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Highlights von Rolling-Stone.de
Welches Equipment verwenden eigentlich…Pink Floyd?
Musikalische Orgasmen: 6 Songs voller Höhepunkte
Dies ist (laut Fans und Kritikern) die beste Folge von „Friends“
Studio-Magier: Die 8 besten Musikproduzenten
So arbeiteten die Beatles am „Weeping Sound“ für das White Album
So lief das erste Konzert der Rolling Stones 1962 im Marquee in London
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AnonymRegistriert seit: 01.01.1970
Beiträge: 0
23,07Du hast ja auch nur eine Yes-CD!
Stimmt, ausser der 90125 und dem Song starship troopers kenn ich nichts bewusst von Yes. Ich glaube zu wissen, dass dies ein großer Fehler ist.
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O`MalleyStimmt, ausser der 90125 und dem Song starship troopers kenn ich nichts bewusst von Yes. Ich glaube zu wissen, dass dies ein großer Fehler ist.
Aber es gibt ja auch wichtigere Dinge: Treue, Anstand, Ehrlichkeit, Aufrichtigkeit… :lol:
Bin mal auf die nächste PT gespannt.
AnonymRegistriert seit: 01.01.1970
Beiträge: 0
23,07Aber es gibt ja auch wichtigere Dinge: Treue, Anstand, Ehrlichkeit, Aufrichtigkeit… :lol:
Davon habe ich noch weniger gehört, als von Yes…:-) Vergiss nicht, ich bin Makler
Auf die neue PT brenne ich förmlich. Diese langen Stücke, dieses „Beast“…das wird sicher klasse!
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O`MalleyVon no man kenn ich bisher……..gar nix. :krank:
OMA, ich glaube schon, dass das nichts für Dich ist. Dir wohl viel zu ruhig. Hat eher wenig mit „PT“ zu tun.
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Jetzt schon 62 Jahre Rock 'n' Roll
AnonymRegistriert seit: 01.01.1970
Beiträge: 0
dr.musicOMA, ich glaube schon, dass das nichts für Dich ist. Dir wohl viel zu ruhig. Hat eher wenig mit „PT“ zu tun.
Ich mag ruhig. Besonders mit gepflegter, düsterer Melancholie. Blackfield mag ich ja auch…und sehr die ruhigen Sachen. :liebe:
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News zum neuen Album:
News: Porcupine Tree Unveil Fear Of A Blank Planet in NYC!
Joining a small band of Media representatives from New York City, our own Ken Pierce was priveleged to listen to the new Porcupine Tree CD; a crunching Progressive Rock epic entitled Fear Of A Blank Planet. The album will hit the streets on April 24, 2007 and should surprise some of his fans. Founder and creative Mastermind Steven Wilson was present at the listening and told the group that the album was one long contiguous piece of music. It runs approximately fifty minutes in length, and while segmented with various movements, it still becomes part of the larger whole. Wilson mused that he opted against making the whole thing one 80 minute song and went with 50 just like in the good old days of Prog music. We enjoyed the 5.1 mix of the recording in one of the rooms of Legacy Studios and were treated to the piece in surround sound as well. It is a very intense piece of music at times with thundering drums and riffs that will impress any guitar player and yet when it slows down it is passionate and sublte in the truest sense. I asked Wilson if he felt that this was among the heaviest material he has delivered to date and he replied „yes, it might very well be“. The long time fans of the Progressive Rock genius will not be disappointed in the album for while it is heavier than they might expect there is also a multitude of musical valleys and time signature changes that they have come to appreciate over the course of the bands career. From here, Wilson would head off to Abbey Road studios to repeat the listening process over there. He joked when we began and said „what we are going to hear, no what YOU are going to hear, since I have been doing this for three months aleady, is the new recording, and I will come back when its done“. When Wilson returned to the studio room he was met with applause and whistles and he cracked a casual smile and politely thanked us for being part of the evening. We were not provided with any track-listing information or the titles for the segments under the piece, but regardless I look forward to this albums release and feel it will snare an even larger audience for this well-deserving band. Ken Pierce.
Quelle: Sea of Tranquility
:dance:
pebet
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Now my work is done, I feel I'm owed some joy! - Josh Ritter, Bright SmileApropos: Beim Eclipsed-Magazin (Ausgabe 02/2007) ist „Porcupine Tree“ zur besten Band der letzten 20 jahre gewählt worden…
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Jetzt schon 62 Jahre Rock 'n' Roll23,07Das zeigt was passiert, wenn man Äffchen ne Schreibmaschine in die Hand drückt!
