Re: The White Stripes

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abulafia

Registriert seit: 22.08.2008

Beiträge: 986

Das nächste Third Man Records Vault package:

You want the White Stripes. We get it. So for our upcoming Vault package we’re excited to present our fans with peeks at the White Stripes from three decidedly different eras of the band.

First off, we’re pleased to offer Live in Mississippi a recording of the White Stripes’ final live concert from July31st, 2007 in Southaven, Mississippi. Presented in crystalline audio quality and spread across 2 LP’s pressed on 180-gram vinyl, this recording is (arguably) the band at the top of their game. With the local geography looming large on their minds, the set list is decidedly heavy on the blues and features covers of songs by Robert Johnson, Son House and Leadbelly. The rest of the set includes songs from all six of the White Stripes’ studio albums and the show is offered in its entirety.

Our 7” this quarter features some of the earliest recordings the White Stripes ever made. The a-side is a haunting, stark version of “Signed DC” originally done by the band Love on their self-titled debut record from 1966. The flipside is a breathtaking rendition of the Otis Redding classic “I’ve Been Loving You Too Long.” Recorded in Detroit in September of 1997 a mere two months after the Stripes’ live debut, this single provides a heretofore unheard era of the band. Although their debut single “Let’s Shake Hands” wouldn’t be released for another eight months, this recording shows how fully-formed the general idea, aesthetic and approach of the White Stripes was from the very start.

The final component of this collection is a DVD entitled Under Moorhead Lights All Fargo Night. Recorded at Ralph’s Corner Bar in Moorhead, Minnesota on June 13th,2000, this previously unseen footage captures the band immediately following the release of their sophomore album De Stijl on what was their first extended bout of touring across the United States.Performing for only a handful of people, the show is heavy on the band’s earlier material with a spirited cover of Iggy Pop’s “I’m Bored” being of particular excitement and note.

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