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KRZYSZTOF KMEDA TRZCINSKI QUINTET
1. Sophia’s Tune (Krzysztof Komeda)
Tomasz Stanko (t), Michal Urbaniak (ts), Krzysztof Komeda (p), Janusz Kozlowski (b), Czeslaw Bartkowski (d)
Live, Jazz Jamboree ‛64, National Philharmonic Concert Hall, Warschau, 24.–26. Oktober 1964
von: Various – Jazz Jamboree ‛64 Volume 03, Polish Radio Jazz Archives 22 (Polskie Radio, CD, 2015)
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I had no urge to lead a band of my own all the time I was with Krzysztof Komeda. He was such a strong force, the music was so original and he always gave me plenty of space for self-expression and interpretation. Listening closely to this recording [Litania, ECM, 1997] I realized how much I’m influenced by him. I’m happy that I had my own sound – from the beginning. But I take Komeda’s lyricism in the things that I play and that I write. He showed me how simplicity is vital, how to play the essential. He showed different approaches, using different harmonies, asymmetry, many details. […]
Tomas Stanko (aus dem Booklet von „Litania“)
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Diese Einspielung liegt bei mir gleich auf drei CDs vor:
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #165: 9.9., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba