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Jack Frosthttp://www.rollingstone.com/music/albumreviews/led-zeppelin-i-19690315
By John Mendelsohn
March 15, 1969Jimmy Page, around whom the Zeppelin revolves, is, admittedly, an extraordinarily proficient blues guitarist and explorer of his instrument’s electronic capabilities. Unfortunately, he is also a very limited producer and a writer of weak, unimaginative songs, and the Zeppelin album suffers from his having both produced it and written most of it (alone or in combination with his accomplices in the group).
The album opens with lots of guitarrhythm section exchanges (in the fashion of Beck’s „Shapes of Things“ on „Good Times Bad Times,“ which might have been ideal for a Yardbirds‘ B-side.
…
The album’s most representative cut is „How Many More Times.“ Here a jazzy introduction gives way to a driving (albeit monotonous) guitar-dominated background for Plant’s strained and unconvincing shouting (he may be as foppish as Rod Stewart, but he’s nowhere near so exciting, especially in the higher registers).
…In their willingness to waste their considerable talent on unworthy material the Zeppelin has produced an album which is sadly reminiscent of Truth. Like the Beck group they are also perfectly willing to make themselves a two- (or, more accurately, one-a-half) man show. It would seem that, if they’re to help fill the void created by the demise of Cream, they will have to find a producer (and editor) and some material worthy of their collective attention.
:lol:
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