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Thema: Jazz-Neuerscheinungen

  1. #301
    modérateur aquoiboniste Avatar von gypsy tail wind
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    3 Nights at Cafe Oto



    3 Nights at Cafe Oto
    MRCD93.1.2.3
    MRDVD93


    Three CDs and a DVD featuring three concerts given in May 2013.

    CD1— 27th May 2013
    Evan Parker tenor saxophone, John Edwards double bass,
    Eddie Prévost drums
    1. 31:35
    2. 36:15

    CD2 — 28th May 2013
    Alexander v. Schlippenbach piano with Evan Parker tenor saxophone, John Edwards double bass and Eddie Prévost drums
    1. 31:53
    2. 33.39

    CD3 — 29th May 2013
    Christof Thewes trombone with Evan Parker tenor saxophone, John Edwards double bass and Eddie Prévost drums
    1. 40:22
    2. 38:57

    DVD — 27th, 28th and 29th May 2013
    Featuring sections from all three nights

    Price and shipping:

    Currently this item can not be ordered directly from the website, however you may order via e-mail from the contact page.

    £35.00 plus p&p

    UK 1st class £4. 50 2nd class £3.15
    EU £5.75 (3 to 5 days — international standard)
    USA £7.70 (5 to 7 days — international standard)
    Australia £8.75 (5 to 7 days — international standard)
    Japan £7.70 (5 to 7 days — international standard)

    http://matchlessrecordings.com/node/474
    Nous sommes faits de rêves.


    gypsy goes jazz: jeden ersten donnerstag im monat um 22 uhr auf Radio StoneFM - und manchmal auch etwas häufiger; die nächsten sendungen:
    #19 - Goin' West: Modern Jazz in San Francisco - do 3. september (22-23 uhr)
    #20 - Birth of Hard Bop, 1949-1954 - di 22. september (22-23 uhr)
    #21 - The Jazz Messengers, 1954-57 (Hard Bop #2) - do 8. Oktober (22-23 Uhr)

  2. #302
    modérateur aquoiboniste Avatar von gypsy tail wind
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    25.01.2010
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    Land of Darkness
    Beiträge
    31.169

    Henry Threadgill & Zooid - In for a Penny in for a Pound (Pi Recordings)



    In for a Penny, in for a Pound
    Henry Threadgill Zooid
    Released May 2015 – Catalog #pi58


    In for a Penny, In for a Pound (opening) 4:36
    Ceroepic (for drums and percussion) 19:38
    Dosepic (for cello) 16:00
    Off the Prompt Box (Exordium) 3:36
    Tresepic (for trombone and tuba) 17:26
    Unoepic (for guitar) 17:57


    About the Album

    In for a Penny, In for a Pound is the latest installment in saxophonist/ flutist/composer Henry Threadgill's ongoing exploration of his singular system for integrating composition with group improvisation. The music for his band Zooid - his main music-making vehicle for the past fourteen years and the longest running band of his illustrious forty plus-year career - is no less than his attempt to completely deconstruct standard jazz form, steering the improvisatory language towards an entirely new system based on preconceived series of intervals. His compositions create a polyphonic platform that encourages each musician to improvise with an ear for counterpoint and, in the process, creating striking new harmonies.

    Threadgill is widely considered to be among the most important artists in jazz. The New York Times called him “one of the most thrillingly elusive composers in and around the jazz idiom: a sly maestro of unconventional timbres, bristling counterpoint and tough but slippery rhythms” and NPR called him "a true idiosyncratic great." He is a founding member of the Association for the Advancement of Creative Musicians (AACM), which is celebrating the 50th anniversary of its founding this year, and continues to adhere to one of that august organization's basic tenets: that of finding one's individual path through original music. Threadgill continues to challenge himself to create music that is pushing the boundaries for what is possible.

    The new work, which Threadgill calls an "epic," includes four main movements written specifically to feature each of the musicians in Zooid: "Ceroepic" for Elliott Kavee on drums and percussion, "Dosepic" for Christopher Hoffman on cello, "Tresepic" for Jose Davila on trombone and tuba, and "Unoepic" for Liberty Ellman on guitar. They are introduced by an opening shorter piece and sandwich an exordium ("In for a Penny, In for a Pound" and "Off The Prompt Box," respectively.) Threadgill's own alto saxophone, flute and bass flute is woven throughout each section. In for a Penny, In for a Pound utilizes, as with all of his music for Zooid, a strategy of Threadgill's own device: a set of three note intervals assigned to each player that serves as the starting point for improvisation. While this may seem simple on the surface, the juxtaposition of the notes played on each instruments alternately meld and clash, creating surprising chords and harmonies on-the-spot. Not held together by any chordal preconceptions, the result is true, improvised four-part polyphony. Of this music, Liberty Ellman, who will release Radiate, his first new album as a leader since 2006's Ophiuchus Butterfly later this year, says: "Henry is extending the forms and writing more varied thematic material. There is even more dynamic and timbral contrast with ensemble vignettes turning to sparse monologues or group improvisation on the turn of a dime." Zooid is certainly the only group able to perform these compositions since they involve a wholly different way of engaging in group improvisation. Thoroughly attuned with each other, the band continues to provide Threadgill with the foundation to expand on his ever evolving musical inspirations.

