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AnonymRegistriert seit: 01.01.1970
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Wer die Strokes hört, braucht kein Valium mehr.
Wer bei „IS THIS IT“ einschläft – der ist selbst ne Schlaftablette.
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Highlights von Rolling-Stone.deSo klingen die größten Schlagzeuger ohne ihre Band
Welches Equipment verwenden eigentlich…Pink Floyd?
Musikalische Orgasmen: 6 Songs voller Höhepunkte
Dies ist (laut Fans und Kritikern) die beste Folge von „Friends“
Studio-Magier: Die 8 besten Musikproduzenten
So arbeiteten die Beatles am „Weeping Sound“ für das White Album
Werbunglaut nme gibt es im kommenden juni die erste show beim isle of wight festival..
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Und bei RIngrocker.com brodeln sie in der Gerüchteküche. Zusammen mit den Libertines :wave:
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‚The Strokes are working night and day on new album!‘
man man man, da kann man ja in diesem jahrzehnt noch mit einem neuem album rechnen…
http://www.nme.com/news/the-strokes/49190
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Na endlich. Hoffentlich kommt dieses Mal was bessers raus, als First Impressions of Earth.
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Es ist Breitling, scheiß auf deine Aldi-Uhr / Auf meinem nächstem Cover halt ich das Excaliburcoup’The Strokes are working night and day on new album!‘
man man man, da kann man ja in diesem jahrzehnt noch mit einem neuem album rechnen…
Und hier ist der Artikel, aus dem der NME seine Weisheiten bezieht. Eine Runde Mitleid für Julian Casablancas:
http://nymag.com/arts/popmusic/profiles/63032/
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C'mon Granddad!das neue Album erscheint wohl erst im Frühjahr 2011. Schade, wäre besser, wenn sie ihre Zeit im Studio verbringen würden, anstatt auf Festivals und dort nicht mal neue Songs präsentieren…sehr enttäuschend :roll:
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via Pitchfork
TwentyFourBit points out that the Strokes‘ bassist Nikolai Fraiture has confirmed a recently speculated rumor concerning the release date of the Strokes‘ fourth full-length by posting on his private Facebook page: „Yes! You read right… March 22nd!! Looking forward to playing the new songs live.“ And we have confirmed that yes, it’s true: the fourth Strokes album will come out March 22 in the U.S.
Fraiture recently told BBC radio host Zane Lowe, „Sonically, I feel it’s the album which should have been made between Room on Fire and First Impressions of Earth.“ The still-untitled LP is said to be ten songs long.
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i bleed green[/I][/SIZE] [/FONT]„Is This It“ wird auf musiconvinyl wiederveröffentlicht. Jedenfalls, wenn man dem irrwitzgen Release Date „31.12.2099“ von jpc Glauben schenken mag.
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Ragged Glory“Is This It“ wird auf musiconvinyl wiederveröffentlicht. Jedenfalls, wenn man dem irrwitzgen Release Date „31.12.2099“ von jpc Glauben schenken mag.
Das wird der Tag der Reissues. „Songs For Beginners“ wird ebenfalls in knapp 90 Jahren wiederveröffentlicht.
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"i tell all my friends that i'm bound for heaven, and if it ain't so you can't blame me for living" Thank You, Jason!Besser spät als nie. Das stärkt den Überlebenswillen.
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Kein Tag ohne neue Neuigkeiten:
US Rolling StoneThe Strokes‘ new record is finally done, after nearly two years of work that included scrapping one set of sessions done with a producer, then remaking virtually the whole album on their own. Tentatively called Angles, the New York band’s first album since 2006 will be released by RCA on March 22nd. „It’s what the record sounds like,“ guitarist Albert Hammond Jr. says of the title. „It comes from five different people.“
Hammond is referring to the fact that the 10 new songs were all written, in various combinations, by everyone in the band: a first for a Strokes album. Their breakthrough debut, 2001’s Is This It, and the 2003 follow-up, Room on Fire, were largely written by singer Julian Casablancas. „The vision was everyone’s — we all contributed ideas — but the genesis of the songs was his,“ admits guitarist Nick Valensi. „This is the first one where we are truly working democratically. It’s taken a long time because this is a new model for us.“
„Taken for a Fool,“ „Life Is Simple“ and the probable first single, „Undercover of Darkness,“ are reassuring displays of the Strokes‘ feral-garage dynamics. But Angles is the best album the Strokes have made since Is This It because of the stylistic depth and progressive excitement in those crisscross guitars, the tightly wound rhythms and Casablancas‘ dry trademark croon. The stabbing guitars in „Machu Picchu“ mimic the staccato beep of synthesizers, then become a rough wall of jangle over a hip-hop grind, as if the Strokes are cutting a Jay-Z track via the Rolling Stones‘ Aftermath.
„Radio Minor Madness“ has even more electronics, laced with ill-tempered guitars and startling high leaps in Casablancas‘ vocal. And „Call Me Back“ is striking ballad suspense, disrupted by a psychedelic-seizure bridge. „That’s one of the main reasons it’s so hard for us to record, to capture what we do,“ Hammond says. „We don’t leave a lot of room. There is always someone doing something.“
The bigger problem on the way to Angles was getting everyone in one room to do anything. After they finished touring behind 2006’s First Impressions of Earth, the Strokes splintered into a series of solo albums and side projects. „This band is like a house of cards — when one thing falls, the whole thing collapses,“ says Valensi, the only member who didn’t release his own record. „It’s just typical rock-band bullshit — the clichés that keep a group of people who have something special from wanting to continue it.“
Valensi, Hammond, Casablancas, bassist Nikolai Fraiture and drummer Fabrizio Moretti reconvened to write and arrange new material in early 2009. „It was like we were starting from scratch,“ says Hammond, „but with a lot of history. It’s confusing to do that.“
After making live demos of 18 songs, the Strokes started recording with producer Joe Chiccarelli at Avatar Studios in New York. „Life Is Simple“ is the only song on Angles from those sessions. „He was trying to do as little editing as possible,“ Valensi says, „to the point where we were at take 70 of a song. It felt so strict.“ The Strokes took the tapes to Hammond’s home studio upstate and ultimately redid the other nine songs, top to bottom.
The Strokes will tour this year — within reason, Hammond claims: „We want to come back strong but slowly, so we can grow live and also make new music. We want to release albums quicker.“
„I don’t want to make an album every five years,“ Valensi insists. „I love being in this band, and I want it to be a career thing. It’s so worth it — for all of us.“
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Es ist Breitling, scheiß auf deine Aldi-Uhr / Auf meinem nächstem Cover halt ich das ExcaliburErster Vorbote der kommenden Platte: [COLOR=“Blue“]“One Way Trigger“.
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Es ist Breitling, scheiß auf deine Aldi-Uhr / Auf meinem nächstem Cover halt ich das Excaliburnaja.
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Look out kid You're gonna get hitNein danke.
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