Startseite › Foren › Fave Raves: Die definitiven Listen › „Sterne an“ – das nüchterne Bewertungsforum › Paul Bley
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Paul Bley (1932-2016)
Introducing Paul Bley (Debut, 1953) * * * *
Paul Bley (Wing/EmArcy, 1954) * * *1/2
Solemn Meditation (GNP Crescendo, 1957) * * *1/2
The Fabulous Paul Bley Quintet (America, 1958) * * * *1/2
Ornette Coleman – Coleman Classics, Vol. 1 (Improvising Artists, 1958) * * * *1/2
Footloose (Savoy, 1962/63) * * * *1/2
Paul Bley with Gary Peacock (ECM, 1963/68) * * * *
Turning Point (Improvising Artists, 1964) * * *1/2
Turns (Savoy, 1964) * * * *
Barrage (ESP‘-Disk, 1964) * * * *1/2
Touching (Debut/Fontana, 1965) * * * *1/2
Closer (ESP‘-Disk, 1965) * * * * *
Ramblin‘ (BYG, 1966) * * * *
Blood (Fontana, 1966) * * * *1/2
Live in Haarlem – Blood (Freedom, 1966) * * * *1/2
Ballads (ECM, 1967) * * *1/2
Barry Altschul/Paul Bley/Gary Peacock – Virtuosi (Improvising Artists, 1967) * * * *1/2
Mr. Joy (Limelight, 1968) * * * *
Bley-Peacock Synthesizer Show – Revenge: „The Bigger The Love, The Greater The Hate“ (Polydor, 1969) * * *
The Paul Bley Synthesizer Show (Milestone, 1970/71) * * *1/2
Improvisie (America, live 1971) * * * *
Open, to Love (ECM, 1972) * * * * *
Paul Bley & Scorpio (Milestone, 1972) * * * *
Jaco Pastorius/Pat Metheny/Bruce Ditmas/Paul Bley – Jaco (Improvising Artists, 1974) * * *
Axis (Improvising Artists, 1977) * * * *
Jimmy Giuffre/Lee Konitz/Bill Connors/Paul Bley – IAI Festival/Great American Music Hall/San Francisco (Improvising Artists, 1978) * * *1/2
Tango Palace (Soul Note, 1983) * * * *
Sonor (Soul Note, 1983) * *1/2
The Paul Bley Group: Hot (Soul Note, 1985) * * *1/2
Chet Baker/Paul Bley – Diane (Steeplechase, 1985) * * * *1/2
Fragments (ECM, 1986) * * * *
Indian Summer (Steeplechase, 1987) * * * *1/2
Paul Bley/Paul Motian – Notes (Soul Note, 1987) * * * *
The Paul Bley Group: Live at Sweet Basil (Soul Note, 1988) * * * *
Rejoicing (Steeplechase, 1989) * * * *
Paul Bley/Jimmy Giuffre/Steve Swallow – The Life of a Trio: Saturday (Owl, 1989) * * * *
Paul Bley/Jimmy Giuffre/Steve Swallow – The Life of a Trio: Sunday (Owl, 1989) * * * *
Paul Bley & Gary Peacock – Partners (Owl, 1989) * * * *1/2
Bebop (Steeplechase, 1989) * * * *
12 (+6) in a Row (Hat Hut, 1990) * * * *
Paul Bley/Charlie Haden/Paul Motian – Memoirs (Soul Note, 1990) * * * *
Paul Plays Carla (Steeplechase, 1991) * * * * *
Paul Bley/Gary Peacock – Mindset (Soul Note, 1992) * * * *1/2
Paul Bley/Franz Koglmann/Gary Peacock – Annette (Hat Hut, 1992) * * * *1/2
Keshavan Maslak/Paul Bley – Not to Be a Star (Black Saint, 1992) * * *1/2
Paul Bley/Jimmy Giuffre/Steve Swallow – Fly Away Little Bird (Owl, 1992) * * *1/2
Homage to Carla Bley (Owl, 1992) * * * * *
At Copenhagen Jazz House (Steeplechase, 1992) * * *
If We May (Steeplechase, 1993) * * * *
Jimmy Giuffre / Paul Bley / Steve Swallow: Conversations with a Goose (Soul Note, 1993) * * * *1/2
Keshavan Maslak/Paul Bley – Romance in the Big City (Leo, 1993) * * * *
