In The Pipeline – Coming Soon – Forthcoming Goodies

[clau Coffee Bar Cat Registriert seit: 18.03.2005 Beiträge: 92,940]

Wer kennt sich denn hier bei Fleetwod Mac aus? Lohnt es sich aus musikalischen Gründen, bei der Vinylbox einzusteigen? Ich kenne keines der enthaltenen Alben. Ich kenne ohnehin aus dem Stand nur „Rumours“ und „Tango In The Night“ und natürlich einige Singles.

--

How does it feel to be one of the beautiful people?

[clau Coffee Bar Cat Registriert seit: 18.03.2005 Beiträge: 92,940]

• Die 30 besten EDM-Alben aller Zeiten

• Neu auf Disney+: Die Film- und Serien-Highlights im August

• Amazon Prime Video: Die wichtigsten Neuerscheinungen im August

• Neu auf Netflix: Die Serien-Highlights im August 2025

• Netflix: Das sind die besten Netflix-Serien aller Zeiten

• Neu auf Netflix: Die wichtigsten Filme im August 2025

[verteidiger Registriert seit: 26.10.2016 Beiträge: 11]

Na, dann solltest Du erst einmal ganz vorsichtig ‘reinhören. Das ist vollkommen andere Musik, nämlich eine Art – damals moderner – Blues. Die Klassiker aus der Zeit sind “Then play on” und “Peter Green’s Fleetwood Mac”, außerdem “Live in Boston “.

--

[onkel-tom Registriert seit: 23.02.2007 Beiträge: 44,526]

verteidigerNa, dann solltest Du erst einmal ganz vorsichtig ‘reinhören. Das ist vollkommen andere Musik, nämlich eine Art – damals moderner – Blues. Die Klassiker aus der Zeit sind “Then play on” und “Peter Green’s Fleetwood Mac”, außerdem “Live in Boston “.

Die befinden sich doch aber, außer „Then Play On“ gar nicht in der neuen Box …… Die 70er Alben vor der Buckingham/Nicks Ära sind doch nicht so blueslastig. Am besten mal in die Songs „Future Games“, „Sands Of Time“, „Homeward Bound“, „Sentimental Lady“ oder „Emerald Eyes“ rein hören. Das geht schon sehr stark in Richtung Pop. Hab gerade gesehen, das in der Vinyl Box die Alben „Future Games“ und „Bare Trees“ fehlen (neben „Then Play On“) Leider sind das m.E. die besten aus dieser Band Phase. Somit fehlen von den von mit genannten Titeln die ersten vier …..

zuletzt geändert von onkel-tom

--

Gewinnen ist nicht alles, gewinnen ist das einzige.

[clau Coffee Bar Cat Registriert seit: 18.03.2005 Beiträge: 92,940]

Danke erstmal. Das heißt also, eine Box mit „Penguin“, „Mystery To Me“ und „Heroes Are Hard To Find“ plus einem Live-Album ist nicht so der Knaller? Dann checke ich erstmal die Alben davor.

--

How does it feel to be one of the beautiful people?

[mozza Captain Fantastic Registriert seit: 26.06.2006 Beiträge: 82,881]

clauDanke erstmal. Das heißt also, eine Box mit „Penguin“, „Mystery To Me“ und „Heroes Are Hard To Find“ plus einem Live-Album ist nicht so der Knaller? Dann checke ich erstmal die Alben davor.

Mach doch erst mal mit der Besetzung mit Buckhingham / Nicks weiter. Das Album „Fleetwood Mac“ (1975) und „Tusk“ (1979)

--

Going down in Kackbratzentown

[clau Coffee Bar Cat Registriert seit: 18.03.2005 Beiträge: 92,940]

Ja, okay @mozza. Die scheinen auch relativ gut zu bekommen zu sein (und die Singles der Alben kenne teilweise schon).

--

How does it feel to be one of the beautiful people?

[mozza Captain Fantastic Registriert seit: 26.06.2006 Beiträge: 82,881]

clauJa, okay @mozza. Die scheinen auch relativ gut zu bekommen zu sein (und die Singles der Alben kenne teilweise schon).

