Re: Ich höre gerade … Jazz!

#8486095  | PERMALINK

fred

Registriert seit: 13.01.2015

Beiträge: 95

@katharsis, auch Dir ein Danke :wave:

Durch Heavy!!! inspiriert folgt
‪Carmell Jones – Jay Hawk Talk‬

Die meisten von Euch werden ihn bereits aus Song for My Father und Hear Ye!!! Hear Ye!!! kennen.
Dies ist seine erste Aufnahme als east coast Leader für Prestige, aufgenommen am 08.05.1965 in New York mit folgenden Moderniste:
Barry Harris – piano
Jimmy Heath – tenor saxophone
George Tucker – bass
Roger Humphries – drums

http://www.frequency.com/video/carmell-jones-willow-weep-for-me/5124850

https://www.youtube.com/watch?v=Ru7Vx2XGgOw&index=2&list=PLHTsfFbCoF7WB5yZW6IxLZxG-ltVwgam4

Kennt Ihr seine Leader Aufnahmen für Pacific bzw. lohnt sich der Kauf?

Review:
Hard bopper Carmell Jones is in fine form on this 1965 outing, Together with tenorist Jimmy Heath, pianist Barry Harris, bassist George Tucker, and Roger Humphries on drums, Jones confidently tackles a half-dozen tunes. From the piano/bass riff at the beginning of ‚Jay Hawk Talk‘ to the* Parker-esque kickoff of ‚Beepdurple‘, the band holds a steady, driving groove. Both of the instrumentals, plus ‚Dance of the Night Child‘, were written by Jones and stand comfortably beside the other selections on this album. Tucker kicks off a particularly affecting version of ‚Willow Weep for Me‘, with a simple descending bass run. Jones enters with a full and rich tone for a beautiful, extended solo, and is followed by Harris, who emphasizes the bluesy, late-night feel of the piece. The band turns in a 9-minute version of Porter’s ‚What Is This Thing Called Love?‘ that pulls out all the stops, and gives Heath plenty of room to show that he can fly as high and play as fast as Charlie Parker himself. Throughout the album, Tucker’s bass work adds greatly to the overall texture; Tucker and Humphries together provide a steady pulse with lots of charged rhythm to keep the whole project stimulating. Jay Hawk Talk will remind everyone of Jones‘ distinctive voice. Like Johnny Griffin, Jones moved to Europe in the ’60s, greatly lowering his profile in the United States. This re-release of an old classic should help to familiarize everyone once again with a great trumpeter.

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