Widely considered one of the Grateful Dead’s seminal performances, and certainly one of the very best of the universally acclaimed 1973 performing year, 6/10/73 is as synonymous with great Grateful Dead concerts as are 2/13/70, 8/27/72, and 5/8/77. There are few shows that deliver the goods to the extent of this concert, with its statement-opener of „Morning Dew,“ through lengthy workouts on „Bird Song,“ „Playing In The Band,“ „Here Comes Sunshine,“ „Eyes Of The World,“ and an other-worldly „Dark Star.“ Add to this a nearly hour-long encore/third set featuring members of the Allman Brothers Band (with whom the Dead shared the bill at RFK in 1973), and you have not only one of the most unique shows in Grateful Dead history, but also one of the most exciting, inspired and powerful performances of the Dead’s entire career. We’re serving up the complete previously unreleased performance, with Plangent Processes tape restoration and speed correction, and mastering by Jeffrey Norman on 4CD, 8LP (limited to 9,000), and digitally this summer. Come and get it!
RFK Stadium, Washington, D.C. 6/10/73 [8 LP]
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WHAT’S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
Limited Edition Individually Numbered To 10,000
Exclusively At Dead.net
„There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the HERE COMES SUNSHINE boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming.“ – Ray Robertson, HERE COMES SUNSHINE 1973 Liners
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen’s unfillable gap. The spring of 1973 feels transformative for the Dead – no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone’s tape collections, and now, 50 years later, set to be part of the band’s official canon.
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
Digital convert? We’ve got you covered too. On the very same day you can collect your hi-definition download.
Here Comes Sunshine 1973 (Dead.net Exclusive) [17 CD]
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