Funde aus dem Archiv (alte Aufnahmen, erstmals/neu veröffentlicht)

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  • #8054295  | PERMALINK

    vorgarten

    Registriert seit: 07.10.2007

    Beiträge: 11,895

    schon von 2011, aber gerade bei amazon.com (90 dollar) bestellt. hat das irgendjemand?
    das stellt (hoffentlich) den beginn einer umfangreichen aufarbeitung des werks von sun ra dar, erstmal 14 cds und 130-seitiges booklet mit aufnahmen bis 1959, aber auch interviews, einflüsse etc. ich finde das ein ziemlich aufregendes projekt, zumal ich kürzlich in frühe (30er, 40er jahre) sachen von ra hineingehört habe.

    hier gibt es eine umfangreiche rezension, hier einen trailer.
    zur seite des archivs bzw. des archivars michael d. anderson geht es hier lang.

    --

    Highlights von Rolling-Stone.de
      Werbung
      #8054297  | PERMALINK

      redbeansandrice

      Registriert seit: 14.08.2009

      Beiträge: 13,416

      berichte bitte mal, wenn du die Box hast, hab auch schon öfter damit geliebäugelt, sind wirklich faszinierende Sachen drin (allein schon dieses Duett mit Stuff Smith und Ra am Geigensynthesizer)

      --

      .
      #8054299  | PERMALINK

      gypsy-tail-wind
      Moderator
      Biomasse

      Registriert seit: 25.01.2010

      Beiträge: 66,851

      same here!

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      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054301  | PERMALINK

      vorgarten

      Registriert seit: 07.10.2007

      Beiträge: 11,895

      redbeansandricesind wirklich faszinierende Sachen drin (allein schon dieses Duett mit Stuff Smith und Ra am Geigensynthesizer)

      das kann man aber auch billiger haben, das ist nämlich auf dieser ziemlich guten kompilation, die mich seiten tagen mit dem ra-thema anfixt.

      aber berichten werde ich natürlich.

      --

      #8054303  | PERMALINK

      gypsy-tail-wind
      Moderator
      Biomasse

      Registriert seit: 25.01.2010

      Beiträge: 66,851

      Die Ankündigung der nächsten CD von Uptown (soll im Mai erscheinen):

      „Trumpeter Howard McGhee is documented on various radio broadcasts and studio sessions from 1945-1947. Joined by altoist Sonny Criss, tenorist Teddy Edwards, pianist Hampton Hawes, bassist Addison Farmer and drummer Roy Porter. 19 tracks and over 67 minutes of music.“ (Quelle)

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      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054305  | PERMALINK

      gypsy-tail-wind
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      Young Guns – Gene Ludwig, Pat Martino, Randy Gelispie

      Pattye Ludwig, Gene’s widow, is offering these for sale direct for $15 plus $2 shipping. Contact her at pattyeludwig1@gmail.com. Yes, you can buy it from Amazon, but buying from Pattye directly puts more money in her pocket. She only has 25 copies, so get one now!

      This is an incredible collection of music, capturing a quintessential 1960s organ trio at the height of its powers. I’ve heard this before as a bootleg, but the new remastering is fantastic and it sounds really great. Pat Martino is at his intense best. Randy Gelispie (who is still playing and indeed is on my latest release, Jim Alfredson’s Dirty Fingers – A Tribute To Big John Patton) shows why he’s one of the most underrated jazz drummers alive today, and Gene Ludwig is absolutely on fire. From the blurb on Amazon:

      „From Pat Martino’s private collection, here is a mid-1960s live gig featuring the B-3 artistry of Gene Ludwig and drummer Randy Gelispie. Rarely, if ever, have these artists played with more inner fire, more unbridled virtuosity and pure unadulterated joy as they did here, captured in the full bloom of their musical youth. Pat Marino’s burning swing and impovisational wizardry takes on added zip with Gene Ludwig manning the B-3. With the colorful, propulsive drummer Randy Gelispie driving things along, this is one gig which surely deserves a „legendary“ epithet.“

      http://www.organissimo.org/forum/index.php?/topic/75223-young-guns-gene-ludwig-pat-martino-randy-gelispie/

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      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054307  | PERMALINK

      gypsy-tail-wind
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      Noch mehr News von Uptown (Quelle)

      I just wanted to alert you the the fact that there will soon be released an Uptown Records double CD of bassist Chubby Jackson. This will include Boris Rose recordings of Chubby’s band (including Frankie Socolow, Al Porcino, Gene DiNovi, Tiny Kahn, Marty Flax, Rob Swope, Teddy Charles) live at the Royal Roost on March 5 and 12, 1949. This was an exciting bebop band that
      was only around for a very short time.

      Verdammt klasse News! Die McGhee ist jetzt bei Jazzmessengers gelistet, inklusive Details:

      HOWARD McGHEE / 1945 RADIO BROADCAST

      01. Intro / Night Mist (Theme)
      02. A Night in Tunisia
      03. Rockin‘ Chair

      HOWARD McGHEE, trumpet
      TEDDY EDWARDS, tenor sax
      J.D. KING, tenor sax
      VERNON BIDDLE,piano
      BOB KESTERSON,bass
      ROY POTTER, drums
      MONETTE MOORE, vocals on track 3

      Streets of Paris, Hollywood, December 21, 1945.

      HOLLYWOOD FOUR BLAZES 7 1945 RADIO BROADCAST

      04. Dark Eyes
      05. Don’t Blame Me

      ULYSSES LIVINGSTON, guitar
      GEORGE CRAWFORD, piano
      LAGRAND MASON, bass
      DAN GRISSON, drums, vocal on track 5

      Streets of Paris, Hollywood, December 21, 1945.

      HOWARD McGHEE / 1945 RADIO BROADCAST

      06. Howard’s Blues
      07. Killin‘ Jive
      08. The Man I Love

      HOWARD McGHEE, trumpet
      TEDDY EDWARDS, tenor sax
      J.D. KING, tenor sax
      VERNON BIDDLE,piano
      BOB KESTERSON,bass
      ROY POTTER, drums
      MONETTE MOORE, vocals on track 7

      HOWARD McGHEE / 1945 PHILO RECORDINGS SESSION

      09. Mop Mop
      10. Intersection (a.k.a. Innersection)
      11. Stardust
      12. Lifestream

      HOWARD McGHEE, trumpet
      TEDDY EDWARDS, tenor sax
      J.D. KING, tenor sax
      VERNON BIDDLE,piano
      BOB KESTERSON,bass
      ROY POTTER, drums

      Philo Records, Hollywood, September 4, 1945

      HOWARD McGHEE / 1946 Melodisc Recordings Session

      13. Night Mist
      14. Hoggin‘
      15. Sweet Potato
      16. Blues A La King

      HOWARD McGHEE, trumpet
      TEDDY EDWARDS, tenor sax
      J.D. KING, tenor sax
      VERNON BIDDLE,piano
      BOB KESTERSON,bass
      ROY POTTER, drums

      Melodisc Records, Hollywood, spring 1945

      HOWARD McGHEE / 1947 AFRS Jubilee Transcriptions NOS, 238 & 239

      17. Ornithology
      18. Body and Soul
      19. The Man I love

      HOWARD McGHEE, trumpet
      TEDDY EDWARDS, tenor sax
      SONNY CRISS, alto sax
      HAMPTON HAWES,piano
      ADDISON FARNER,bass
      ROY POTTER, drums

      McCormick General Hospital, Pasadena CA, June 1947

      INCLUDES 28-PAGE BOOKLET
      Label: UPTOWN
      Label code: UPCD 27.74
      Format: CD
      Number of discs: 1
      EAN: 026198277420

      --

      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054309  | PERMALINK

      gypsy-tail-wind
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      Biomasse

      Registriert seit: 25.01.2010

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      Die erste Veröffentlichung mit Archiv-Aufnahmen des Creative Music Studio, ein Set mit 3 CDs, steht an:
      http://www.innova.mu/albums/creative-music-studio/archive-selections-vol-1

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      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054311  | PERMALINK

      gypsy-tail-wind
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      Biomasse

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      Scheint kein April-Scherz zu sein … das Temple University-Konzert von Coltrane wird offiziell erscheinen!

      http://pitchfork.com/news/54512-john-coltrane-1966-temple-university-concert-to-be-released-in-full-for-first-time/

      --

      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054313  | PERMALINK

      travis-bickle

      Registriert seit: 30.06.2007

      Beiträge: 7,552

      Wie geil ist das denn !? Hurra!