Paul Bley/Furio di Castri/Tony Oxley – Chaos (Soul Note, 1994) * * * *1/2
Reality Check (Steeplechase, 1994) * * * *1/2
Paul Bley/Evan Parker/Barre Phillips – Sankt Gerold (ECM, 1996) * * * * *
Jazz ’n (e) motion (BMG France, 1997) * * * *1/2
Notes on Ornette (Steeplechase, 1997) * * * *1/2
Not Two, Not One (ECM, 1998) * * * *
Basics (Justin Time, 2000) * * * *
Solo in Mondsee (ECM, 2001) * * * * *
Nothing to Declare (Justin Time, 2003) * * * *1/2
Play Blue (ECM, live 2014) * * * *1/2--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 - 19.12.2024 – 20:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaHighlights von Rolling-Stone.de11 coole Zitate aus „Und täglich grüßt das Murmeltier“
So klingen die größten Schlagzeuger ohne ihre Band
Welches Equipment verwenden eigentlich…Pink Floyd?
Musikalische Orgasmen: 6 Songs voller Höhepunkte
Dies ist (laut Fans und Kritikern) die beste Folge von „Friends“
Studio-Magier: Die 8 besten Musikproduzenten
WerbungIch kenne kein Album von Paul Bley, dem ich fünf Sterne geben würde, auch nicht Open To Love, Sankt Gerold oder Solo In Mondsee. So wirklich klar begründen kann ich es freilich auch nicht, aber ich halte ihn für einen hervorragenden Pianisten, aber an die ganz großen kommt er aus meiner Sicht nicht heran.
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Ohne Musik ist alles Leben ein Irrtum.kleines Update anlässlich der ECM-Umfrage – Veränderungen kursiv, Ergänzungen fett
Introducing Paul Bley (Debut, 1953) * * * *
Paul Bley (Wing/EmArcy, 1954) * * *1/2
Solemn Meditation (GNP Crescendo, 1957) * * *1/2
The Fabulous Paul Bley Quintet (America, 1958) * * * *1/2
Ornette Coleman – Coleman Classics, Vol. 1 (Improvising Artists, 1958) * * * *1/2
Footloose (Savoy, 1962/63) * * * *1/2
Paul Bley with Gary Peacock (ECM, 1963/68) * * * *
Turning Point (Improvising Artists, 1964) * * *1/2
Turns (Savoy, 1964) * * * *
Barrage (ESP‘-Disk, 1964) * * * *1/2
Touching (Debut/Fontana, 1965) * * * *1/2
Closer (ESP‘-Disk, 1965) * * * * *
Ramblin‘ (BYG, 1966) * * * *
Blood (Fontana, 1966) * * * *1/2
Live in Haarlem – Blood (Freedom, 1966) * * * *1/2
Ballads (ECM, 1967) * * * *1/2 (+ *)
Barry Altschul/Paul Bley/Gary Peacock – Virtuosi (Improvising Artists, 1967) * * * *1/2
Mr. Joy (Limelight, 1968) * * * *
Bley-Peacock Synthesizer Show – Revenge: „The Bigger The Love, The Greater The Hate“ (Polydor, 1969) * * *
The Paul Bley Synthesizer Show (Milestone, 1970/71) * * *1/2
Improvisie (America, live 1971) * * * *
Open, to Love (ECM, 1972) * * * * *
Paul Bley & Scorpio (Milestone, 1972) * * * *
Jaco Pastorius/Pat Metheny/Bruce Ditmas/Paul Bley – Jaco (Improvising Artists, 1974) * * *
Axis (Improvising Artists, 1977) * * * *
Jimmy Giuffre/Lee Konitz/Bill Connors/Paul Bley – IAI Festival/Great American Music Hall/San Francisco (Improvising Artists, 1978) * * *1/2
Tango Palace (Soul Note, 1983) * * * *
Sonor (Soul Note, 1983) * *1/2
The Paul Bley Group: Hot (Soul Note, 1985) * * *1/2
