cool aus.

--

Ohne Musik ist alles Leben ein Irrtum.

[gypsy-tail-wind Moderator Biomasse Registriert seit: 25.01.2010 Beiträge: 68,343]

nail75In Deutschland jedenfalls nicht. Von Originalen wollen wir gar nicht erst anfangen. Das sind eben die originalen Alben, dagegen ist ja auch nichts zu sagen, die zusätzlichen Aufnahmen kann man ja dazu erwerben. Ich hoffe, dass das ordentlich gemacht ist, die Serie sieht jedenfalls sehr cool aus.

Ich schrieb das so, weil ich nicht weiss, wie weite Teile dieser Serie bei Music on Vinyl oder Heavenly Sweetness und was es noch so gibt erschienen ist … die eine oder andere dieser Scheiben werde ich mir wohl auch holen, wenn ich sie in die Finger kriegen kann, eine schöne LP-Ausgabe von „Soul Station“ etwa hätte ich durchaus gerne! Oder „Search for the New Land“, „Cool Struttin'“ und „Leapin‘ and Lopin“, „Back at the Chicken Shack“ … von „Ready for Freddie“ habe ich die Connoisseur LP, auch das wäre sonst durchaus ein Kandidat zum nochmal kaufen.

Ich finde es übrigens cool, dass auch post-1985-Alben berücksichtigt werden, bloss hätte ich in den meisten Fällen andere gewählt. Aber man beschränkte sich wohl auf Dinge, die es schon mal auf Vinyl gab (das ist bei Madlib oder MMW jedenfalls wahrscheinlicher als bei was weiss ich, Javon Jackson, Sherman Irby, Bill Stewart …)?

Ceterum censeo „Rush Hour“ excellentissimus est

--

"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba

[gypsy-tail-wind Moderator Biomasse Registriert seit: 25.01.2010 Beiträge: 68,343]

Das Label Soul Brothers wird die Muse-Alben von Carlos Garnett neu auflegen – den Start macht „Black Love“:
http://www.soulbrother.co.uk
http://www.amazon.co.uk/Black-Love-Carlos-Garnet/dp/B00IO0X1LS/

--

"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba

[gypsy-tail-wind Moderator Biomasse Registriert seit: 25.01.2010 Beiträge: 68,343]

Noch ein Reissue … Birdland-Airchecks aus dem Archiv von Boris Rose – ich weiss nicht mal, ob ich daraus schon etwas kenne, aber von 1953 gibt es mehr Powell-Aufnahmen als aus jedem anderen Jahr und die meisten sind gut … von der ESP-Website:
_________________________________

Bud Powell ranks as one of the most influential pianists in jazz history, his style having provided the template for innumerable bebop pianists who followed in his wake. This newly compiled and mastered three-CD set captures Powell at his peak on his home turf at the famed Birdland club, recorded onsite (these are not „air checks“ taped from radio), and mostly working with top-notch sidemen such as Charles Mingus, Oscar Pettiford, Roy Haynes, and Art Taylor, along with guest appearances by Charlie Parker and Dizzy Gillespie. Producer Michael D. Anderson fixed pitch problems and personnel listings that have plagued previous versions of some of this material from the collection of Boris Rose as issued on other labels.

From Russ Musto’s booklet essay: „Powell biographer Peter Pullman noted, in his carefully researched volume Wail: The Life of Bud Powell, that 1953 was ‚the busiest year of Powell’s career.‘ After having spent more than sixteen months in various mental institutions, where he was subjected to electroshock therapy, the great pianist was finally released early in that year. Declared ‚incompetent‘ by the state of New York, he was placed under the supervision of Oscar Goodstein, his personal manager and the manager of Birdland, who booked ‚Powell to play for twenty weeks at the club,‘ according to Pullman. The regular work that the pianist had during the year allowed him to regain much of the virtuoso technique that had often eluded him after repeated nervous breakdowns; on good nights (several of which are documented here) he once again proved that he was indeed ‚The Amazing Bud Powell.'“

BUD POWELL: BIRDLAND 1953

DISC 1

February 7, 1953 – THE BUD POWELL TRIO
Oscar Pettiford, bass; Roy Haynes, drums
1. Theme: Lullaby of Birdland (George Shearing) / Announcer Introduction
2. Tea for Two (Vincent Youmans & Irving Caesar)
3. It Could Happen to You (Johnny Burke & Jimmy Van Heusen)
4. Bean and the Boys (Coleman Hawkins); previously listed as „Lover Come Back to Me“ (Sigmund Romberg & Oscar Hammerstein II)

February 14, 1953 – THE BUD POWELL TRIO
Oscar Pettiford, bass; Roy Haynes, drums
5. Theme: Lullaby of Birdland (George Shearing)
6. I Want to Be Happy (Vincent Youmans & Irving Caesar)
7. Embraceable You (George & Ira Gershwin)
8. I’ve Got You Under My Skin (Cole Porter)
9. Ornithology (Charlie Parker & Benny Harris)
10. Theme: Lullaby of Birdland (George Shearing)

March 7, 1953 – THE BUD POWELL TRIO
Franklin Skeetes, bass; Sonny Payne, drums
11. Theme: Lullaby of Birdland (George Shearing)
12. Hallelujah! (Clifford Grey/Leo Robin/Vincent Youmans)
13. I’ve Got You Under My Skin (Cole Porter)
14. Embraceable You (George & Ira Gershwin)
15. How High the Moon (Morgan Lewis & Nancy Hamilton) / Ornithology (Charlie Parker& Benny Harris)
16. Budo (Miles Davis & Bud Powell)

