Ja, wirklich eine interessante und anregende Liste! Dann ziehe ich mal nach… die Reihenfolge ist ziemlich vage und es sind 125:
01 UMBERTO D. (Vittorio De Sica, 1952)
02 MARTIN (George A. Romero, 1977)
03 CHELOVEK S KINO-APPARATOM (Dziga Vertov, 1929)
04 I FIDANZATI (Ermanno Olmi, 1963)
05 SHERLOCK JR. (Buster Keaton, 1924)
06 MOUCHETTE (Robert Bresson, 1967)
07 MY DARLING CLEMENTINE (John Ford, 1946)
08 THE LADY EVE (Preston Sturges, 1941)
09 THE BEST YEARS OF OUR LIVES (William Wyler, 1946)
10 PROFESSIONE: REPORTER (Michelangelo Antonioni, 1975)
11 L’ATALANTE (Jean Vigo, 1934)
12 FRANCESCO, GIULLARE DI DIO (Roberto Rossellini, 1950)
13 ZEMLYA (Aleksandr Dowschenko, 1930)
14 THE GRAPES OF WRATH (John Ford, 1940)
15 LA NOTTE (Michelangelo Antonioni, 1961)
16 KILLER OF SHEEP (Charles Burnett, 1979)
17 ADVICE & CONSENT (Otto Preminger, 1962)
18 L’ENFANCE NUE (Maurice Pialat, 1968)
19 NASHVILLE (Robert Altman, 1975)
20 BIGGER THAN LIFE (Nicholas Ray, 1956)
21 SHOAH (Claude Lanzmann, 1985)
22 ENTR’ACTE (Rene Clair, 1924)
23 DER LETZTE MANN (Friedrich Wilhelm Murnau, 1924)
24 MEGACITIES (Michael Glawogger, 1998)
25 RED RIVER (Howard Hawks, 1948)
26 LOS OLVIDADOS (Luis Buñuel, 1950)
27 THE GOLD RUSH (Charles Chaplin, 1925)
28 THE SEARCHERS (John Ford, 1956)
29 LONESOME (Pál Fejös, 1928)
30 HARLAN COUNTRY, U.S.A. (Barbara Kopple, 1976)
31 UN CONDAMNÉ À MORT S’EST ÉCHAPPÉ (Robert Bresson, 1956)
32 VIAGGIO IN ITALIA (Roberto Rossellini, 1954)
33 ACCATTONE (Pier Paolo Pasolini, 1961)
34 MA NUIT CHEZ MAUD (Eric Rohmer, 1969)
35 THE GENERAL (Buster Keaton & Clyde Bruckman, 1926)
36 MIKEY AND NICKY (Elaine May, 1976)
37 I VITELLONI (Federico Fellini, 1953)
38 MCCABE & MRS. MILLER (Robert Altman, 1971)
39 IL POSTO (Ermanno Olmi, 1961)
40 WENDY AND LUCY (Kelly Reichardt, 2008)
41 SOY CUBA (Mikhail Kalatozov, 1964)
42 WILD RIVER (Elia Kazan, 1960)
43 WAGON MASTER (John Ford, 1950)
44 BRONENOSETS POTYOMKIN (Sergei M. Eisenstein, 1925)
45 TWO-LANE BLACKTOP (Monte Hellman, 1971)
46 THE TEXAS CHAINSAW MASSACRE (Tobe Hooper, 1974)
47 SUD SANAEHA (Apichatpong Weerasethakul, 2002)
48 TOBACCO ROAD (John Ford, 1941)
49 NIGHT MOVES (Arthur Penn, 1975)
50 RIDE IN THE WHIRLWIND (Monte Hellman, 1966)
51 LA CLASSE OPERAIE VA IN PARADISO (Elio Petri, 1971)
52 THE BROOD (David Cronenberg, 1979)
53 OHAYÔ (Yasujirô Ozu, 1959)
54 TRETYA MESHCHANSKAYA (Abram Room, 1927)
55 PURSUED (Raoul Walsh, 1947)
56 UNE FEMME DOUCE (Robert Bresson, 1969)
57 THE NAKED SPUR (Anthony Mann, 1953)
58 MARSEILLE (Angela Schanelec, 2004)
59 THE SWEET HEREAFTER (Atom Egoyan, 1997)
60 MARGARET (Kenneth Lonergan, 2011)
61 BERLIN CHAMISSOPLATZ (Rudolf Thome, 1980)
62 FREAKS (Tod Browning, 1932)
