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oh, das würd jetzt keinen wundern, oder? aber ist ein ziemlich häufiger Name, also Pujol, Jordi sowieso
http://de.wikipedia.org/wiki/Joseph_Pujol--
.Highlights von Rolling-Stone.deWerbung:lol:
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbawww.tedpanken.wordpress.com/2013/04/01/an-uncut-blindfold-test-with-paul-bley-around-2002/
Ein äusserst kurzwilliger und in vielem sehr wahrer Blindfold Test, den Ted Panken in gekürzter und geschönter Form vor Jahren mal publiziert hat. Grosses Kino, aber bitte nicht mit dem Popcorn rascheln …
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
Lee Tanner, der grosse Jazzphotoraph, ist gestorben.
Mr. Tanner fell in love with jazz and then with photography. By the early 1950s, he had begun combining his passions. He first published his images in a major jazz magazine, Down Beat, in 1958.
Unlike some other jazz photographers, Mr. Tanner focused almost exclusively on capturing candid moments. Using newer technology that allowed him to pursue “available light” photography, free of flashbulbs, he photographed musicians in their often dimly lighted natural environment: live performance. “I think the important thing is to be able to be present when the music is being played, because there is a very, very intimate relationship between the musicians, their music and their instruments,” he told CNN in 1997. “And it’s very, very special in person as opposed to hearing it on record.”
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
AnonymRegistriert seit: 01.01.1970
Beiträge: 0
John Coltranes Originalmanuskript der „A Love Supreme“-Partitur:
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Prince Lasha über „Congo Call“:
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaWadada Leo Smith in einem kurzen Interview über „Ten Freedom Summers“:
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so little is fun
AnonymRegistriert seit: 01.01.1970
Beiträge: 0
John Coltrane am Schlagzeug, ca. 1963.
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Das hab ich vor ein paar Tagen auch irgendwo gesehen, aber schon wieder vergessen, wo … hilf mir rasch, bitte!
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaFaszinierendes Bild.
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Ohne Musik ist alles Leben ein Irrtum.
AnonymRegistriert seit: 01.01.1970
Beiträge: 0
Das „Duke Ellington Center for The Arts“ hat es via „Jazz Reflections“ auf seiner FB-Seite verbreitet. Scheinbar stammt der Schnappschuss aus den Sessions mit dem Duke.
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Danke – ich hab’s irgendwo anders mitgekriegt. Dafür grad das hier gefunden:
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba´Trane on drums…
Gibt es da Tondokumente?
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Bald in diesem Theater: - BtBs Top 100 Filme - Top 100 des BarockWillis ConnoverBut no living creature — a jazz combo, for instance — can long endure with two heads. (Zoot and Al are really Roland Kirk.)
:lol:
(aus den Liner Notes zu „Miles & Monk at Newport“)
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: Johnny Dyani (1945–1986) - 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
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