„Kraftwerk, Bowie and the German art-rockers might have come up with a working blueprint for a non-American dance sound, but it took two less credible visionaries (Moroder/Bellotte) to invent a globally recognized European dance-pop. The record they achieved this with is so beautiful and extraordinary, it presents a tough-to-challenge argument that Europop’s first major cut is, after almost 25 years, still its deepest. (…) Summer’s skyscraping blend of American gospel and light opera soars in a dreamy delirium – sex as ecstatic worship, as narcotic trip, as the experience to end all experiences.“ (Garry Mulholland, This Is Uncool, 2002)
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