Der NME hat angeblich die Tracklist in die Finger bekommen (wie auch schon unser Hausi auf rollingstone.de vermerkte):
‘Hiroshima (B B B Benny Hits His Head)’
‘Dr. Yang’
‘The Frown’
‘You Don’t Know Me’ (featuring Regina Spektor)
‘Before Cologne’
‘Cologne’
‘Errant Dog’
‘Free Coffee’
‘Bitch Went Nuts’
‘Brainwascht’
‘Effington’
‘Kylie from Connecticut’
Schön, dass der Song „Cologne“, der auf „Rock this Bitch“ in Köln aus dem Jahr 2007 basiert, es (wahrscheinlich) auf die Platte geschafft hat.
Bei myspace schreibt seine Plattenfirma:
Ben Folds to Release New Record, Way To Normal, September 30, 2008
LONG AWAITED FOLLOW UP TO SONGS FOR SILVERMAN FEATURES RAUCOUS TRACKS, TRADEMARK HUMOR
Epic Records is proud to announce the release of the much-anticipated new album from Ben Folds, WAY TO NORMAL, on September 30, 2008. The album, Folds‘ third as a solo artist since the break up of the Ben Folds Five in 2000, was mostly recorded at his studio in Nashville and produced by Dennis Herring (Elvis Costello, Modest Mouse, The Hives). Featuring Folds on vocals and piano, Way to Normal also features long-time bassist Jared Reynolds and drummer Sam Smith as well as a guest vocal from indie pop heroine Regina Spektor on the album’s first single, „You Don’t Know Me.“
Way to Normal is an exuberant, raucous, and sometimes profane mix of sure-fire crowd-pleasers („Hiroshima,“ „Bitch Went Nuts,“ and the frenetically fuzzed-out „Dr. Yang“), cheerful snark-fests („The Frown Song,“ „Brainwascht“), and thoughtful, moving ballads („Cologne,“ „Kylie From Connecticut“) that Folds wrote at the end of 2007 following the finalization of a two-year divorce.
But it should not be assumed that Way to Normal is Folds‘ version of Marvin Gaye’s Here My Dear or Bob Dylan’s Blood on the Tracks (though Folds says that in the early stages of recording he came close to calling the album „Blood on the Keyboard“).
„The songs are not topical,“ Folds says. „I was not interested in making a record about the D-word. I got all that stuff out of my system on the last record [2005’s pensive Songs for Silverman], which was deliberately stoic. This new album is really about me being free, which is why it feels cathartic and expressive. It’s about me coming back to being myself.“ (Hence the title.) „I came out of the courthouse, kissed the ground, and walked straight into the studio. I felt like a bottle of champagne that had been shaken for 18 months and popped open in the studio. That’s why this record has so much energy.“
„This new album is really about me being free, which is why it feels cathartic and expressive. It’s about me coming back to being myself.“
Ja, klar, wer’s glaubt …
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C'mon Granddad!