Mingus bows the bass in the cello range to evoke immense sadness, while teenager Jane Getz plays loose, free, and exciting (she was 16 then, must have been terrified of the man’s presence). And the high-point is where Mingus joins Getz for a four-handed piano romp. Its a partnership that plays out well, with Mingus goading her on – you can hear him exhaling towards the end of the song – „B flat – Jesus!“
(von hier)
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