Da sieht einer zu viel Die Simpsons!
pebet
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Now my work is done, I feel I'm owed some joy! - Josh Ritter, Bright Smile23,07Das zeigt was passiert, wenn man Äffchen ne Schreibmaschine in die Hand drückt!
Such mal bei Wikipedia nach „Forentroll“. Dort findest du bestimmt deinen Namen.
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Sam LowrySuch mal bei Wikipedia nach „Forentroll“. Dort findest du bestimmt deinen Namen.
War das Majestätsbeleidigung? :doh:
Eine Diskussion um die lustigen Listen in diversen Eclipsed-Mags muss man sicher nicht neu aufrollen. Auch auf deinen Kommentar möchte ich gar nicht eingehen. Das Eclipsed hat auf jeden Fall einiges für die Szene getan!
Fakt ist allerdings, dass PT unverhältnismäßig gehypt wurden. Dass die zweitbeste Band nicht The Amber Light sind, verwundert ja fast schon…
Also ich freue mich auf jeden Fall sehr auf die nächste PT!
Langsam werden die Infos zum neuen Album immer mehr. Dieses Mal ein Review von er zweiten Pre-Listening Session mit Steven Wilson. Das Review tauchte in der DarkMatter Mailinglist auf:
„So I heard the album twice earlier today, and it is fantastic. To my ears
it lies somewhere in between The Sky Moves Sideways and In Absentia, and is
in my opinion that this is their best album since TSMS. It is one
continuous 50 minute piece, and is structured and pieced together like the
extended version of TSMS that appeared on the bonus disc of the reissue. It
is also the heaviest PT album to date, in a similar sort of way to how In
Absentia was heavy. Unlike the New York listening we were given the track
titles, but I won’t spill the beans here until PT themselves have put it on
their site.
It all kicks off with a dark brooding riff on acoustic guitar which fairly
quickly explodes onto electric, backed with a driving beat from Gavin. The
lyrics are rapid-fire, and have a few effects to make them seem distant and
down a phone line. This track hasn’t changed markedly from the live
version, but I think the earlier riffs are not quite so heavy – the really
heavy parts don’t kick in until about two-thirds of the way through Track 1.
It all slows down for the next track, being more acoustic and laid back.
Harmonies drench the chorus, creating a more epic setting than is usually
shown by PT. This quickly moves into „The Beast“. A dark, brooding,
minimal riff drifts in, backed by typical RB synths before low drawn out
lyrics emerge. It slowly begins to build, and Alex Lifeson’s solo tears
through the speakers – a very technical, shifting solo, sounds great but I’m
not convinced on it totally fitting the mood of the song at that time.
Things then start getting really heavy, with full on double bass drum, palm
muted riffs, thumping bass – headbangers to the ready! Long instrumental
passages ensure, punctuated with probably my favourite PT chorus ever –
hugely tuneful and catchy, and more glorious harmonies, all over heavy
guitars. It all slows down for the outro, bringing back the mood of track
2, with vocals similar to the intro to this track.
Track 4 is my favourite track after these 2 listens. It is a beautiful,
lush track that is full of clean crisp guitars, more of those harmonies
choruses and a wonderfully catchy little riff that runs through most of the
track, and such a huge improvement over the live version of 4 months ago.
Track 5 is the one track that wasn’t aired on the October tour. Starting
off dark and unsettling, it is built around a stuttering guitar riff on top
of some soundscapes courtesy of Robert Fripp. After a couple of verses it
literally explodes into a monumental slab of heavy guitars and drums, which
although it disappears just as quickly, somehow fits.
A more industrial beat opens the final track, one that builds and builds,
becoming lush with guitars and strings that morph into a hypnotic, epic,
huge outro with so many hooks in it that it hurts, fantastic
Sorry if this is a bit vague, but only having two listens to such a vast and
complex album, it’s going to be a long three months…“Das wird was! Ich kanns kaum mehr erwarten! Vor allem weil das Album eigentlich ein zusammenhängendes Epos ist – also eigentlich ein Track!
:lach:pebet
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Now my work is done, I feel I'm owed some joy! - Josh Ritter, Bright Smile
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