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ich glaube, ja … aber mein Interesse verliert sich da recht bald … es gibt auf der ganzen Welt nichts, was auch nur annähernd an Lambert, Hendricks & Ross herankommt (okay, Lambert, Hendricks & Bavan sind auch nur halb schlecht), Manhattan Transfer ertrage ich z.B. ca. 20 Sekunden, bevor ich bereit bin, ins Wasser zu gehen, weil es nicht mehr drauf ankommt
jetzt läuft das hier – faszinierend, leider muss ich weg, bevor es zu Ende ist, aber dahin kehre ich später noch zurück:
Matana Roberts – Black Lives Matter/All Lives Matter
https://soundcloud.com/matana-roberts/black-lives-matterall-lives-matter
This is a work in progress. This live iteration was placed in the universe 8pm Dec 3rd, 2014 at Roulette Intermedium, Brooklyn NYC
It is a concert length, durational sound experiment based on a video/paper graphic score sound strategy I created that is also part dice game…..The Video Score: created around imagery of Michael Brown, Trayvon Martin, Tamir Rice and etc… I will load the video somewhere else and link later…. the background image is a page of the score game. The entire score( paper and video combo) is based on the grand jury testimony of Darren Wilson and Dorian Johnson as well as various modes of astral numerology and ecological coordinates as related to Ferguson Missouri and the murder of Michael Brown.Sound adventurers, other than myself in this configuration are:
Liberty Ellman, Guitar
Kevin Tkacz , bass
Ches Smith, drumsI am playing alto saxophone, loop pedal, tape player, clarinet, wind up timer and I am using conduction patterns created by the great late Butch Morris.
text i am reading: Policy Mic :
mic.com/articles/96448/5-dist…tarization-in-americaThis is still VERY much a work in progress…. im most curious about modes of social justice, improvisatory sounds and how the two coincide in realms of sound experimentation for the purpose of pushing change and reform…. thanks for listening. and please continue standing up for what is meaningful to you through art making…. someone out there needs you.
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #164: Neuheiten aus dem Archiv, 10.6., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba