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Beiträge
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danke Dir, das ist wirklich ein schoenes Video!
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.Highlights von Rolling-Stone.deZum 60. Geburtstag von Eddie Vedder: Sänger für die Verlorenen
Christmas-Playlist: 10 großartige Songs zu Weihnachten
Oh, du Hässliche! Die 25 schrecklichsten Weihnachtsalben-Cover
Legendäre Konzerte: The Concert For Bangladesh 1971
„Kevin allein zu Haus“: Ein Familienfilm ohne Familie
The Beatles: Wie die Aufnahmen zu „Let It Be“ zum Fiasko wurden
WerbungDanke @atom. Sehr interessant.
Vielleicht auch interessant: auf Gearbox ist „The Octect Broadcasts 1969 and 1979“ von Alan Wakeman endlich erschienen. Alan hat ja u.a. auch bei Pete Atkin und bei The Soft Machnine (auf „Softs“) mitgespielt. Diese BBC Sessions sind eine für mich sehr bereichernde Veröffentlichung. Der Einfluss von Mingus und Ellington unüberhörbar.
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you can't win them allAb dem 25.03.2022 bei Cuneiform!
From their beginnings as a psychedelic rock band in 1966, sharing stages with Pink Floyd and the Jimi Hendrix Experience, to being one of the originators of electric jazz/rock by early 1969, Britain’s Soft Machine were restlessly creative. Facelift France and Holland captures them at a pivotal moment in the first quarter of 1970 as a short-lived quintet, just before they recorded and released their breakthrough album Third.
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...
As broadcast on the French TV programme Pop 2, the film of Soft Machine’s concert at Paris’ Théâtre de la Musique, which constitutes the main course of the present release, stands as an exceptional document of the band at, arguably, its artistic peak.
It is the earliest footage of the band to be commercially released and also the only video footage known to exist of the quintet line-up that was active from January to March 1970. The broadcast contains the only professionally-recorded performance of “Out-Bloody- Rageous” with Lyn Dobson on second sax and it also is the only professionally-recorded alternative performance by the quintet of “Facelift” (the original appearing as the opening track on Third).
Facelift France and Holland marks the first official release of the entire show in both audio and video format. Footage… more
credits
releases March 25, 2022Elton Dean – Alto sax, saxello
Lyn Dobson – Soprano and tenor sax, flute, harmonica, vocals
Hugh Hopper – Bass
Mike Ratledge – Hohner Pianet, Lowrey Holiday Deluxe organ
Robert Wyatt – Drums, vocalsCD One: Recorded at Théâtre de la Musique, Paris, France, March 2, 1970. Licensed from I.N.A.
CD Two Recorded at Concertgebouw, Amsterdam, The Netherlands, January 17, 1970.Preorder als 2CD/DVD oder 2LP/DVD
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...Die CD/DVD-Version ist schon bei JPC gelistet. Vinyl folgt hoffentlich auch.
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God told me to do it.Neues Album am 30.06.2023
The brand new Soft Machine studio album ‘Other Doors’ has now been recorded, mixed and mastered and it is time to get it ready to send out into the world. Our first studio album since 2018’s ‘Hidden Details’ it marks a new chapter in the history of the band – both an ending and a beginning for this unique band that has now been in existence for 55 years. This studio album sees the final studio appearance of the legend that is John Marshall, our wonderful drummer. John played his heart out on this album and since completing the recording and playing one incredible last gig at London’s iconic Ronnie Scott’s Club in July 2022, he has decided to retire as a result of ongoing health issues.
The album also sees the introduction of bass player Fred Baker to the band following the retirement of the one and only Roy Babbington,
We, John, John, Fred and Theo are all very proud are all very proud of this new album as it features some great new music and inspired playing as well as the reimagining of two Soft Machine classics – ‘Penny Hitch’ (from ‘Seven’) and ‘Joy of a Toy’ (from the first album)
Atmospheric improvisations, psychadelic free jazz, burning jazz rock, screaming guitar, hypnotic looped alto flutes, fretless bass grooves, powerful drums and experimental electronic music, Soft Machine continues to pursue its musically ambitious, wide ranging, jazz based but without boundaries agenda in creating the most ambitious and adventurous heartfelt music we can imagine. We hope you like it as much as we enjoyed making it. With Cover image by Lasse Hoile and Design by Carl Glover.
But we need your help for the final stage of the process. We need you to be a part of our team as we are making the album on John Etheridge’s own label Dyad in the UK and Europe, and Leonardo Pavkovic’ s Moonjune label in the USA and Japan. Plus thanks to the Tonefloat label in the Netherlands, the album is being released in a beautiful special vinyl edition, complete with a whole extra side of otherwise unreleased bonus tracks.
To pay the considerable costs of making and releasing the album and so that we, the musicians, will actually get paid for it we are offering some special packages to raise funds.
Package OptionsOPTION 1 If you would like to be an Executive Producer and be credited as such in the CD sleeve notes and also on the Soft Machine Website, plus have a CD signed by all four members of the band, this will cost £ 80 +postage and packaging. Only 40 places available Plus your CD will be sent to you two weeks in advance of the worldwide release date. Plus buyers will receive a 24 bit HD digital download of the album
OPTION 2 For a 2LP 180gm vinyl edition of the album (complete with the whole extra side of bonus tracks) signed by all four members of the band, this will cost £60 +postage and packaging. Plus buyers will receive a 24 bit HD digital download of the album
OPTION 3 For a CD edition of the album signed by all four members of the band, this will cost £30 +postage and packaging. Plus your CD will be sent to you two weeks in advance of the worldwide release date. Plus buyers will receive a 24 bit HD digital download of the album.
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...Neues Livealbum kommt dazu im April.
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Hold on Magnolia to that great highway moonDer Titeltrack ist mittlerweile online.
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Hold on Magnolia to that great highway moonGanz toll ist das, freue mich schon drauf.
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Am 31.05. veröffentlicht Cuneiform mit Høvikodden 1971 das wahrscheinlich beste Live-Material von Soft Machine in erweiterter Form (alle 4 Sets von beiden Tagen) auf CD und Vinyl.
While the two sets from the second night (February 28, 1971) have been released before, this is the first time that the entire two-night stand has been released. So half of this is previously completely unreleased.
This is a excellent, stereo recording of the band performing in a relatively small hall; the balances between the instruments are not perfectly balanced, but there is no other recording by Soft Machine that I know of that sounds as much like the band are performing *right* in front of you!
Additionally, we were able to improve in a modest but definitely noticeable way the not-perfect balance between the instruments on this edition.
Mitwirkende
wird veröffentlicht am 31. Mai 2024Elton Dean: alto sax, saxello, Hohner pianet
Hugh Hopper: bass
Mike Ratledge: Hohner pianet, Lowrey Holiday Deluxe organ, Fender Rhodes
Robert Wyatt: drums, vocalsOriginal recordings engineered by Meny Bloch at the Henie-Onstad Art Center, Høvikodden, Norway, February 27-28, 1971.
Mixed and mastered by Ian Beabout at ShedSounds Studio.
27.02.1971 First Set
Facelift 11:57
Virtually 11:47
Slightly All The Time 09:26
Fletcher’s Blemish 06:4327.02.1971 Second Set
Neo-Caliban Grides 09:05
Out-Bloody-Rageous 09:56
Vocal Improvisation 04:18
Eamonn Andrews 01:11
All White 02:40
Kings and Queens 06:17
Teeth 08:59
Pigling Bland 04:3128.02.1971 First Set
Facelift 10:06
Virtually 10:11
Slightly All The Time 09:43
Fletcher’s Blemish 07:5928.02.1971 Second Set
Neo-Caliban Grides 08:02
Out-Bloody-Rageous 08:43
Vocal Improvisation 04:56
Eamonn Andrews 01:08
All White 02:38
Kings and Queens 06:08
Teeth 11:09
Pigling Bland 04:38
Slightly All The Time [encore] 06:53--
Hey man, why don't we make a tune... just playin' the melody, not play the solos...Wow. Sehr schön. Bin gespannt wie das Resultat klingt.
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All I Can Do Is Be Me, Whoever That Is.Ja, sehr schön. Haben wollen…
Mal sehen was für Preise aufgerufen werden.kurganrsJa, sehr schön. Haben wollen…
Mal sehen was für Preise aufgerufen werden.Das 4CD-Set liegt bei etwa ~65 Euro, das 4LP-Set bei ~138 Euro. Die LP-Box soll auf 100 Stück limitiert sein.
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...hurleyWow. Sehr schön. Bin gespannt wie das Resultat klingt.
Die beiden Sets vom zweiten Tag gab es vor Jahren bereits auf Smalltown Superjazz.
Für mich ist das der zweitbeste Auftritt der Band, knapp hinter dem Londoner Auftritt aus dem Paris Theater, drei Wochen später.
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Hey man, why don't we make a tune... just playin' the melody, not play the solos...--
All I Can Do Is Be Me, Whoever That Is.
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