Alles klar! Ich mag diese Alben selber gerne, vor allem Tusk. Würde ich dir sonst auch nicht empfehlen.

--

Going down in Kackbratzentown

[flashbackmagazine Registriert seit: 28.03.2012 Beiträge: 2,755]

AND ALSO THE TREES (VÖ: 04.09.2020)

Vermutlich werden nicht viele hier mit der Band und ihrem Debut etwas anfangen können, aber für mich ist es nicht nur eine wohlwollende Erinnerung an die Wave-Zeit und eine bestimmte Person (@ Petra, was macht Hagen?), sondern auch ein wesentlicher Bestandteil der persönlichen Musikgeschichte.

Digitally remastered and expanded edition. In recognition of their 40th anniversary, And Also The Trees reissue their self-titled debut album. Recorded in London in 1983, the album was produced by Laurence Tolhurst of The Cure, with whom they toured during the first years of the band’s life. Considered by many now as a post-punk classic, the album is excellently recorded and whilst the production is polished and meticulously executed, the youthful energy and raw passion of And Also the Trees is perfectly captured. With the addition of both A and B sides of their first two single releases ‚Shantell‘ and ‚The Secret Sea‘, this release also features the debut recordings made in 1981 with Robert Smith and Mike Hedges for the self-released cassette From Under the Hill, something of a holy grail for both collectors and fans of And Also the Trees and The Cure alike.

TrackList:

Disc 1 :

1 So This Is Silence

2 Talk Without Words

3 Midnight Garden

4 The Tease the Tear

5 Impulse of Man

6 Shrine

7 Out of the Moving Life of Circles

 

Disc 2:

1 Shantell

2 Wallpaper Dying

3 The Secret Sea

4 There Were No Bounds

5 So This Is Silence (Demo)

6 Tease the Tear (Demo)

7 Out of the Moving Life of Circles (Demo)

8 Impulse of Man (Demo)

9 Midnight Garden (Demo)

10 Talk Without Words (Demo)

 

Quelle: wowhd

--

[flashbackmagazine Registriert seit: 28.03.2012 Beiträge: 2,755]

BOB MOULD – „Distortion (1989-1995)„ (24CD / 8 LP) [VÖ: 02.10.20]

Quelle sowie weitere Details: SuperDeluxeEdition

Erster Preis für das 24CD Set: 94,58 EUR bei amazon.de . JPC hat bisher nur das Vinyl-Set gelistet.

--

[flashbackmagazine Registriert seit: 28.03.2012 Beiträge: 2,755]

ELVIS PRESLEY – „From Elvis In Nashville„ (4CD / 2LP) [VÖ: 20.11.20]

August 7, 2020-New York, NY-RCA/Legacy Recordings, a division of Sony Music Entertainment, is pleased to announce the forthcoming release of From Elvis In Nashville, a 4CD collection presenting the long-awaited definitive chronicle of Elvis Presley’s mythic 1970 marathon sessions with the »Nashville Cats«.

Recorded live in RCA’s Studio B in Nashville over the course of an epic five day/night run in June 1970 (with an additional session on September 22), Elvis‘ performances from those sessions formed the core of three of his most successful studio album releases from the 1970s: Elvis: That’s the Way It Is, Elvis Country (I’m 10,000 Years Old) and Love Letters from Elvis.

Now, for the first time, the master recordings from the 1970 Studio B sessions may be enjoyed together as a single official Elvis album. On From Elvis In Nashville, Presley’s studio tracks from the 1970 marathon sessions are presented in pristine audio, newly mixed by acclaimed engineer Matt Ross-Spring (John Prine, Jason Isbell) without the added overdubs or orchestration appearing on earlier releases.

From Elvis In Nashville will be available in a 4CD boxed edition including two bonus discs of rare and/or unreleased outtakes from the 1970 sessions. A highlights package will be available in a 2LP 12″ vinyl pressing.

At the close of the 1960s, Elvis Presley, the atomic-powered singer of the 1950s, put his stamp on the rock revolution decade, reestablishing himself as a musical and cultural force to be reckoned with. His electrifying Elvis ’68 Comeback special made television history and his long-awaited return to non-soundtrack recordings – captured at Chip Moman’s American Sound Studio in Memphis, January-February 1969 – yielded major chart hits including »In The Ghetto«, »Don’t Cry Daddy«, »Kentucky Rain«, and »Suspicious Minds« (Elvis‘ final #1 single) and well as a pair of acclaimed 1969 album releases, From Elvis In Memphis and the studio/concert hybrid From Memphis to Vegas/From Vegas to Memphis. From Elvis In Nashville serves as a mirror and companion to his earlier Memphis recordings, bringing fresh fire, exuberance, humor and emotional resonance to the Studio B sessions.

For his first recordings of the 1970s, Elvis revisited the blueprint that made his American Sound sessions so successful. Because he hated doing overdubs, he wanted to cut loose live in the studio with a band in sync with his sensibility. Freed from obligations to music publishers, Elvis was able to pick and record songs that were contemporary, relevant and meaningful to him, from covers – including his transcendent interpretation of »Bridge Over Trouble Water« – to the epic material then powering his Las Vegas residencies and return to live performing. (In 1970 alone, Elvis performed two-month-long engagements at the International, playing two shows a night.)

If the American Sound recordings in Memphis opened the door for Elvis‘ return to the stage and top of the charts, his next recordings – the fabled 1970 Marathon Sessions – would lay the groundwork for another revolution in pop music. Under the direction of producer Felton Jarvis, Elvis joined forces with one of the most potent studio ensembles ever assembled to create an often underrated chapter in Presley’s rich legacy. Working with the fabled »Nashville Cats« for his first album of 1970, Elvis Presley connected to a circle of contemporary musicians that included Johnny Cash, Bob Dylan, Neil Young, George Harrison and others.

In June 1970, Elvis – who’d upended country music radio in the 1950s when he introduced rock ’n‘ roll music to the mainstream–returned to RCA Studio B to create a new sound for a new decade. From 1958-1971, Elvis recorded more than 200 tracks at Studio B, beginning with five songs – including »A Fool Such As I« – before shipping off to Germany with the US Army in September 1958; he recorded Elvis Is Back!, his first post-army album, at Studio B in March-April 1960. For his 1970 Nashville sessions, Elvis was able to handpick his own repertoire and, delve into the rich variety of American music in his marrow, combining elements of bluegrass, honky tonk, Western swing and the rockabilly he’d virtually invented with contemporary pop, ballads and epic showstoppers. Bringing a fresh and vital new approach to pop and country music, Elvis‘ performances on From Elvis In Nashville presaged and encompassed emerging trends from countrypolitan and Americana to outlaw country.

These sessions are widely recognized as among Elvis‘ best because of the undeniable chemistry between Elvis and his astonishing studio band comprised of multi-instrumentalist Charlie McCoy (whose resume includes Bob Dylan’s Highway 61 Revisited, Blonde On Blonde, John Wesley Harding and Nashville Skyline as well as work with Paul Simon, Tanya Tucker, Bob Seger, Willie Nelson and many more); bassist Norbert Putnam (Roy Orbison, Al Hirt, Henry Mancini, Dan Fogelberg, Linda Ronstadt, J. J. Cale, Tony Joe White, more); and pianist David Briggs (who’s worked with Dean Martin, Joan Baez, Nancy Sinatra, B.B. King, Johnny Cash, Dolly Parton, Waylon Jennings, Tony Joe White, George Harrison, Todd Rundgren, Roy Orbison, The Monkees, J. J. Cale, Kris Kristofferson, Alice Cooper, among others). Known colloquially as the »Nashville Cats«, this finely-honed studio ensemble, like Elvis himself, connected the worlds of pop, rock and country music. For the June sessions, Elvis brought in his longtime on-stage guitarist James Burton; Eddie Hinton – who, like Putnam ad Briggs, was part of the Muscle Shoals Rhythm Section – played lead guitar on Elvis‘ September 22 session. Elvis plays acoustic guitar throughout the June sessions.

The five-day »marathon« sessions—with work starting in the early evening and continuing until dawn – yielded a wide variety of material including a spirited rendition of Willie Nelson’s »Funny How Time Slips Away«, the heartrending »I’ve Lost You«, a powerful take on Simon & Garfunkel’s »Bridge Over Troubled Water«, and a new version of »Love Letters«, which Presley first cut in 1966. A wild, single-take version of »Whole Lotta Shakin‘ Goin‘ On« was one of the highlights of the September 22 single day session.

The music Elvis created in his 1970 »marathon sessions« – presented here without layers of overdubbing heard on the original releases – stands among Presley’s best and has proven immensely influential. It established musical directions he pursued the rest of his career, predicted his late-in-life pop- and-country radio successes, and modeled sounds for countless country stars to come. From Elvis In Nashville provides an intimate glimpse into the world of Elvis and the way he made music that lasts forever.

Links:

JPC-CD

JPC-LP

amazon.de-CD

 

 

 

--

[flashbackmagazine Registriert seit: 28.03.2012 Beiträge: 2,755]

TEARS FOR FEARS – „The Seeds of Love“ (4CD+BD) [VÖ:09.10.2020]

TrackList:

CD 1 – ORIGINAL ALBUM

NEW REMASTER BY ANDREW WALTER AT ABBEY ROAD

1. Woman In Chains: 6:31
2. Badman’s Song: 8:32
3. Sowing The Seeds Of Love: 6:19
4. Advice For The Young At Heart: 4:50
5. Standing On The Corner Of The Third World: 5:33
6. Swords And Knives: 6:12
7. Year Of The Knife: 7:08
8. Famous Last Words: 4:26

 

CD 2 – THE SUN

45’s AND B-SIDES

1. Sowing The Seeds Of Love – 7" Version: 5:43
2. Tears Roll Down: 3:16
3. Woman In Chains – 7” Version: 5:28
4. Always In The Past: 4:38
5. My Life In The Suicide Ranks: 4:32
6. Woman In Chains – Instrumental: 6:30
7. Advice For The Young At Heart – 7” Version: 4:49
8. Johnny Panic And The Bible Of Dreams Instrumental: 4:18
9. Music For Tables: 3:32
10. Johnny Panic And The Bible Of Dreams Mix One: 6:22
11. Johnny Panic And The Bible Of Dreams Mix Two: 5:55
12. Sowing The Seeds Of Love – US Radio Edit: 4:04
13. Woman In Chains – US Radio Edit 1: 4:42
14. Advice For The Young At Heart – Italian Radio Edit: 3:40
15. Year Of The Knife – Canadian Single Version: 5:40
16. Johnny Panic And The Bible Of Dreams: 4:17

 

CD 3 – THE MOON

RADIO EDITS AND EARLY MIXES

1. Year Of The Knife – Overture: 1:47
2. Year Of The Knife – Early Mix – Instrumental: 8:50
3. Sowing The Seeds Of Love – Alternate Mix: 7:22
4. Tears Roll Down – Alternate Mix: 4:07
5. Year Of The Knife – Steve Chase 7″ Remix: 4.29
6. Badman’s Song – Early Mix: 7:56
7. Advice For The Young At Heart – Instrumental: 4:56
8. Year Of The Knife – The Mix: 06:55
9. Johnny Panic And The Bible Of Dreams – Mix One Edit: 3:43
10. Sowing The Seeds Of Love – Early Mix – Instrumental: 6:40
11. Woman In Chains – US Radio Edit 2: 4:19
12. Year Of The Knife – Canadian Single Version – Instrumental: 5:40
13. Famous Last Words – French Radio Edit: 3:07
14. Woman In Chains – Reprise: 6:39

 

CD 4 – THE WIND

DEMOS, DIVERSIONS AND JAMS

1. Rhythm Of Life – Demo: 5:12
2. Advice For The Young At Heart – Demo: 4:52
3. Swords And Knives – Demo: 3:51
4. Famous Last Words – Demo: 4:12
5. Sowing The Seeds Of Love – Demo – Instrumental: 6:06
6. Badman’s Song – Langer / Winstanley Version – Instrumental: 7:30
7. Woman In Chains – Townhouse Jam: 7:06
8. Broken – Townhouse Jam: 1:37 Tears For Fears
9. Rhythm Of Life – Townhouse Jam: 3:09
10. Badman’s Song – Townhouse Jam: 8:17
11. Badman’s Song – Reprise – Townhouse Jam: 2:50
12. Standing On The Corner Of The Third World – Townhouse Jam: 9:09

