Yellowsubmarine
„Drums and Wires ist toll, English Settlement auch sehr gut, praktisch ihre Beatles Phase“ stimme ich absolut zu Imposter…
Könnt ihr das etwas näher ausführen? Ich sehe das nämlich anders. Explizite Beatles-Elemente höre ich vor allem ab Mummer.
Für Partridge war vor allem der Song Ladybird ein wichtiger Wendepunkt:
„The mid-section of this song, I thought sounded rather Beatle-y, but I was encouraged by Steve Nye — „Oh, let it go! Of course it sounds a bit like the Beatles! What’s wrong with that? They’re fucking brilliant.“ And, do you know, I thought to myself, „He’s right! What’s wrong with sounding a bit like the Beatles?“ So I let it go. I didn’t try to change it or consciously take it away from the Beatles, and I think that’s the first time in my musical history that I didn’t worry about something coming out a little Beatle-y. It was just, „Oh, why not? They’re such an enormous influence, it’s stupid to keep trying to hide it, or be conscious of it. Just let it go.“ So I remember that — it was kind of a turning point for me.“
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