19. Mustafa Özkent – Dolana (1973)
So sprach die Kritik über das Reissue dieses gems:
The album generally received positive reviews. PopMatters critic Deanne Sole described the record as a „half an hour of wordless Turkish psychedelica chilled to a nice consistency, being neither too heavy nor superficial.“ Sole also stated that Özkent „blends his Turkish folk influences so perfectly into the modernity of the psyche-jazz-funk that you might not even notice them unless you knew what you were listening for.“ Keith Kawaii of Tiny Mix Tapes, who described the record as „quite a slice of that time and a real artifact,“ stated that it „endlessly plods along, riding some kind of universal groove that crosses boundaries and borders just to get you moving.“
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