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Beiträge
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In September 2014, three songwriters met for the first time in a cafe in East Nashville. By the next morning they had put the finishing touches to their first song, ‘Applewood Road’, which they recorded live to tape at Nashville’s all analogue studio, Welcome to 1979.
The song’s nostalgic air, along with the clear, sparse arrangement of three vocals accompanied by double bass, drew immediate positive response, and they decided to expand the idea into a full album.
Six months later, they reconvened to write, rehearse and record songs for the self-titled album Applewood Road. The songs were again performed live around a single microphone at Welcome to 1979 and recorded to two-track tape with minimal accompaniment from some of Nashville’s finest session players, including Telisha Williams, Aaron Lee Tasjan, Josh Day, Fats Kaplin, Jabe Beyer.
The tapes were assembled at London’s most exclusive high-end mastering suite, Gearbox Records, mastered through their vintage analogue outboard, and lacquers cut in-house on their own Heaco lathe.
100% analogue chain throughout the whole process.
Applewood Road is Emily Barker, Amber Rubarth and Amy Speace. Gearbox Records.
http://www.pledgemusic.com/projects/applewood-road
Video „Applewood Road“: http://d2tqed3y8k290k.cloudfront.net/artists/000/227/807/heros/desktop.jpg?1450269344
Das Highlight des 1. Quartals!
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How does it feel to be one of the beautiful people?Highlights von Rolling-Stone.deHuey Lewis im Interview: „Die Mundharmonika ist die Antithese zum Techno“
Xavier Naidoo: Das „Ich bin Rassist“-Interview in voller Länge
„Westworld“-Schlusskritik: Tschüss, bin wohl zu blöd für die Serie
Rolling Stone Playlist: 10 Song-Schätze auf Single-B-Seiten
Courtney Love: „Kurt wollte sich jeden Tag umbringen“
Video: „Tagesthemen“ berichtet 1994 über den Tod von Kurt Cobain
WerbungSehr feines Album! Da stimmt mal alles, von der analogen Aufnahme über Songs, Arrangements und Einspielungen bis hin zur Gatefold-Verpackung. Ein Gelegenheitskauf beim Stöbern durch Record-Store-Day-Reste. Um so honoriger, dass Clau diesen sträflich unterfrequentierten Thread schon im Februar eröffnete.
Gab es im Rolling Stone eigentlich eine Rezension, die ich vielleicht übersehen habe?
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I like to move it, move it Ya like to (move it)
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