    In all the discussion about the complex terrain of his compositions, it is sometimes easy to lose sight of Threadgill's power as a player. In his review of Zooid's performance at the Village Vanguard in 2014 the first time Threadgill had played at that iconic venue as a leader in almost 25 years - critic Ben Ratliff of the New York Times, who chose it as one of his top ten top concerts of the year, wrote: "The intensifying strokes were his alto saxophone solos. They were built of epigrammatic phrases, aligned with the moving intervals but pivoting off from them. They were out in front, gestural, actorly, elegant, noisy and tragic. Dealt in short segments, their essence could be absorbed piece by piece, as if he were feeding you with crumbs. They'd often end without traditional resolution, but with a sense of something serious hanging in the air. A great Threadgill solo sets you on edge: you know that it's going to be a jab, an uppercut or a body blow, but you never know how or when it's going to hit you. It's the same way with his compositions on In for a Penny, In for a Pound: it comes at you from every angle, at different speeds, in infinite combinations. That's the beauty of Threadgill's music for Zooid: that sense of constant surprise.

    http://pirecordings.com/album/pi58


    (Ich weiss nicht, wo das Ratliff-Zitat endet nach "in the air" oder erst am Ende des ganzen Absatzes - und da steckt auch noch eine Ankündigung eines neuen Albums von Liberty Ellman drin!)
    Nous sommes faits de rêves.


    gypsy goes jazz: jeden ersten donnerstag im monat um 22 uhr auf Radio StoneFM - und manchmal auch etwas häufiger; die nächsten sendungen:
    #19 - Goin' West: Modern Jazz in San Francisco - do 3. september (22-23 uhr)
    #20 - Birth of Hard Bop, 1949-1954 - di 22. september (22-23 uhr)
    #21 - The Jazz Messengers, 1954-57 (Hard Bop #2) - do 8. Oktober (22-23 Uhr)

  3. #303
    kampf dem wildkraut Avatar von vorgarten
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    07.10.2007
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    berlin
    Beiträge
    1.835
    neues von cuneiform.

    ich kenne michael gibbs nicht gut, aber von den beiden neuerscheinungen mit der ndr bigband (das andere ist eine liveaufnahme mit bill frisell vom überjazz festival) gefällt mir das hier sehr:



    solist ist u.a. christoph lauer.



    infos.


    und dann erscheint die tage das neue album vom exploding star orchestra, in voller ausstattung (doppel-cd, dreifach vinyl).



    mazurek hat das orchester neu zusammengewürfelt. nicole mitchell ist natürlich wieder dabei, diesmal auch angelica sanchez, aber die vibes fehlen:

    CD One [Tracks #1-5]
    Sardegna, Italy performance

    Rob Mazurek - composition, direction, cornet, electronics
    Damon Locks - text, voice, electronics
    Angelica Sanchez - piano
    Jeff Parker - guitar
    John Herndon - drums
    Chad Taylor - drums
    Matthew Bauder - tenor saxophone, clarinet
    Matthew Lux - bass guitar
    Guilherme Granado - keyboard, samplers, synth, voice
    Mauricio Takara - cavaquinho, electronics, percussion

    Recorded live at the Sant’Anna Arresi Jazz Festival 2013 “Ai Confini tra Sardegna e Jazz” on August 28, 2013.
    Broadcast live from Piazza del Nuraghe by Rai Radio3.
    Executive and Artistic Producer: Associazione Culturale Punta Giara
    Special thanks to Basilio Sulis and all members of Associazione Culturale Punta Giara, Paolo Zucca, Achille Silipo and La Peschiera.

    All compositions by Rob Mazurek (OLHO, ASCAP).
    Produced by Rob Mazurek.
    Recorded by Paolo Zucca and Live Studio.
    Mastered by Casey Rice at Classix.


    CD Two [Tracks #6-11]
    Chicago, Illinois performance

    Rob Mazurek - composition, direction, cornet, electronics
    Damon Locks - text, voice, electronics
    Nicole Mitchell - flutes, voice
    Angelica Sanchez - piano
    Jeff Parker - guitar
    John Herndon - drums
    Matthew Bauder - tenor saxophone, clarinet
    Matthew Lux - bass guitar

    Recorded live at the Chicago Cultural Center on October 18, 2013 by Ken Christianson, assisted by Deundeun Cho.

    All compositions by Rob Mazurek (OLHO, ASCAP).
    Produced by Rob Mazurek.
    Mixed and mastered by Ken Christianson, Pro Musica, Chicago.

    klingt natürlich trotzdem großartig:



    infos.

  4. #304
    modérateur aquoiboniste Avatar von gypsy tail wind
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    The Convergence Quartet - Owl Jacket

    Taylor Ho Bynum – cornet
    Harris Eisenstadt – drums
    Alexander Hawkins – piano
    Dominic Lash – double bass

    Tracks :
    Side A:
    DOGBE NA WO LO
    JACKET
    COYOTE

    Side B:
    OWL
    AZALPHO
    MAMADY WO MURADO SA

    NoBusiness Records NBLP 84, 2015. Limited edition of 300 records

    Dogbe Na Wo Lo (trad. Ghanaian) and Mamady Wo Murado Sa (trad. Gambian) arranged by Harris Eisenstadt (SOCAN), Jacket and Azalpho by Dominic Lash (PRS), Coyote by Taylor Ho Bynum (Thobulous Music) and Owl by Alexander Hawkins (Big Life/In All Seriousness Music Ltd.)
    Recorded on 9th October, 2013 at Fish Factory Studios, London by Steve Lowe
    Mixed by Alex Bonney
    Mastered by Arūnas Zujus at MAMAstudios
    Design by Oskaras Anosovas
    Produced by The Convergence Quartet
    Executive producer - Danas Mikailionis
    Co-producer - Valerij Anosov
    Nous sommes faits de rêves.


    gypsy goes jazz: jeden ersten donnerstag im monat um 22 uhr auf Radio StoneFM - und manchmal auch etwas häufiger; die nächsten sendungen:
    #19 - Goin' West: Modern Jazz in San Francisco - do 3. september (22-23 uhr)
    #20 - Birth of Hard Bop, 1949-1954 - di 22. september (22-23 uhr)
    #21 - The Jazz Messengers, 1954-57 (Hard Bop #2) - do 8. Oktober (22-23 Uhr)

  5. #305
    modérateur aquoiboniste Avatar von gypsy tail wind
    Registriert seit
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    31.169
    Schon seit Juni draussen:



    2005 in Tokyo aufgenommen - kennt es schon jemand hier?
    Nous sommes faits de rêves.


    gypsy goes jazz: jeden ersten donnerstag im monat um 22 uhr auf Radio StoneFM - und manchmal auch etwas häufiger; die nächsten sendungen:
    #19 - Goin' West: Modern Jazz in San Francisco - do 3. september (22-23 uhr)
    #20 - Birth of Hard Bop, 1949-1954 - di 22. september (22-23 uhr)
    #21 - The Jazz Messengers, 1954-57 (Hard Bop #2) - do 8. Oktober (22-23 Uhr)

  6. #306
    Camembert Avatar von Wolle62
    Registriert seit
    09.08.2013
    Beiträge
    1.331
    Hallo gypsy,

    ich habe die CD hier liegen, allerdings noch nicht gehört. Werde versuchen, es heute Abend nachzuholen.

    Gruß Wolle

  7. #307
    modérateur aquoiboniste Avatar von gypsy tail wind
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    Bloss keine Hektik Wolle! Aber gerne ein paar Zeilen, wenn Du dazu gekommen bist! Ich muss das Ding wohl eh haben, von Haden kommt ja leider nichts Neues mehr und ich schätze den Mann so sehr ... Piano/Bass-Duos sind ja an sich gar keine mich ansprechende Besetzung, aber wenn Haden am Bass ist, passt es eben doch perfekt.
    Nous sommes faits de rêves.


    gypsy goes jazz: jeden ersten donnerstag im monat um 22 uhr auf Radio StoneFM - und manchmal auch etwas häufiger; die nächsten sendungen:
    #19 - Goin' West: Modern Jazz in San Francisco - do 3. september (22-23 uhr)
    #20 - Birth of Hard Bop, 1949-1954 - di 22. september (22-23 uhr)
    #21 - The Jazz Messengers, 1954-57 (Hard Bop #2) - do 8. Oktober (22-23 Uhr)

  8. #308
    No mod so fierce Avatar von Napoleon Dynamite
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    09.11.2002
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    Capeside High School
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    16.833
    Auf AUM Fidelity sind nach längerer Veröffentlichungspause gerade zwei exzellente Alben erschienen:


    WILLIAM PARKER - For Those Who Are, Still * * * * 1/2


    DARIUS JONES QUARTET FEAT. EMILIE LESBROS - Le bébé de Brigitte (Lost in Translation) * * * *

    "For Those Who Are, Still" besitzt, wie so oft bei William Parker, den Anstrich einer Werkschau, aber insbesondere "Ceremonies For Those Who Are Still", eine Komposition für Orchester, Chor und Jazz-Trio (Charles Gayle endlich wieder on tenor!), ist überragend. Parker hat das Gespür für die Klangfarben der einzelnen Instrumente und die Balance zwischen Notation und aggressiver Improvisation absolut down - und die Liveaufnahme aus dem Jazztopad Festival in Wrocław ist sehr gut mitgeschnitten worden: Man hört im voluminösen Klangkörper selbst noch die Beckenschläge von Mike Reed. Höchste Empfehlung.
    It was when I found out that I could make mistakes that I knew I was onto something.

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