Nick LonghettiDillinger * * * 1/2
The Red Dawn * *
Shame on me!
Dillinger * * * * 1/2
The Wind and the Lion * * * * *
Big Wednesday * * * * *
Conan the Barbarian * * * * 1/2
The Red Dawn * * * *
Farewell to the King * * * * 1/2
Flight of the Intruder * * * *
Motorcycle Gang * * * *
Rough Riders * * * *
Writer only:
Dirty Harry (Don Siegel, 1971) * * * *
Jeremiah Johnson (Sydney Pollack, 1972) * * * *
The Life and Times of Judge Roy Bean (John Huston, 1975) * * * *
Magnum Force (Ted Post, 1973) * * 1/2
Jaws (Steven Spielberg, 1975) * * * * *
Apocalypse Now (Francis Ford Coppola, 1979) * * * * 1/2
1941 (Steven Spielberg, 1979) * * * *
Extreme Prejudice (Walter Hill, 1987) * * * 1/2
The Hunt for Red October (John McTiernan, 1990) * * * *
Geronimo: An American Legend (Walter Hill, 1993) * * * *
Clear and Present Danger (Phillip Noyce, 1994) * * *
Cassavetes
Von den New-Hollywood-Leuten schätze ich eigentlich nur William Friedkin noch mehr als ihn.
Von den New-Hollywood-Leuten schätze ich niemanden mehr als ihn.
--
We are all failures, at least the best of us are.