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Beiträge
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Hier sind es glaub ich 32 Euro, was etwas mehr ist, als ich in der Regel für eine Platte ausgebe, aber natürlich in der Sache total fair und angemessen… That said: ich hoffe, dass ich auch mal während der Öffnungszeiten des Ladens in Paris bin, die letzten beiden Male hat es nicht geklappt…
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.Highlights von Rolling-Stone.deNeu auf Disney+: Die Film- und Serien-Highlights im September
Amazon Prime Video: Die wichtigsten Neuerscheinungen im September
Neu auf Netflix: Die wichtigsten Filme im September 2025
The Stranglers: Alles, was man über den Hit „Golden Brown“ wissen muss
Neu auf Netflix: Die Serien-Highlights im September 2025
The Rebirth Of Cool: „Pulp Fiction“ erobert die Kinoleinwände
WerbungDas ist dann wirklich sehr fair … ich nehme an, andere Läden kaufen halt wie unsereins für 30€ ein oder – das ist hierzulande üblich – schlagen krasse Provisionen drauf (über 100% ist hier im Tonträgerhandel eher die Regel als die Ausnahme, daher gibt es ihn halt auch nicht mehr bzw. es gibt ihn noch online, wo die Margen okay sind, weil die Läden halt keine überrissenen innerstädtischen Mieten bezahlen müssen … hängt ja alles zusammen, aber im Lot war das auch vor dem Immobilienboom nicht). Und der Laden ist klein aber sehr fein, hatte ich ja berichtet (hab ein leicht wassergeschädigtes aber dafür bezahlbares Exemplar von Bobo Stensons „Underwear“ gefunden bei meinem Besuch … glaub von den neuen Sachen hatte ich damals gerade alles, was ich haben wollte, aber im Laden lief die brandneue Fresh Sound Miles Davis mit Barney Wilen aus Paris 1957, da hörte ich sicher die Hälfte davon während meines Besuches – und ich hatte davon noch gar nichts mitgekriegt, das war also auch eine tolle Überraschung).
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
Art Blakey & The Jazz Messengers – Strasbourg 82 (Gearbox, LP/CD/Digital, 11. Oktober 2025)
Terence Blanchard, trumpet
Donald Harrison, alto saxophone
Billy Pierce, tenor saxophone
Johnny O’Neal, piano
Charles Fambrough, double bass
Art Blakey, drumsRecorded on 1st April 1982 in Strasbourg, France
Mastered by Caspar Sutton-Jones at Gearbox Records, London
Album artwork by Alan FoulkesDer Vorabtrack klingt ziemlich gut! Und das im Oktober scheint eine Art Pre-Release zu sein, da steht noch was von „general release“ im Februar 2026 …
https://gearboxrecords.bandcamp.com/album/strasbourg-82
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,940
gypsy-tail-wind
Art Blakey & The Jazz Messengers – Strasbourg 82 (Gearbox, LP/CD/Digital, 11. Oktober 2025) Terence Blanchard, trumpet Donald Harrison, alto saxophone Billy Pierce, tenor saxophone Johnny O’Neal, piano Charles Fambrough, double bass Art Blakey, drums Recorded on 1st April 1982 in Strasbourg, France Mastered by Caspar Sutton-Jones at Gearbox Records, London Album artwork by Alan Foulkes Der Vorabtrack klingt ziemlich gut! Und das im Oktober scheint eine Art Pre-Release zu sein, da steht noch was von „general release“ im Februar 2026 … https://gearboxrecords.bandcamp.com/album/strasbourg-82Da ist Charles Fambrough offenbar superb aufgenommen …. sah diese Band damals live, machte echt Spass ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,940
https://www.bluenote.com/announcing-horace-silver-silver-in-seattle-live-at-the-penthouse/
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)Bisschen ausführlicher:
August 12, 2025
Blue Note Records has announced the October 24 release of Silver In Seattle: Live At The Penthouse, a never-before-issued live recording of Blue Note legend Horace Silver captured 60 years ago at The Penthouse jazz club in Seattle, Washington on August 12 and 19, 1965. The album features a short-lived powerhouse line-up of the pianist’s quintet with Woody Shaw on trumpet, Joe Henderson on tenor saxophone, Teddy Smith on bass, and Roger Humphries on drums performing uninhibited renditions of Silver classics including “Song For My Father,” “The Cape Verdean Blues,” “The Kicker,” “Sayonara Blues,” and “No Smokin’.”
Bob Blumenthal: “In what might be called the 33 1/3 era, Horace Silver was Blue Note’s quintessential recording artist. From his initial session as a leader in 1952 until the label’s temporary shutdown in 1979 he represented a model of the originality, innovation and consistency that became a label hallmark; and despite changes in the musical environment and his own style, he remained one of jazz’s most widely revered artists. The present newly discovered performances, taped at Seattle’s Penthouse jazz club roughly halfway through his affiliation with Blue Note captures Silver and his music at a critical part of the journey.”