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      When shit hit the fan, is you still a fan?
      #8054315  | PERMALINK

      gypsy-tail-wind
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      Biomasse

      Registriert seit: 25.01.2010

      Beiträge: 66,851

      In der Tat phantastische News! Ich musste zuerst nochmal nachschauen, ob heute wirklich schon der 2. April ist …

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      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054317  | PERMALINK

      gypsy-tail-wind
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      Biomasse

      Registriert seit: 25.01.2010

      Beiträge: 66,851

      Das Coltrane-Konzert kommt bei Resonance Records raus – also auch auf Vinyl:
      http://www.resonancerecords.org/artist.php?artist=John+Coltrane

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      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054319  | PERMALINK

      gypsy-tail-wind
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      Biomasse

      Registriert seit: 25.01.2010

      Beiträge: 66,851

      John Coltrane – Offering: Live at Temple University (rec. 1966; 2CD, Resonance Records/Impulse!)

      Bereits erschienen (bei Jazzmessengers günstig zu kriegen), hier eine Kritik dazu:
      http://www.allaboutjazz.com/offering-live-at-temple-university-john-coltrane-impulse-review-by-robert-bush.php#.U_3CA2ec-Ep

      Und hier der Eintrag von „Coltrane Reference“ (wobei Jimmy Garrison wohl tatsächlich nicht spielt):
      http://www.wildmusic-jazz.com/jcr_1966.htm#jcrd661111

      Charles Lloyd – Manhattan Stories (2LP bzw. CD, Resonance Records)

      Deluxe 2 CD Digi-pack Edition:
      •Two 1965 New York Concerts, Recorded at Judson Hall & Slugs‘.
      •Features Lloyd with His Previously Unreleased Quartet of Gabor Szabo, Ron Carter, & Pete La Roca.
      •Deluxe 2 CD digi-pack contains a rich booklet with notes liner notes by Stanley Crouch, Willard Jenkins, Don Heckman & Michael Cuscuna.
      •This is a must have for Charles Lloyd fans, jazz collectors & audiophiles.

      DELUXE 2-LP LIMITED-EDITION PRESS OF 1,000
      Includes:
      Audiophile 180-gram vinyl pressed on 12″ LP’s at 33 1/3 RPM by Record Technology Incorporated (R.T.I.).
      Hand-numbered gatefold.
      •Beautiful four panel insert with liner notes by Stanley Crouch, Willard Jenkins, Don Heckman & Michael Cuscuna.
      •Mastered by Bernie Grundman.

      In the words of a classic TV show, there are eight million stories in the Naked City. Resonance Records uncovers a pair of long-untold tales from New York City’s fabled jazz past on Manhattan Stories, due for release on September 16. These two performances capture the always-extraordinary saxophonist and flutist Charles Lloyd in 1965, leading a remarkable and previously unreleased quartet featuring three jazz giants: guitarist Gábor Szabó, bassist Ron Carter and drummer Pete La Roca.

      The story told by these two concerts is one of an already-distinctive voice at the outset of a now-legendary career. In 1965, when these sets were recorded at the now-defunct venues Judson Hall and Slugs‘, Lloyd was fresh from his stint with drummer and bandleader Chico Hamilton, where he’d first crossed paths with Szabó. Lloyd already had two albums to his name; both Carter and Szabó are heard on his second for Columbia, Of Course, Of Course, from which two titles on these new dates are culled. Within a year he would form his groundbreaking quartet with Keith Jarrett, Cecil McBee and Jack DeJohnette.

      Szabó himself was on the verge of cementing his name in the jazz canon, starting his acclaimed run of Impulse! releases the next year. Carter was midway through his stint with the second great Miles Davis quintet, while La Roca had already worked with a host of names from the music’s pantheon, including John Coltrane, Sonny Rollins, Bill Evans and Joe Henderson.

      „It was a specific time and place,“ Lloyd told Manhattan Stories annotator Don Heckman. „We all felt like the boundaries were being dissolved and we could do or try anything. This is a music of freedom and wonder — we were young and on the move.“

      Together, the band embarks on a series of adventurous excursions through pieces like Lloyd’s classic „Sweet Georgia Bright“ and „Dream Weaver“ as well as Szabó’s „Lady Gabor,“ originally recorded by the Chico Hamilton Quintet. Nothing on either disc clocks in at under ten minutes, allowing every member to stretch out and fully explore this mesmerizing material. Manhattan Stories showcases, with more than 80 minutes of music, a truly expressive group interaction that remains otherwise undocumented.