63 HIS GIRL FRIDAY (Howard Hawks, 1940)
64 NIGHT OF THE LIVING DEAD (George A. Romero, 1968)
65 PATHER PANCHALI (Satyajit Ray, 1955)
66 BRIEF ENCOUNTER (David Lean, 1945)
67 THE BAND WAGON (Vincente Minnelli, 1953)
68 THE BIG COUNTRY (William Wyler, 1958)
69 SUPERMARKT (Roland Klick, 1973)
70 TONI (Jean Renoir, 1935)
71 TINI ZABUTYKH PREDKIV (Sergei Parajanov, 1964)
72 SHOWGIRLS (Paul Verhoeven, 1995)
73 IMITATION OF LIFE (Douglas Sirk, 1959)
74 COCKFIGHTER (Monte Hellman, 1974)
75 CANNIBAL HOLOCAUST (Ruggero Deodato, 1980)
76 THE KILLING (Stanley Kubrick, 1956)
77 BLUE COLLAR (Paul Schrader, 1978)
78 IL FIORE DELLE MILLE E UNA NOTTE (Pier Paolo Pasolini, 1974)
79 TOP HAT (Mark Sandrich, 1935)
80 GENTLEMEN PREFER BLONDES (Howard Hawks, 1953)
81 UNE VRAIE JEUNE FILLE (Catherine Breillat, 1976)
82 BOB & CAROL & TED & ALICE (Paul Mazursky, 1969)
83 MODELS (Ulrich Seidl, 1999)
84 SECONDS (John Frankenheimer, 1966)
85 TENGOKU TO JIGOKU (Akira Kurosawa, 1958)
86 DETOUR (Edgar G. Ulmer, 1945)
87 DIE KATZE (Dominik Graf, 1988)
88 BLAST OF SILENCE (Allen Baron, 1961)
89 TO BE OR NOT TO BE (Ernst Lubitsch, 1942)
90 DIE MARQUISE VON O… (Eric Rohmer, 1976)
91 PLACE IN THE SUN (George Stevens, 1951)
92 DRIVE, HE SAID (Jack Nicholson, 1970)
93 BODY DOUBLE (Brian De Palma, 1984)
94 GUN CRAZY (Joseph H. Lewis, 1950)
95 PARIS QUI DORT (René Clair, 1924)
96 DEUTSCHLAND DADA (Helmut Herbst, 1969)
97 EDVARD MUNCH (Peter Watkins, 1974)
98 INDAGINE SU UN CITTADINO AL DI SOPRA DI OGNI SOSPETTO (Elio Petri, 1970)
99 JAHRGANG ’45 (Jürgen Böttcher, 1965)
100 HAPPINESS (Todd Solondz, 1998)
101 CRUMB (Terry Zwigoff, 1994)
102 DAH (Abbas Kiarostami, 2002)
103 BEAU TRAVAIL (Claire Denis, 1999)
104 HUSBANDS (John Cassavetes, 1970)
105 THE BOAT (Edward F. Cline & Buster Keaton, 1921)
106 BANSHUN (Yasujirô Ozu, 1949)
107 ENTUZIAZM (Dziga Vertov, 1931)
108 LADRI DI BICICLETTE (Vittorio De Sica, 1948)
109 CHINATOWN (Roman Polanski, 1974)
110 PO ZAKONU (Lev Kuleshov, 1926)
111 L’ALBERO DEGLI ZOCCOLI (Ermanno Olmi, 1978)
112 VIVRE SA VIE (Jean-Luc Godard, 1962)
113 PLAYTIME (Jacques Tati, 1967)
114 THE HONEYMOON KILLERS (Leonard Kastle, 1969)
115 DER ÄRGER MIT DEN BILDERN (Harun Farocki, 1973)
116 MODERATO CANTABILE (Peter Brook, 1960)
117 DIE WISMUT (Volker Koepp, 1994)
118 ONE WEEK (Edward F. Cline & Buster Keaton, 1920)
119 CLEAN, SHAVEN (Lodge Kerrigan, 1993)
120 DILLINGER È MORTE (Marco Ferreri, 1969)
121 LEVIATHAN (Lucien Castaing-Taylor & Verena Paravel, 2012)
122 LIEBELEI (Max Ophüls, 1933)
123 JOHANN SEBASTIAN BACH: FANTASIA G-MOLL (Jan Švankmajer, 1965)
124 ONNA GA KAIDAN WO AGARU TOKI (Mikio Naruse, 1960)
125 WANDA (Barbara Loden, 1971)
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