gypsy-tail-wind
Frank Morgan / Bud Shank – Quiet Fire …. mit einem grossartigen Morgan-Solo am Schluss, zu dem Neil Tesser in den Liner Notes schreibt: „by the time he’s through, he has presented a compact primer on how the Forties‘ bebop evolved into the Sixties‘ avant-garde. morgan blurs the line drastically and dramatically slurring his upper-register runs until they resemble the keening wails associated with Albert Ayler or Joseph Jarman – even though they clearly still comprise individual notes Part of Morgan’s aesthetic success concerns his abilty, not least of it timbral, to bridge these camps – to play tonal, bebop-based music while mindful of newer developments – and this solo just spells it all out“ ….
Solche Beschreibungen wecken Lust die Musik zu hören ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)
