Noir/Neo-Noir Top10 mit teilweise fließenden Übergängen ins Gangster-, Crime-, Heist-Genre…
01 Chinatown (Roman Polanski, 1974)
02 The Big Sleep (Howard Hawks, 1946)
03 Detour (Edgar G. Ulmer, 1945)
04 Gun Crazy (Joseph H. Lewis, 1950)
05 The Killing (Stanley Kubrick, 1956)
06 Blast of Silence (Allan Baron, 1961)
07 The Long Goodbye (Robert Altman, 1973)
08 Night Moves (Arthur Penn, 1975)
09 Angel Face (Otto Preminger, 1952)
10 In a Lonely Place (Nicholas Ray, 1950)
Ride the Pink Horse (Robert Montgomery, 1947)
The Big Combo (Joseph H. Lewis, 1955)
The Reckless Moment (Max Ophüls, 1949)
Odd Man Out (Carol Reed, 1947)
Kiss Me Deadly (Robert Aldrich, 1955)
Force of Evil (Abraham Polonsky, 1948)
Body and Soul (Robert Rossen, 1947)
The Woman on the Beach (Jean Renoir, 1947)
Out of the Past (Jacques Tourneur, 1947)
D.O.A. (Rudolph Maté, 1950)
Touch of Evil (Orson Welles, 1958)
Double Indemnity (Billy Wilder, 1944)
Criss Cross (Robert Siodmak, 1949)
The Killers (Robert Siodmak, 1946)
Scarlet Street (Fritz Lang, 1945)
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