Zev Feldman: “It’s an enormous honor to present this Horace Silver album, ‘Silver in Seattle: Live at the Penthouse.’ Of all the artists in the pantheon of jazz, Horace is absolutely one of my favorites. Horace Silver embodies the language of jazz. His unique personality beams out of his music in every composition and album… These recordings we present here are absolutely astounding; a source of inspiration and awe.”
Don Was: “It’s not out of line to say that Blue Note would not exist today without Horace Silver’s impactful approach to playing, writing and grooving. This makes Zev’s discovery of these tapes even more significant: we’ve been given a mind-blowing opportunity to glimpse Mr. Silver and his group stretching out in a live setting at the height of his popularity and creativity. ‘Silver in Seattle’ provides a missing link in our understanding of Horace Silver’s music and is an essential addition to his recorded legacy on Blue Note.”
Roger Humphries: “It was a heck of an experience being with Horace Silver, going all the different places that we would go… I recall that band in ’65. Woody Shaw. When Woody was playing, we had so much fun together. And I think about it now as well when I’m playing, but when you play with guys at their level, it’s like a conversation that you have… And Joe Henderson, when you listen to him right now, it makes me think, ‘Dear God, I had chance to play with these guys.’ Listening back to this music brings me back in time. It’s giving me more energy right now at this moment in my life too, to bring back some of that.”
Z.B. bei JPC schon vorbestellbar:
https://www.jpc.de/jpcng/jazz/detail/-/art/horace-silver-silver-in-seattle-live-at-the-penthouse/hnum/12403592--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
„Rosslyn“ kriegt Zuwachs: im September erscheint bei ECM ein neues Album vom Trio von John Taylor mit Marc Johnson und Joey Baron, „Tramonto“, ein Mitschnitt aus dem CBSO Centre, Birmingham vom Januar 2002:
https://ecmrecords.com/product/tramonto-john-taylor-marc-johnson-joey-baron/#tab_description--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
Yusuf Mumin – Journey to the Ancient (WeWantSounds, LP/DL, 31.10.2025)
Weiss da jemand mehr, z.B. ein Aufnahmejahr?
Von Bandcamp:
FIRST-EVER RELEASE OF RARE SPIRITUAL FIRE UNEARTHED FROM THE VAULTS OF CULT MUSICIAN YUSUF MUMIN (BLACK UNITY TRIO) – FEATURING REMASTERED AUDIO, REFLECTION BY YUSUF MUMIN AND HISTORICAL NOTES BY PIERRE CRÉPON
Wewantsounds is delighted to collaborate with cult musician Yusuf Mumin of the Black Unity Trio to unveil previously unreleased music from his personal archive. Following last year’s acclaimed Black Artist Group release, this new instalment continues to unearth hidden treasures from the Great Black Music tradition. Although the exact recording dates remain unknown, the music here is a powerful blend of serene spiritual jazz and fiery sonic intensity. All tracks have been remastered for vinyl by Colorsound Studio and the release also includes a two-page insert featuring new liner notes by Mumin and Pierre Crépon.
– Music culled from the vaults of Yusuf Mumin (Black Unity Trio)
– First ever Yusf Mumin release under his name
– Official release supervised by the artist
– Liner notes by Yusuf Mumin and Pierre Crépon
– Remastered by Colorsound StudiosTRACKLIST
SIDE 1
Bakumbadei 0.49
Journey To The Ancient 11.46
A Distant Land 7.40SIDE 2
1. Diaspora Impressionism 18.05All compositions by Yusuf Mumin.
Yusuf Mumin: cello and voice (1), tenor saxophone (2), flute (3), alto saxophone (4).
Dan Nuby (also known as Yusuf Mumin): double bass (2-4).
William Holmes: drums and percussion (2-4).
Compositions registered with BMI.
All tracks previously unreleased, from the audio archives of Yusuf Mumin.
Recording dates unknown.
Coordination and liner notes by Pierre Crépon.
Remastered for Vinyl by David Hachour, Colorsound Studio, Paris.
Cover design by Thomas C. Bradleyhttps://wewantsounds.bandcamp.com/album/journey-to-the-ancient
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaeine nähere eingrenzung steht wahrscheinlich in den liner notes.
jetzt kommt doch noch der ortf-paris-auftritt von sanders als komplettausgabe nochmal heraus, auf cd und doppel-lp. warum nicht gleich?
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Hoffen wir’s … und ja, das mit Sanders hatte ich schon vor ein paar Monaten gesehen – schon etwas befremdlich.
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
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