DISC 2

March 14, 1953 – THE BUD POWELL TRIO
Charles Mingus, bass; Roy Haynes, drums
1. I Want to Be Happy (Vincent Youmans & Irving Caesar)
2. I’ve Got You Under My Skin (Cole Porter)
3. Sure Thing (George & Ira Gershwin)
4. Embraceable You (George & Ira Gershwin)
5. Woody’n You (John Birks Gillespie)
6. Salt Peanuts (John Birks Gillespie & Kenny Clarke)
7. Theme: Lullaby of Birdland (George Shearing)

Possibly May 16, 1953 – THE BUD POWELL TRIO WITH DIZZY GILLESPIE
Dizzy Gillespie, trumpet; Charles Mingus, bass; Roy Haynes, drums
8. Woody’n You (John Birks Gillespie)
9. Salt Peanuts (John Birks Gillespie & Kenny Clarke)

Possibly May 23, 1953 – THE BUD POWELL TRIO WITH CHARLIE PARKER
Charlie Parker, alto saxophone; Charles Mingus, bass; Art Taylor, drums
10. Dance of the Infidels (Bud Powell)

May 30, 1953 A – THE BUD POWELL TRIO
Charles Mingus, bass; Art Taylor, drums
11. I’ve Got You Under My Skin (Cole Porter)
12. Autumn in New York (Vernon Duke)
13. I Want to Be Happy (Vincent Youmans & Irving Caesar)

May 30, 1953-B – THE BUD POWELL TRIO WITH CHARLIE PARKER AND CANDIDO
Charlie Parker, alto saxophone; Charles Mingus, bass; Art Taylor, drums; Candido, congas
14. Moose the Mooche (Charlie Parker)
15. Cheryl (Charlie Parker)

June 20, 1953 – THE BUD POWELL TRIO
Charles Mingus, bass; Art Taylor, drums
16. Budo (Miles Davis & Bud Powell)
17. My Heart Stood Still (Richard Rodgers & Lorenz Hart)

DISC 3

July 11, 1953 – THE BUD POWELL TRIO
Charles Mingus, bass; Art Taylor, drums
1. Dance of the Infidels (Bud Powell)

August 29, 1953 – THE BUD POWELL TRIO
Charles Mingus, bass; Art Taylor, drums
2. Dance of the Infidels (Bud Powell)

September 5, 1953– THE BUD POWELL TRIO
George Duvivier, bass; Art Taylor, drums
3. Un Poco Loco (Bud Powell)
4. Parisian Thoroughfare (Bud Powell)
5. Dance of the Infidels (Bud Powell)
6. Glass Enclosure (Bud Powell)
7. My Heart Stood Still (Richard Rodgers & Lorenz Hart)

September 19, 1953 – THE BUD POWELL TRIO
George Duvivier, bass; Art Taylor, drums
8. Parisian Thoroughfare (Bud Powell)
9. Dance of the Infidels (Bud Powell)
10. Un Poco Loco (Bud Powell)
11. Oblivion (Bud Powell)

September 26, 1953 – THE BUD POWELL TRIO
Curley Russell, bass; Art Taylor, drums
12. Parisian Thoroughfare (Bud Powell)
13. Dance of the Infidels (Bud Powell)
14. Embraceable You (George & Ira Gershwin)
15. Un Poco Loco (Bud Powell)
16. Oblivion (Bud Powell)

Press Quotes

„…arguably the largest pianistic influence to appear after the war….As a soloist, Powell owned a superhuman technique that allowed him percussively to pop syncopated accents out of long lines of eighth notes, often at blindingly fast tempos. By doing so, he was able to deliver jazz’s characteristic accenting, its rhythmic DNA, into a more complex musical universe; rhythmic patterns that might have appeared 10 years earlier as big-band riffs showed up in Powell’s work as the accented notes in long, serpentine melodic lines.“ – Tom Piazza, The New York Times

http://www.espdisk.com/official/catalog/4073.html

--

"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba

[soulpope "Ever Since The World Ended, I Don`t Get Out As Much" Registriert seit: 02.12.2013 Beiträge: 56,509]

gypsy tail wind[Das Label Soul Brothers wird die Muse-Alben von Carlos Garnett neu auflegen – den Start macht „Black Love“:
http://www.soulbrother.co.uk
http://www.amazon.co.uk/Black-Love-Carlos-Garnet/dp/B00IO0X1LS/

Auf „Black Love“ der aus meiner Sicht schwer unterschätzte Onaje Allan Gumbs………..

--

  "Kunst ist schön, macht aber viel Arbeit" (K. Valentin)

[vorgarten Registriert seit: 07.10.2007 Beiträge: 12,716]

soulpopeAuf „Black Love“ der aus meiner Sicht schwer unterschätzte Onaje Allan Gumbs………..

…und die aus meiner sicht schwer überschätzte dee dee bridgewater. der titelsong (klick) klingt ziemlich nach von der stange…

--

[gypsy-tail-wind Moderator Biomasse Registriert seit: 25.01.2010 Beiträge: 68,343]

Yep, auf Org fanden ein paar, dass andere Garnett-Alben besser seien … Dee Dee hatte halt damals die richtigen Brüder (leider beide längst vergessen) und konnte überall mitmachen – erschliesst sich mir auch nicht genau, warum.

--

"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba