16.06.2005: "Songs von Amadeus" von Günther Busch

Copperhead
aber bei quicksilver spielte mein lieblingsgitarrist john cippolina mit !!! :rolleyes:

Ob dich das rettet??? :rolleyes:

16. My Soul’s in Louisiana – Otis Taylor – White African

http://images-eu.amazon.com/images/P/B000059SY9.01.LZZZZZZZ.jpg%5B/img%5D

Letzten Herbst konnte ich mich bei einem Live Konzert in Kaiserslautern selbst über die Klasse von Otis Taylor überzeugen. Klasse!

Bluesman Otis Taylor never skirted tough subject matter in a career that took him from the Folklore Center in Denver to a brief stay in London, England, to retirement from music in 1977 to operate as a successful antiques broker and since 1995 back again to the blues.
Taylor’s 2001 CD, White African (Northern Blues Music), featuring Kenny Passarelli (bass, keyboards) and Eddie Turner (lead guitar), became his most direct and personal statement about the experiences of African-Americans. He addressed the lynching of his great-grandfather and the murder of his uncle. Brutality became his concern in songs about a black man executed in the 1930s for a murder he did not commit and about a father who could not afford doctor’s bills and sat powerless watching his son die. Faith met Taylor’s irony in his vision of Jesus as a mortal man who looked for ways to avoid his crucifixion and in his take on romantic infidelity among common men.
So White African is as dark musically as it is lyrically. Over the years, dark humor has played a major role in the blues — like country and hip-hop artists, bluesmen are known for finding a variety of humorous, clever ways to tell you how cruel and punishing life can be. But White African isn’t dark humored; it’s simply dark. This CD is also incredibly compelling, and it is enthusiastically recommended to those who don’t expect lighthearted escapism from all of their music.

Ähmmm kannst das auch noch übersetzen???

MitchRyderTolle Wahl, Amadeus, den Song mag ich auch sehr gern.

Me, too !

Yeah.

Nicht schlecht, die Version.

Schöne Version. J.Geils Band ist einfach klasse.
Damals, 1982, als Vorband der Stones waren sie riesig.

Sie klingen auch sehr stones-ig, war mir bei Centerfolds nie so aufgefallen.