Chet Baker/Paul Bley – Diane (Steeplechase, 1985) * * * *1/2
Fragments (ECM, 1986) * * * *
Indian Summer (Steeplechase, 1987) * * * *1/2
Paul Bley/Paul Motian – Notes (Soul Note, 1987) * * * *
The Paul Bley Quartet (ECM, 1987) * * * *
The Paul Bley Group: Live at Sweet Basil (Soul Note, 1988) * * * *
Rejoicing (Steeplechase, 1989) * * * *
Paul Bley/Jimmy Giuffre/Steve Swallow – The Life of a Trio: Saturday (Owl, 1989) * * * *
Paul Bley/Jimmy Giuffre/Steve Swallow – The Life of a Trio: Sunday (Owl, 1989) * * * *
Paul Bley & Gary Peacock – Partners (Owl, 1989) * * * *1/2
Bebop (Steeplechase, 1989) * * * *
12 (+6) in a Row (Hat Hut, 1990) * * * *
Paul Bley/Charlie Haden/Paul Motian – Memoirs (Soul Note, 1990) * * * *
Paul Plays Carla (Steeplechase, 1991) * * * * *
Paul Bley / Gary Peacock / Tony Oxley / John Surman – In the Evenings Out There (ECM, 1991) * * * *
Paul Bley/Gary Peacock – Mindset (Soul Note, 1992) * * * *1/2
Paul Bley/Franz Koglmann/Gary Peacock – Annette (Hat Hut, 1992) * * * *1/2
Keshavan Maslak/Paul Bley – Not to Be a Star (Black Saint, 1992) * * *1/2
Paul Bley/Jimmy Giuffre/Steve Swallow – Fly Away Little Bird (Owl, 1992) * * *1/2
Homage to Carla Bley (Owl, 1992) * * * * *
At Copenhagen Jazz House (Steeplechase, 1992) * * *
If We May (Steeplechase, 1993) * * * *
Jimmy Giuffre / Paul Bley / Steve Swallow: Conversations with a Goose (Soul Note, 1993) * * * *1/2
Keshavan Maslak/Paul Bley – Romance in the Big City (Leo, 1993) * * * *
Paul Bley/Evan Parker/Barre Phillips – Time Will Tell (ECM, 1994) * * * *1/2
Paul Bley/Furio di Castri/Tony Oxley – Chaos (Soul Note, 1994) * * * *1/2
Reality Check (Steeplechase, 1994) * * * *1/2
Paul Bley/Evan Parker/Barre Phillips – Sankt Gerold (ECM, 1996) * * * * *
Jazz ’n (e) motion (BMG France, 1997) * * * *1/2
Notes on Ornette (Steeplechase, 1997) * * * *1/2
Paul Bley / Gary Peacock / Paul Motian – Not Two, Not One (ECM, 1998) * * * *1/2 (+ 1/2)
Paul Bley / Gary Peacock / Paul Motian – When Will The Blues Leave * * * *1/2
Basics (Justin Time, 2000) * * * *
Solo in Mondsee (ECM, 2001) * * * * *
Nothing to Declare (Justin Time, 2003) * * * *1/2
Play Blue (ECM, live 2014) * * * * (- 1/2)--
"Don't play what the public want. You play what you want and let the public pick up on what you doin' -- even if it take them fifteen, twenty years." (Thelonious Monk) | Meine Sendungen auf Radio StoneFM: gypsy goes jazz, #158 – Piano Jazz 2024 - 19.12.2024 – 20:00 | Slow Drive to South Africa, #8: tba | No Problem Saloon, #30: tbaopen, to love ****
solo in mondsee ****--
i don't care about the girls, i don't wanna see the world, i don't care if i'm all alone, as long as i can listen to the Ramones (the dubrovniks)
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,506
jimmydean open, to love **** solo in mondsee ****
Zwei herausragende Solo Piano Veröffentlichungen auf ECM ….
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin) -
Schlagwörter: Free Jazz, Jazz Piano, Paul Bley
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