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Beiträge
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Na ja, ich finde immerhin die Coltrane- und Brownie-Cover schön – aber das braucht wirklich kein Mensch, v.a. Miles nicht, wo man den Inhalt auf einzelnen CDs billiger haben kann (sogar wenn man noch „The Complete Birth of the Cool“ hinzunähme, wäre es noch etwas billiger).
Aber auf einzelne Reissues übersehener Alben (es gibt schon ein paar, z.B. das eine von Tyrone Washington oder „Cliff Jordan“ – gab es natürlich in Japan, aber von Washingtons Album habe ich bis heute nur eine Kopie, die mir ein Freund mal gemacht hat) würde ich nicht hoffen … Universal hat ja auch, was die eigenen Schätze (Verve, Mercury, Decca, Impulse) betrifft, schon länger nichts Gescheites mehr hingekriegt (die Impulse 2-on-1 lasse ich als halb-gescheit gelten, zuviel seltsame Kombinationen und auch da Reissues, die weniger waren als frühere Reissues – aber das hat bei Universal wie es scheint Konzept, in der „Originals“-Reihe erschienen diverse zuvor mit Bonusmaterialen wiederveröffentlichte Alben ohne dieses Bonusmaterial).
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaHighlights von Rolling-Stone.deTaylor Swift vs. Kanye West: Legendäres Bitch-Telefonat geleakt
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Xavier Naidoo: Das „Ich bin Rassist“-Interview in voller Länge
„Westworld“-Schlusskritik: Tschüss, bin wohl zu blöd für die Serie
WerbungAuch Blue Note kriegt eine Compilation und ein Buch:
Blue Note: 75 Years of the Finest in Jazz Hardcover by Richard Havers
AmazonPurveyor of extraordinary music and an arbiter of cool, Blue Note is the definitive jazz label—signing the best artists, pioneering the best recording techniques, and lead cover design trends with punchy, iconic artwork and typography that shaped the way we see the music itself. The roster of greats who cut indelible sides for the label include Miles Davis, Art Blakey, Thelonious Monk, John Coltrane, Bud Powell, Norah Jones, and many more. Published for Blue Note’s seventy-fifth anniversary, this landmark volume is the first official illustrated story of the label, from 1939 roots to its renaissance today. Featuring classic album artwork, unseen contact sheets, rare ephemera from the Blue Note Archives, commentary from some of the biggest names in jazz today, and feature reviews of seventy-five key albums, this is the definitive book on the legendary label.
http://www.amazon.com/Blue-Note-Years-Finest-Jazz/dp/1452141444/
Uncompromising Expression: Singles Collection (5 CD)
AmazonTo celebrate the 75th anniversary of Blue Note, the label is releasing a comprehensive 5CD singles box entitled Uncompromising Expression. Releasing day-and-date with this collection is a new hardcover book – with the same name – written by jazz-authority, Richard Havers, who details Blue Note’s impact on popular culture. Havers, who also wrote the 2013 Verve: The Sound of America, not only wrote this defining Blue Note history, but he curated the track list for this singles box as a musical companion to the rich text and adored images.
Opening with the label’s very first signing – the pianist Meade Lux Lewis – and closing seventy five years later with the beautifully progressive sounds of Derrick Hodge, Uncompromising Expression is a complete overview of the one of the most inspired and eclectic catalogs of Jazz. This collection features Jazz greats from Thelonious Monk to Art Blakey to John Coltrane to Donald Byrd, Cassandra Wilson, Norah Jones and more. Packaged in a beautiful slipcase, Uncompromising Expression also includes a 48-page booklet featuring a complete discography of the 75 titles included in this box. Each of the five discs covers a specific era, from boogie to hard bop, soul jazz to the roots revival of the 90’s, and the 21st century trailblazers like Robert Glasper and Gregory Porter.