      „The first time I heard these recordings, I was blown away and knew immediately how special they were,“ says co-producer Zev Feldman. „This just might be the holy grail for longtime Charles Lloyd fans like myself who think they’ve heard it all. No way. Not yet! There have been archival recordings released over the years with the classic quartet featuring Jarrett and DeJohnette, but there’s never been a release with this group before — and not just a group, but a group with four legendary masters. The music and spirit are very exciting. The interplay between Charles and Gábor alone is a testament to their genius. It’s a real gift for us to share this with the world.“

      The Judson Hall recording comes from the archives of Resonance founder George Klabin, whose trove has previously yielded treasures from Bill Evans and Jimmy Giuffre. In fact, the first disc included here was recorded on a festival date shared with Giuffre that was released this year on the Elemental Music label. The occasion was Charlotte Moorman’s Avant Garde Festival of New York, produced by saxophonist and jazz critic Don Heckman, who contributes an essay to Manhattan Stories.

      Klabin, then a 19-year-old student at Columbia University, had recently been appointed head of the jazz department at university radio station WKCR-FM and sought to present original recordings as part of his show. He recorded the Judson Hall show with up-close microphone placement techniques and state-of-the-art engineering — well ahead of 1965 standards. The Slugs‘ performances were recorded by Bjorn von Schlebrugge, who accompanied Lloyd to his Manhattan gigs.

      In 2009, Feldman brought Klabin’s tapes to Lloyd’s California home to play for the saxophonist, who raised the ante with his own recordings of the quartet. Those tapes, which comprise Disc 2, were made the same year at Slugs‘, which Feldman calls „one of the most important jazz shrines there ever was. I wanted to celebrate the memory of that club as well.“ The release thus received not only Lloyd’s blessings, but his wife, Dorothy Darr, signed on as co-producer.

      For Record Store Day last month, Resonance offered a limited-edition pressing on orange, marble-colored 10-inch, 140-gram vinyl of Live at Slugs‘, designed to be a collector’s piece for fans and as a pre-release teaser of the full release to come. The 10-inch featured two cuts from Manhattan Stories.

      Manhattan Stories features the pristine sound quality, extensive liner notes, and meticulously designed artwork that have become Resonance Records‘ trademarks. In addition to Heckman’s reminiscences, the set includes liner notes by Feldman, Willard Jenkins, Stanley Crouch, and renowned producer Michael Cuscuna (who shares executive producer credit with Klabin on this project). The music, which was mixed at Resonance’s Los Angeles studios, will also be available as a 2-LP set pressed by audiophile-respected R.T.I. (Record Technology Inc.). It was mastered for CD and vinyl by Bernie Grundman.

      „I was determined to build perhaps the most exciting package for Charles ever assembled for one of his releases,“ Feldman says. „I think we’ve accomplished that in a way that truly celebrates this master.“ Manhattan Stories showcases stellar music in an ideal setting — much as those two NYC venues did on a pair of unjustly forgotten evenings nearly fifty years ago.

      Disc 1 (Judson Hall):

      Sweet Georgia Bright (17:49)
      How Can I Tell You (11:57)
      Lady Gabor (12:50)

      Disc 2 (Slugs‘):

      Slugs‘ Blues (12:57)
      Lady Gabor (13:53)
      Dream Weaver (15:25)

      http://www.resonancerecords.org/release.php?cat=HLP-9016

      Charles Lloyd – Live at Slugs‘ (10″ LP, Resonance Records)

      Charles Lloyd leads a remarkable& previously unrecorded quartet featuring three jazz giants:
      Gábor Szabó, Ron Carter & Pete La Roca.
      Limited Edition Pressing of 2,000 Hand Numbered Copies on 10 inch 140 Gram Opaque Orange Colored Vinyl
      Featuring the Tracks “Lady Gabor” & “Dream Weaver”.

      The music you’re about to hear is a rare document of Charles Lloyd’s 1965 quartet featuring
      iconic bassist Ron Carter, legendary guitarist Gábor Szabó, and drum master, Pete LaRoca. These
      recordings are presented here as part of a special limited edition 10” record to commemorate
      Charles Lloyd: Manhattan Stories, which will be released later this year on Resonance Records as
      a 2-CD deluxe digipak and a limited 2-LP gatefold edition. Manhattan Stories features historic
      Lloyd performances captured at two long-departed New York venues, Judson Hall and Slugs’
      Saloon. When we began this project I felt it was appropriate to recognize the importance of the
      Slugs’ recording by creating a stand-alone limited edition release. These recordings present a
      rare opportunity to hear Charles Lloyd with a formidable rhythm section that predates his famous
      recording Forest Flower with Keith Jarrett, Cecil McBee, and Jack DeJohnette.

