Chip JacksonIch lasse mich sicher nicht blenden, aber was um Himmels Willen ist an den Sun-Aufnahmen so grandios??
Ich nehme mir die Freiheit, das in einem Thread, in dem es um ja vornehmlich um Volker Lechtenbrink gehen sollte, nicht weiter ausdifferenzieren zu wollen. In diesem Fall will ich bequemerweise, bei allen Vorbehalten gegen die Belastbakeit von Internetlexika, auf die einleitenden Worte von AMG verweisen, bei denen es zu Recht noch in keinem Wort um sein (von mir sehr geschätzes) Spätwerk geht:
„Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare, percussive guitar, he had a basic, distinctive sound. Cash didn’t sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world weariness of country. Cash’s career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history — as he would later illustrate with his series of historical albums — that kept him forever tied with country. And he was one of country music’s biggest stars of the ’50s and ’60s, scoring well over 100 hit singles…“
--
I like to move it, move it Ya like to (move it)