Tracklist:
1-1. Meade Lux Lewis – Melancholy
1-2. Earl ‚Fatha Hines – Reminiscing At Blue Note
1-3. Sidney Bechet – Summertime
1-4. Charlie Christian/Edmond Hall – Profoundly Blue
1-5. Art Hodes – Doctor Jazz
1-6. Ike Quebec Swing Seven – Topsy
1-7. Tiny Grimes – Tiny’s Boogie Woogie
1-8. Babs‘ Three Bips And A Bop – Oop-Pop-A-Da
1-9. Thelonious Monk Sextet – Thelonious
1-10. Art Blakey’s Messengers – The Thin Man
1-11. James Moody & His Bop Men – Moody’s All Frantic
1-12. Howard McGhee – Double Talk pt 1 & 2
1-13. Bud Powell – Bouncing With Bud
1-14. Wynton Kelly Trio – Born To Be Blue
1-15. Thelonious Monk Quintet – Straight No Chaser
1-16. Milt Jackson – Bags Groove
1-17. Miles Davis – Yesterdays
1-18. Lou Donaldson – Roccus
1-19. Horace Silver – Safari
1-20. Miles Davis – Tempus Fugit
1-21. Lou Donaldson & Clifford Brown – Carvin The Rock
2-1. Art Blakey – Message From Kenya
2-2. Horace Silver & The Jazz Messengers – The Preacher
2-3. Jimmy Smith – The High and The Mighty
2-4. Clifford Brown – Brownie Speaks
2-5. Jay Jay Johnson – Jay
2-6. Art Blakey/Lou Donaldson/Clifford Brown – Wee Dot
2-7. Sonny Rollins – Decision, Pt. 1&2
2-8. Kenny Burrell – DB Blues
2-9. Hank Mobley Quintet – Funk in Deep Freeze
2-10. Curtis Fuller – Oscalypso
2-11. John Coltrane – Blue Train Part 1
2-12. Art Blakey Percussion Ensemble – Abdullah’s Delight
2-13. Bill Henderson/Horace Silver – Senor Blues
3-1. Sonny Clark – Cool Struttin
3-2. The Three Sounds – Tenderly
3-3. Bill Henderson & Jommy Smith – Ain’t No Use
3-4. Sonny Clark – Ain’t No Use
3-5. Bennie Green – Encore
3-6. Art Blakey and the Jazz Messengers – Moanin pt1 & 2
3-7. Cannonball Adderley – Somethin Else pt 1 & 2
3-8. Dizzy Reece – The Rake
3-9. Jackie McLean – What’s New
3-10. Freddie Hubbard – One Mint Julep
3-11. Stanley Turrebtine – Little Sheri
3-12. Tina Brooks – True Blue
4-1. Grant Green – Miss Ann’s Tempo
4-2. Jimmy Smith – Midnight Special pt 1 & 2
4-3. Jimmy Smith – One O’clock Jump
4-4. Dexter Gordon – Ernie’s Tune
4-5. Herbie Hancock – Watermelon Man
4-6. Jimmy Smith – Back At The Chicken Shack pt 1 & 2
4-7. Kenny Burrell – The Good Life
4-8. Harold Vick – Our Miss Brooks
4-9. Joe Henderson – Blue Bossa
4-10. Donald Byrd – Elijah
4-11. Freddie Hubbard – Blue Frenzy
4-12. Lee Morgan – The Sidewinder Part 1
4-13. Horace Silver – Cape Verdean Blues
5-1. Bother Jack McDuff – Theme From Electric Surfboard
5-2. Donald Byrd – Black Byrd
5-3. Bobbi Humphrey – Chicago Damn
5-4. Donald Byrd – Change
5-5. Ronnie Laws & Pressure – Always There
5-6. Marlena Shaw – It’s Better Than Walkin‘ Out
5-7. Bobby McFerrin – Thging About Your Body
5-8. Us3 – Cantaloop
5-9. Cassandra Wilson – I Can’t Stand The Rain
5-10. Dianne Reeves – Better Days
5-11. Norah Jones – Don’t Know Why
5-12. Robert Glasper Experiment – Smells Like Teen Spirit
5-13. Jose James – It’s All Over Your Body
5-14. Roseanne Cash – Modern Blue
5-15. Gregory Porter – Liquid Spirit
5-16. Derrick Hodge – Holding Onto YouZudem erscheint – wohl in Nachfolge der Miles, Brownie und Coltrane-Sets auch noch eine Doppel-CD mit den gesammelten Singles von Monk:
Round Midnight: Complete Blue Note Singles 1947-52
AmazonThelonious Monk’s first recordings in the late 1940s were for Blue Note Records and they signaled a new kind of Blue Note as the label was evolving from an outlet for boogie woogie and old time jazz into a flag-waver for hard bop. These recordings, which include the first version of Monk’s classic composition, ‚Round Midnight‘ (originally known as ‚Round About Midnight‘), were released on a series of fifteen 78 RPM singles. Later, Monk’s sessions were re-compiled on 10-inch and 12-inch LPs, and this collection will present for the first time Monk’s Blue Note recordings in their original 78 RPM sequence of release, adding as bonus tracks the alternate takes that appeared on later LP and CD releases. In addition, ‚Round Midnight includes nine tracks not available on any current reissues of Monk’s albums.
Disc 1
01． Thelonious
02． Suburban Eyes
03． ’Round About Midnight
04． Well You Needn’t
05． Evonce
06． Off Minor
07． In Walked Bud
08． Epistrophy
09． Ruby My Dear
10． Evidence
11． Humph
12． Misterioso
13． All The Things You Are
14． I Should Care
15． I Mean You
16． Monk’s Mood
17． Who Knows
18． Nice Work If You Can Get It
19． April In Paris
20． Four In One
21． Straight No Chaser
22． Criss-Cross
23． Eronel
24． Ask Me Now
25． Willow Weep Me For MeDisc 2
01． Skippy
02． Let’s Cool One
03． Hornin‘ In
04． Carolina Moon (Bonus Tracks)
05． Evonce (alternate take)
06． Suburban Eyes (alternate take)
07． Nice Work If You Can Get It (alternate take)
08． Ruby My Dear (alternate take)
09． Well You Needn’t (alternate take)
10． April In Paris (alternate take)
11． Introspection
12． Who Knows (alternate take)
13． I Should Care (alternate take)
14． Misterioso (alternate take)
15． Four In One (alternate take)
16． Criss-Cross (alternate take)
17． Ask Me Now (alternate take)
18． Skippy (alternate take)
19． Hornin‘ In (alternate take)
20． Sixteen (take 1)
21． Sixteen (take 2)
22． I’ll Follow YouCover kann man hier sehen (von da kommt auch die Tracklist):
http://www.hmv.co.jp/en/artist_Thelonious-Monk_000000000001030/item_Round-Midnight-Complete-Blue-Note-Singles-1947-1952_6009917--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaAuch Blue Note kriegt eine Compilation und ein Buch:
Blue Note: 75 Years of the Finest in Jazz Hardcover by Richard Havers
AmazonPurveyor of extraordinary music and an arbiter of cool, Blue Note is the definitive jazz label—signing the best artists, pioneering the best recording techniques, and lead cover design trends with punchy, iconic artwork and typography that shaped the way we see the music itself. The roster of greats who cut indelible sides for the label include Miles Davis, Art Blakey, Thelonious Monk, John Coltrane, Bud Powell, Norah Jones, and many more. Published for Blue Note’s seventy-fifth anniversary, this landmark volume is the first official illustrated story of the label, from 1939 roots to its renaissance today. Featuring classic album artwork, unseen contact sheets, rare ephemera from the Blue Note Archives, commentary from some of the biggest names in jazz today, and feature reviews of seventy-five key albums, this is the definitive book on the legendary label.
http://www.amazon.com/Blue-Note-Years-Finest-Jazz/dp/1452141444/
Uncompromising Expression: Singles Collection (5 CD)
AmazonTo celebrate the 75th anniversary of Blue Note, the label is releasing a comprehensive 5CD singles box entitled Uncompromising Expression. Releasing day-and-date with this collection is a new hardcover book – with the same name – written by jazz-authority, Richard Havers, who details Blue Note’s impact on popular culture. Havers, who also wrote the 2013 Verve: The Sound of America, not only wrote this defining Blue Note history, but he curated the track list for this singles box as a musical companion to the rich text and adored images.
Opening with the label’s very first signing – the pianist Meade Lux Lewis – and closing seventy five years later with the beautifully progressive sounds of Derrick Hodge, Uncompromising Expression is a complete overview of the one of the most inspired and eclectic catalogs of Jazz. This collection features Jazz greats from Thelonious Monk to Art Blakey to John Coltrane to Donald Byrd, Cassandra Wilson, Norah Jones and more. Packaged in a beautiful slipcase, Uncompromising Expression also includes a 48-page booklet featuring a complete discography of the 75 titles included in this box. Each of the five discs covers a specific era, from boogie to hard bop, soul jazz to the roots revival of the 90’s, and the 21st century trailblazers like Robert Glasper and Gregory Porter.
http://www.amazon.com/dp/B00NAILE0E/
Tracklist:
1-1. Meade Lux Lewis – Melancholy
1-2. Earl ‚Fatha Hines – Reminiscing At Blue Note
1-3. Sidney Bechet – Summertime
1-4. Charlie Christian/Edmond Hall – Profoundly Blue
1-5. Art Hodes – Doctor Jazz
1-6. Ike Quebec Swing Seven – Topsy
1-7. Tiny Grimes – Tiny’s Boogie Woogie
1-8. Babs‘ Three Bips And A Bop – Oop-Pop-A-Da
1-9. Thelonious Monk Sextet – Thelonious
1-10. Art Blakey’s Messengers – The Thin Man
1-11. James Moody & His Bop Men – Moody’s All Frantic
1-12. Howard McGhee – Double Talk pt 1 & 2
1-13. Bud Powell – Bouncing With Bud
1-14. Wynton Kelly Trio – Born To Be Blue
1-15. Thelonious Monk Quintet – Straight No Chaser
1-16. Milt Jackson – Bags Groove
1-17. Miles Davis – Yesterdays
1-18. Lou Donaldson – Roccus
1-19. Horace Silver – Safari
1-20. Miles Davis – Tempus Fugit
1-21. Lou Donaldson & Clifford Brown – Carvin The Rock
2-1. Art Blakey – Message From Kenya
2-2. Horace Silver & The Jazz Messengers – The Preacher
2-3. Jimmy Smith – The High and The Mighty
2-4. Clifford Brown – Brownie Speaks
2-5. Jay Jay Johnson – Jay
2-6. Art Blakey/Lou Donaldson/Clifford Brown – Wee Dot
2-7. Sonny Rollins – Decision, Pt. 1&2
2-8. Kenny Burrell – DB Blues
2-9. Hank Mobley Quintet – Funk in Deep Freeze
2-10. Curtis Fuller – Oscalypso
2-11. John Coltrane – Blue Train Part 1
2-12. Art Blakey Percussion Ensemble – Abdullah’s Delight
2-13. Bill Henderson/Horace Silver – Senor Blues
3-1. Sonny Clark – Cool Struttin
3-2. The Three Sounds – Tenderly
3-3. Bill Henderson & Jommy Smith – Ain’t No Use
3-4. Sonny Clark – Ain’t No Use
3-5. Bennie Green – Encore
3-6. Art Blakey and the Jazz Messengers – Moanin pt1 & 2
3-7. Cannonball Adderley – Somethin Else pt 1 & 2
3-8. Dizzy Reece – The Rake
3-9. Jackie McLean – What’s New
3-10. Freddie Hubbard – One Mint Julep
3-11. Stanley Turrebtine – Little Sheri
3-12. Tina Brooks – True Blue
4-1. Grant Green – Miss Ann’s Tempo
4-2. Jimmy Smith – Midnight Special pt 1 & 2
4-3. Jimmy Smith – One O’clock Jump
4-4. Dexter Gordon – Ernie’s Tune
4-5. Herbie Hancock – Watermelon Man
4-6. Jimmy Smith – Back At The Chicken Shack pt 1 & 2
4-7. Kenny Burrell – The Good Life
4-8. Harold Vick – Our Miss Brooks
4-9. Joe Henderson – Blue Bossa
4-10. Donald Byrd – Elijah
4-11. Freddie Hubbard – Blue Frenzy
4-12. Lee Morgan – The Sidewinder Part 1
4-13. Horace Silver – Cape Verdean Blues
5-1. Bother Jack McDuff – Theme From Electric Surfboard
5-2. Donald Byrd – Black Byrd
5-3. Bobbi Humphrey – Chicago Damn
5-4. Donald Byrd – Change
5-5. Ronnie Laws & Pressure – Always There
5-6. Marlena Shaw – It’s Better Than Walkin‘ Out
5-7. Bobby McFerrin – Thging About Your Body
5-8. Us3 – Cantaloop
5-9. Cassandra Wilson – I Can’t Stand The Rain
5-10. Dianne Reeves – Better Days
5-11. Norah Jones – Don’t Know Why
5-12. Robert Glasper Experiment – Smells Like Teen Spirit
5-13. Jose James – It’s All Over Your Body
5-14. Roseanne Cash – Modern Blue
5-15. Gregory Porter – Liquid Spirit
5-16. Derrick Hodge – Holding Onto YouZudem erscheint – wohl in Nachfolge der Miles, Brownie und Coltrane-Sets auch noch eine Doppel-CD mit den gesammelten Singles von Monk:
Round Midnight: Complete Blue Note Singles 1947-52
AmazonThelonious Monk’s first recordings in the late 1940s were for Blue Note Records and they signaled a new kind of Blue Note as the label was evolving from an outlet for boogie woogie and old time jazz into a flag-waver for hard bop. These recordings, which include the first version of Monk’s classic composition, ‚Round Midnight‘ (originally known as ‚Round About Midnight‘), were released on a series of fifteen 78 RPM singles. Later, Monk’s sessions were re-compiled on 10-inch and 12-inch LPs, and this collection will present for the first time Monk’s Blue Note recordings in their original 78 RPM sequence of release, adding as bonus tracks the alternate takes that appeared on later LP and CD releases. In addition, ‚Round Midnight includes nine tracks not available on any current reissues of Monk’s albums.
http://www.amazon.com/dp/B00NQ2ZJ2S/
Disc 1
01． Thelonious
02． Suburban Eyes
03． ’Round About Midnight
04． Well You Needn’t
05． Evonce
06． Off Minor
07． In Walked Bud
08． Epistrophy
09． Ruby My Dear
10． Evidence
11． Humph
12． Misterioso
13． All The Things You Are
14． I Should Care
15． I Mean You
16． Monk’s Mood
17． Who Knows
18． Nice Work If You Can Get It
19． April In Paris
20． Four In One
21． Straight No Chaser
22． Criss-Cross
23． Eronel
24． Ask Me Now
25． Willow Weep Me For MeDisc 2
01． Skippy
02． Let’s Cool One
03． Hornin‘ In
04． Carolina Moon (Bonus Tracks)
05． Evonce (alternate take)
06． Suburban Eyes (alternate take)
07． Nice Work If You Can Get It (alternate take)
08． Ruby My Dear (alternate take)
09． Well You Needn’t (alternate take)
10． April In Paris (alternate take)
11． Introspection
12． Who Knows (alternate take)
13． I Should Care (alternate take)
14． Misterioso (alternate take)
15． Four In One (alternate take)
16． Criss-Cross (alternate take)
17． Ask Me Now (alternate take)
18． Skippy (alternate take)
19． Hornin‘ In (alternate take)
20． Sixteen (take 1)
21． Sixteen (take 2)
22． I’ll Follow YouCover kann man hier sehen (von da kommt auch die Tracklist):
http://www.hmv.co.jp/en/artist_Thelonious-Monk_000000000001030/item_Round-Midnight-Complete-Blue-Note-Singles-1947-1952_6009917--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
Die deutsche Ausgabe kommt Ende Oktober!
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Music is like a river, It's supposed to flow and wash away the dust of everyday life. - Art BlakeyDie deutsche Ausgabe ist lieferbar, wenn man nicht gerade bei Amazon bestellt. Aber wer macht das schon. Vor allem bei Büchern völliger Mumpitz.
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...Von Havers kenne ich nichts – aber das hier müsste aufgrund dessen, was ich von Kahn bisher kenne (v.a. das Buch über „Kind of Blue“) wenigstens solide sein:
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaatomDie deutsche Ausgabe ist lieferbar, wenn man nicht gerade bei Amazon bestellt. Aber wer macht das schon. Vor allem bei Büchern völliger Mumpitz.
Hmm, da ich das Buch bei meinem Buchhändler vorbestellt habe und er sich noch nicht gemeldet hat, gehe ich mal davon aus, dass es bei einigen Großhändler noch nicht vorrätig ist.
Klar, ist es völliger Unsinn solche Bücher (und eigentlich überhaupt Bücher, sofern ein erreichbarer Buchhändler in der Nähe ist) über Amazon zu bestellen.--
Music is like a river, It's supposed to flow and wash away the dust of everyday life. - Art Blakey
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,390
John The RelevatorKlar, ist es völliger Unsinn solche Bücher (und eigentlich überhaupt Bücher, sofern ein erreichbarer Buchhändler in der Nähe ist) über Amazon zu bestellen.
:bier:
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)Offtopic: Falls kein Buchhändler in der Nähe sein sollte kann man immer noch zum selben Preis (Stichwort Buchpreisbindung) beim Verlag direkt bestellen. Somit bleibt deutlich mehr Erlös beim Verlag und letztendlich auch beim Autor.
Ontopic: Der Band macht übrigens einen hervorragenden Eindruck, hier hat Sieveking mal wieder (wie schon beim Verve-Band) tolle Arbeit geleistet.
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...Hast Du mit den Originalen verglichen? Für mich gibt es keinen Anlass, eine Übersetzung zu lesen – ausser allenfalls, wenn diese deutlich schöner aufgemacht wären.
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"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaIch habe das Original noch nicht in der Hand gehabt. Von den Bildern zu urteilen scheint die Verarbeitung aber mindestens so gut zu sein wie die dt. Ausgabe.
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...Eine Frage an die Experten. Ich bin interessiert an Page On von Joe Henderson. Da gab es ja zuletzt einige Reissues. Genügt die Elemental Music Ausgabe oder sollte es doch vom Klang her lieber gleich die Music Matters Veröffentlichung sein?
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"Man kann nicht verhindern, dass man verletzt wird, aber man kann mitbestimmen von wem. Was berührt, das bleibt!Das ist ja witzig – genau diese Scheibe habe ich heute als MM Ausgabe geordert. Alle meine MM Ausgaben sind von einer hervorragenden Qualität, was das Pressing angeht und auch die Ausfertigung des Covers (Klappcover) ist sehr hochwertig. Hatte einige meiner MM Platten in USA geordert, jedoch meine letzten hier und war sehr zufrieden mit dem Kundendienst. Heute geordert und ist schon auf der Reise und wird morgen geliefert.
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Music is like a river, It's supposed to flow and wash away the dust of everyday life. - Art Blakeyund im Hinblick auf die letzten Monate „Meine neueste…“ Threads ist „John The Revelator“ glasklar der, der hier momentan die beste Musik neu ankauft….
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.Rare Blue Note: what’s the collector alternative?
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How does it feel to be one of the beautiful people?
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