      Located in New York City’s Lower East Side, Slugs’ was a staple of the
      Manhattan jazz scene from 1965 to 1972, and was at the intersection
      of music and counterculture. It hosted an array of legends including
      Ornette Coleman, Jackie McLean, Charles Mingus, Sun Ra, Larry
      Young, Wayne Shorter, Roy Haynes and countless others.The
      club had a wide range of clientele from musicians and music fans
      including many artists and writers, as well as local drug dealers and
      pimps. Slugs’ became a unique neighborhood venue vying for
      attention with the city’s more mainstream establishments. The music
      lived and thrived there. This recording gives us an opportunity to
      reflect on Lloyd’s early, budding career as a leader and composer and
      on this legendary jazz shrine.

      Live at Slugs’ which was recorded by Swedish visionary Bjorn von
      Schlebrügge, who accompanied Lloyd to his Manhattan gigs
      with a portable Nagra, features the earliest released recording of the Charles Lloyd’s classic
      composition, “Dream Weaver” (which would later be recorded with Jarrett, McBee and
      DeJohnette for Atlantic Records on the album of the same name). Gábor Szabó’s “Lady Gabor,”
      is heard on both the Slugs’ and Judson Hall recordings. The interplay between the musicians is
      remarkable, especially the musical dialogue between Lloyd and Szabó which goes back to their
      days together playing with the late, great Chico Hamilton.
      It’s with great pleasure that we present to you, Charles Lloyd: Live at Slugs’.
      – ZEV FELDMAN, Los Angeles, 2014

      http://www.resonancerecords.org/release.php?cat=HLT-8016

      Charlie Haden-Jim Hall (rec. Montréal 1990; CD, Impulse!)

      1. Bemsha Swing (Thelonious Monk/Denzil Best)
      2. First Song (Charlie Haden)
      3. Turnaround (Ornette Coleman)
      4. Body & Soul (John Green/Edward Heyman/Robert Sour)
      5. Down From Antigua (Jim Hall)
      6. Skylark (Hoagy Carmichael/Johnny Mercer)
      7. Big Blues (Hall)
      8. In The Moment (Haden)

      http://jazztimes.com/articles/136154-impulse-to-release-live-jim-hall-charlie-haden-album

      Kurzkritik:
      http://www.marlbank.net/12-reviews/1914-charlie-haden-jim-hall-charlie-haden-jim-hall-impulse

      --

      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054321  | PERMALINK

      gypsy-tail-wind
      Moderator
      Biomasse

      Registriert seit: 25.01.2010

      Beiträge: 66,851

      Noch eine, die äusserst verlockend aussieht (das Zerteilen von langen Tracks auf Vinyl empfinde ich allerdings als störend – CD-Version gibt es hiervon leider nicht):

      Earl Cross, Muhammad Ali, Rashied Al Akbar, Idris Ackamoor – “Ascent Of The Nether Creatures”
      (NoBusiness NBLP78)

      Earl Cross – trumpet
      Idris Ackamoor – alto and tenor saxophone
      Rashied Al Akbar – bass
      Muhammad Ali – drums

      Side A:
      EARL’S TUNE
      ASCENT OF THE NETHER CREATURES

      Side B:
      ASCENT OF THE NETHER CREATURES (continues)
      EVENINGS
      4 FOR 1

      NoBusiness Records NBLP 78, 2014. Limited edition of 300 records

      ASCENT OF THE NETHER CREATURES written by Idris Ackamoor (Aomawa Music, BMI), EARL’S TUNE by Earl Cross, EVENINGS and 4 FOR 1 written by Earl Cross, Rashied El Akbar, Mohammad Ali and Idris Ackamoor
      All music published by Aomawa Music, BMI
      Recorded in the Netherlands on the 12th July, 1980
      Mastered by Arūnas Zujus at MAMAstudios
      Design by Oskaras Anosovas
      Produced by Danas Mikailionis
      Co-producer – Valerij Anosov

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      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
      #8054323  | PERMALINK

      gypsy-tail-wind
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      Biomasse

      Registriert seit: 25.01.2010

      Beiträge: 66,851

      http://www.triplepointrecords.com/

      wie üblich leider VIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIEEEEEEEEEEEEEL zu teuer …

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      "Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #150: Neuheiten 2023/24 – 12.3., 22:00; #151: Neuheiten aus dem Archiv – 09.04., 22:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tba
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