Und Matthew, bitte! Aber thnx! Die Klavier-Szene ist ja für mich eine der erotischsten ever.
Edit: Übrigens stammt nicht nur die gespielte Musik, sondern auch die Inspiration für die ganze Szene von Phillip Glass, wie ich gerade gelesen habe:
‘The piano scene was in the original script, but I could immediately see an opportunity for me. Rather than take a written piece of music from an old master, I wanted to do something entirely new, so I approached Phillip Glass. I’m a long term fan, not just of his major work, but for his less known scores, like the one he did for a film some-people might class as a B-movie, the horror film Candyman.’
‘For me, this scene is not a piano performance, it’s a metaphor for sexual intercourse, and because it’s between a teenager and her uncle, it’s incestuous. Phillip told me he has a four-hand piano piece he had written as a husband and wife duet, and where the husband has to put his arm around his wife in order to play the correct notes. So if you look at the postures from Mia and Matthew, the way they move, you can see these moments of ecstasy, the roused emotion of a sexual act. At that moment, the audience can imagine that India’s uncle might be the fantasy of a young girl, or some kind of phantom…’
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Sir, I'm going to have to ask you to exit the donut!