 

BLU RAY – THE RAIN

STEVEN WILSON 5.1 MIX, ORIGINAL ALBUM MIX & NEW REMASTER

 

Steven Wilson 5.1 MIX

1. Woman In Chains: 6:30
2. Badman’s Song: 8:32
3. Sowing The Seeds Of Love: 6:19
4. Advice For The Young At Heart: 4:55
5. Standing On The Corner Of The Third World: 5:33
6. Swords And Knives: 6:20
7. Year Of The Knife: 6:55
8. Famous Last Words: 4:11

 

Original Album Mix (Bob Ludwig 1989 mastering)

1. Woman In Chains: 6:31 (Original album master)
2. Badman’s Song: 8:32 (Original album master)
3. Sowing The Seeds Of Love: 6:19 (Original album master)
4. Advice For The Young At Heart: 4:50 (Original album master)
5. Standing On The Corner Of The Third World: 5:33 (Original album master)
6. Swords And Knives: 6:12 (Original album master)
7. Year Of The Knife: 7:08 (Original album master)
8. Famous Last Words: 4:26 (Original album master)

 

New remaster (by Andrew Walter at Abbey Road)

1. Woman In Chains: 6:30 (New remaster)
2. Badman’s Song: 8:32 (New remaster)
3. Sowing The Seeds Of Love: 6:19 (New remaster)
4. Advice For The Young At Heart: 4:55 (New remaster)
5. Standing On The Corner Of The Third World: 5:33 (New remaster)
6. Swords And Knives: 6:20 (New remaster)
7. Year Of The Knife: 6:55 (New remaster)
8. Famous Last Words: 4:11 (New remaster)

Quelle und weitere Infos: SuperDeluxeEdition

 

--

[onkel-tom Registriert seit: 23.02.2007 Beiträge: 44,526]

Auf sowas ähnliches hab ich gewartet. Aber eine Doppel CD hätte mir eigentlich gereicht.

--

Gewinnen ist nicht alles, gewinnen ist das einzige.

[flashbackmagazine Registriert seit: 28.03.2012 Beiträge: 2,755]

DoppelCD gibt es ja auch:

CD 1 – ORIGINAL ALBUM

NEW REMASTER BY ANDREW WALTER AT ABBEY ROAD

1. Woman In Chains: 6:31
2. Badman’s Song: 8:32
3. Sowing The Seeds Of Love: 6:19
4. Advice For The Young At Heart: 4:50
5. Standing On The Corner Of The Third World: 5:33
6. Swords And Knives: 6:12
7. Year Of The Knife: 7:08
8. Famous Last Words: 4:26

 

CD 2 – THE SUN

45’s AND B-SIDES

1. Sowing The Seeds Of Love – 7" Version: 5:43
2. Tears Roll Down: 3:16
3. Woman In Chains – 7” Version: 5:28
4. Always In The Past: 4:38
5. My Life In The Suicide Ranks: 4:32
6. Woman In Chains – Instrumental: 6:30
7. Advice For The Young At Heart – 7” Version: 4:49
8. Johnny Panic And The Bible Of Dreams Instrumental: 4:18
9. Music For Tables: 3:32
10. Johnny Panic And The Bible Of Dreams Mix One: 6:22
11. Johnny Panic And The Bible Of Dreams Mix Two: 5:55
12. Sowing The Seeds Of Love – US Radio Edit: 4:04
13. Woman In Chains – US Radio Edit 1: 4:42
14. Advice For The Young At Heart – Italian Radio Edit: 3:40
15. Year Of The Knife – Canadian Single Version: 5:40
16. Johnny Panic And The Bible Of Dreams: 4:17

--

[flashbackmagazine Registriert seit: 28.03.2012 Beiträge: 2,755]

Was ich für mich enttäuschend finde: kein Live-Material

--

[onkel-tom Registriert seit: 23.02.2007 Beiträge: 44,526]

Die Doppel Variante ist notiert.

--

Gewinnen ist nicht alles, gewinnen ist das einzige.