Re: Phish

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icculus66

Registriert seit: 09.01.2007

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The Phish Report Night 2: More Ghost Stories
By Mike Greenhaus

Phish’s three night reunion run continued with another meaty, extended performance that found the Vermont Quartet focusing heavily on the funk-based material documented on 1998’s Story of the Ghost. Like Friday night’s reunion show, Phish favored relatively short, concise jams over the long improvisations that characterized the years immediately precededing its breakup, though the group’s second set, in particular, opened up on several occasions.

Much like Friday night’s performance, Phish’s first set stretched well past the hour mark, peaking several times before coming to a climax with a tight, high-energy rendition of the early favorite “Run Like an Antelope.” The set opened with a funky “Back on the Train,” which nodded to the weekend’s overarching theme of reunion with the line “it took me a long time to get back on the train” (a phrase that was met with some of the evening’s loudest cheers). Oddly enough, though the Farmhouse number began its life as a solo acoustic song on Trey Anastasio’s 1999 solo tour, the cut’s current, groove-heavy incarnation is tangible proof that Phish is once again a band of equals. From there the band then moved into the jam-vehicle “Runaway Jim,” but kept the song’s improvisational sections relatively short and focused, before coming to a halt with a slowed down, dreamy version of “Brian and Robert” reminiscent of the group’s three-night, 2004 run in Las Vegas.

The rest of the set mixed pop-ditties like “Heavy Things” and “Mexican Cousin” with mid-period favorites like a synth-laden “Gumbo” and choice examples of Anastasio’s early-period compositional prowess like “Reba” and “Guelah Papyrus”—the latter of which had not been placed since September 18, 2000. Highlights included a tight, heavily rhythmic take on “Split Open and Melt” and a Page McConnell-led “It’s Ice” that gradually opened up into a dark, eerie jam. McConnell also offered “Beauty of a Broken Heart,” a number from his self-titled 2007 solo album, leading many to believe that the four musicians will continue to dig into their respective solo canons at future shows

In addition, Phish pulled over a few novelties at various points in the night: Anastasio and Gordon danced during the “Landlady” section of “Punch You in the Eye,” remembered the shuffle to “Guelah Papyrus” and McConnell moved to the front of the stage for the mock lounge singer favorite “Lawn Boy” (which is now lit by the band’s new mini-disco ball).

As many expected, Phish’s second set was looser and more focused on freeform improvisation, though the band’s new jamming style on the whole feels shorter, punchier and more rehearsed. The band’s truncated jams felt like blessings in disguise, however, as the four musicians slowly become reacquainted onstage and continue to sharp their song’s structural nuts and bolts. The best example of this may have been “Birds of a Feather,” a song that began its life as a short, radio-friendly rocker and gradually uncoiled into a valued jam-vehicle, only to be shortened into a „Chalkdust Torture“-like rocker.

Unfortunately, Anastasio stumbled several times throughout the set, beginning with an aborted version of “Piper.” He also seemed tepid at the start of both “Wolfman’s Brother” and “Price Caspian,“ but rapidly improved as the band gained confidence as the set progressed. Likewise, “Rock and Roll” and „Ghost” contained some focused jams by all four musicians, especially McConnell, who has made an early case as Phish 3.0’s MVP. Phish then brought its second set to a close with a classic „Mike’s Groove” that found Gordon taking a strong bass solo during the introduction to “Weekapaug Groove,” as well as the anathematic “Character Zero.”

For the second night in a row, Phish used its encore to play a rarer number, dusting off their once trademark cover of the Beatles’ “A Day in the Life” for the first time since July 3, 1998. Relix and Jambands.com will be reporting from Hampton, VA once again this evening.

SETLIST:

March 7, Hampton Coliseum, Hampton, VA

Set I: Back On The Train, Runaway Jim, Brian and Robert, Split Open and Melt, Heavy Things, Punch You in the Eye, Gumbo, Reba, Mexican Cousin, It’s Ice, Halley’s Comet, Beauty of a Broken Heart#, Guelah Papyrus*, Lawn Boy, Run Like An Antelope

Set II: Rock and Roll, Limb By Limb, Ghost, Piper, Birds of a Feather, Wolfman’s Brother, Prince Caspian, Mike’s Song>I Am Hydrogen>Weekapaug Groove, Character Zero

E: A Day in the Life

* Last Played 9/28/00
# First time played, Page solo song
E Last played 7/3/98 (& 9/30/00)

http://www.jambands.com/News.phtml?newsfile=redesign_news405.html#3-6-38

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