High Sierra (Raoul Walsh, 1941)
The Lady Eve (Preston Sturges, 1941)
Citizen Kane (Orson Welles, 1941)
The Maltese Falcon (John Huston, 1941)
Ball of Fire (Howard Hawks, 1941)
Ossessione (Luchino Visconti, 1942)
Le corbeau (Henri-Georges Clouzot, 1943)
Ivan Grosny (Iwan der Schreckliche) (Sergej Eistenstein, 1943-47)
Double Indemnity (Billy Wilder, 1944)
Laura (Otto Preminger/Rouben Mamoulian [ungenannt], 1944)
To Have and Have Not (Howard Hawks, 1944)
Spellbound (Alfred Hitchcock, 1945)
Detour (Edgar G. Ulmer, 1945)
The Woman in the Window (Fritz Lang, 1945)
Roma, città aperta (Roberto Rossellini, 1945)
Notorious (Alfred Hitchcock, 1946)
La belle et la bête (Jean Cocteau, 1946)
The Big Sleep (Howard Hawks, 1946)
Paisà (Roberto Rossellini, 1946)
Gilda (Charles Vidor, 1947)
Out of the Past (Jacques Tourneur, 1947)
The Woman on the Beach (Jean Renoir, 1947)
Dark Passage (Delmer Daves, 1947)
The Ghost and Mrs. Muir (Joseph L. Mankiewicz, 1947)
Key Largo (John Huston, 1948)
La terra trema (Luchino Visconti, 1948)
Ladri di biciclette (Vittorio de Sica, 1948)
The Lady from Shanghai (Orson Welles, 1948)
Criss Cross (Robert Siodmak, 1949)
Nora inu (Ein streunender Hund) (Akira Kurosawa, 1949)
Riso amaro (Giuseppe De Santis, 1949)
The Third Man (Carol Reed, 1949)
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba