Beste Alben des Jahres 1974

1. Jackson Browne – Late for the Sky
2. Gram Parsons – Grievous Angel
3. Randy Newman – Good Old Boys
4. Richard & Linda Thompson – I Want to See the Bright Lights Tonight
5. Lynyrd Skynyrd – Second Helping
6. Gene Clark – No Other
7. Robert Wyatt – Rock Bottom
8. Neil Young – On the Beach
9. Bob Marley – Natty Dread
10. Van Morrison – Veedon Fleece

1.Neil Young – On The Beach
2.Bob Dylan – Planet Waves
3.Brinsley Schwarz – The New Favourites Of Brinsley Schwarz
4.Rolling Stones – It´s Only Rock´n´Roll
5.Johnny Winter – John Dawson Winter III
6.Mountain – Twin Peaks
7.Bad Company – Bad Company
8.Rory Gallagher – Irish Tour
9.Who – Odds & Sodds
10.Lou Reed – Rock´n`Roll Animal

Kai BargmannRolling Stones Goats Head Soup

Ist von 73 !

Kai BargmannJohn Lennon Shaved Fish (Collectable Lennon)

Ist von 75 !

Bob Dylan Blood on the Tracks

von 75

pink-niceIst von 75 !

von 75

1. Wie ich vorhin schon sagte, ich bin hier privat.
2. Und auf dem Cover meiner LP steht ungefähr dreimal die Zahl 74.

dengelschlecht recherchiert, Herr Journalist, 1973

1. Hach, die Zahlen auf dem Cover sind so klein.
2. Wie ich schon mehrfach sagte, bin ich hier privat.
3. Gähn!

Kai Bargmann1. Wie ich vorhin schon sagte, ich bin hier privat.
2. Und auf dem Cover meiner LP steht ungefähr dreimal die Zahl 74.

Shaved Fish
John Lennon
Apple 3421
Released: November 1975
Chart Peak: #12
Weeks Charted: 32

Shaved Fish is a collection of singles, some of them hits, released during John Lennon’s post-Beatles career (1969-present). Ordinarily, such Christmas gift ideas aren’t worth writing about but, as with almost everything else Lennon has done, Shaved Fish is different. There is nothing spectacularly unfound about the music here, although finally having an LP with [color=#0000ff]“Instant Karma“ — Lennon’s best solo track and as full a statement of the rock philosophy as we are likely to get from anyone — is a significant event in my house. One is first drawn to the package, a typically mad collage of literal interpretations of the 11 tracks here — „Instant Karma!“ is represented by a jar, as though it were a name-brand pharmaceutical — and to the lyric sheet, which offers the most convincing evidence yet of Lennon’s verbal felicity.

More than that, however, the feeling of this record is so diffuse that it probably does present an accurate overview of Lennon’s confused career since leaving the Beatles. The best tracks are obsessed, driven by a special idea about the usefulness of rock & roll, as on „Instant Karma!,“ „Cold Turkey,“ „Imagine“ and even „Mother.“ Although „Give Peace a Chance“ is the best example extant of Lennon’s talent for random lyric writing, neither it, „Happy Xmas (War Is Over)“ nor [color=#0000ff]“Power To The People“ has held up. Unlike Dylan’s best topical songs („George Jackson,“ say), or even the Beatles‘ „Revolution.“ Lennon’s polemics were entirely too ad hoc to last beyond the era in which they were made. Nevertheless, there is a cohesion of style present in these which dwindles in the later parts of the record: „Mind Games,“ „Whatever Gets You thru the Night“ and „#9 Dream“ are all without the purpose of his best work. This is convincing evidence, then, not only of John Lennon’s genius but of his continuing career difficulty. Hopefully, as the cover drawing for „Power to the People“ suggests, the green card he’ll be receiving from Immigration will resolve that crisis happily. – Dave Marsh, Rolling Stone, 12-18-75.